Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Set theory (music)
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Basic operations== {{Main|Transformation (music)}} [[File:Pitch class 5-6 inversion example.png|upright=0.5|thumb|Pitch class inversion: 234te reflected around 0 to become t9821]] The basic operations that may be performed on a set are [[transposition (music)|transposition]] and [[Melodic inversion|inversion]]. Sets related by transposition or inversion are said to be ''transpositionally related'' or ''inversionally related,'' and to belong to the same [[set class]]. Since transposition and inversion are [[isometry|isometries]] of pitch-class space, they preserve the intervallic structure of a set, even if they do not preserve the musical character (i.e. the physical reality) of the elements of the set.{{Citation needed|date=July 2019|reason=This claim recently said just the opposite: that the musical character is in fact preserved.}} This can be considered the central postulate of musical set theory. In practice, set-theoretic musical analysis often consists in the identification of non-obvious transpositional or inversional relationships between sets found in a piece. Some authors consider the operations of [[complement (music)|complementation]] and [[multiplication (music)|multiplication]] as well. The complement of set X is the set consisting of all the pitch classes not contained in X.{{sfn|Forte|1973|loc=73β74}} The product of two pitch classes is the product of their pitch-class numbers modulo 12. Since complementation and multiplication are not [[isometries]] of pitch-class space, they do not necessarily preserve the musical character of the objects they transform. Other writers, such as Allen Forte, have emphasized the [[Z-relation]], which obtains between two sets that share the same total interval content, or [[interval vector]]βbut are not transpositionally or inversionally equivalent.{{sfn|Forte|1973|loc=21}} Another name for this relationship, used by Hanson,{{sfn|Hanson|1960|loc=22}} is "isomeric".{{sfn|Cohen|2004|loc=33}} Operations on ordered sequences of pitch classes also include transposition and inversion, as well as [[Permutation (music)|retrograde and rotation]]. Retrograding an ordered sequence reverses the order of its elements. Rotation of an ordered sequence is equivalent to [[cyclic permutation]]. Transposition and inversion can be represented as elementary arithmetic operations. If {{var|x}} is a number representing a pitch class, its transposition by {{var|n}} semitones is written T<sub>{{var|n}}</sub> = {{var|x}} + {{var|n}} mod 12. Inversion corresponds to [[Reflection (mathematics)|reflection]] around some fixed point in [[pitch class space]]. If {{var|x}} is a pitch class, the inversion with [[index number]] {{var|n}} is written I<sub>{{var|n}}</sub> = {{var|n}} - {{var|x}} mod 12.
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)