Editing Talvin Singh (section)

==Style and influences==
Singh is an accomplished tabla player, electronic musician, music theorist, record producer and DJ. As a solo artist, he is perhaps best known as the father of modern Asian electronica music, though he is also a highly celebrated tabla player, record producer and visual practitioner.

Drawing inspiration from the classical Indian arts, Singh first came to prominence as a tabla percussionist in the 1980s London music scene. Whilst still in his mid-teens, Singh travelled to India to earn pupillage from Sangeet Acharya [[Avirbhav Verma|Ustad Lachman Singh Seen]], master tabla maestro of the Punjab school. This period made an indelible mark on the young artist and he has since continued to practice and perform the art form internationally. Singh's collaborations with Indian classical musicians include Ustad Sultan Khan, Rakesh Churasia, Ustad Imrat Khan and Ustad Amjad Ali Khan amongst scores of others.<ref>{{Cite book|url=https://books.google.com/books?id=OSZKCXtx-wEC&q=talvin+singh+LachmanSingh+seen&pg=PA343|title=The Dawn of Indian Music in the West|first=Peter|last=Lavezzoli|date=24 April 2006|publisher=A&C Black|page=343|isbn=9780826418159|via=Google Books}}</ref>

Singh also became involved in experimental music collaborations beginning in the late 1980s, working with Sun Ra and Courtney, which helped to popularise the burgeoning Asian underground sub-culture movement.

Singh is notable for re-introducing the concepts of Indian classical music to western pop, dance and jazz genres in the late 1980s and early 1990s. Singh's solo album credits include critical and commercial successes Ok (1998)—which won the UK's two most prestigious music prizes, 'The South Bank Prize' and the [[Mercury Prize]] in 1999. ''Ok'', his groundbreaking 1998 debut release, was recorded in Mumbai, Madras, Okinawa, New York and London, featuring contributions from [[Bill Laswell]], [[Ryuichi Sakamoto]], [[Ustad Sultan Khan]] and the Madras Philharmonic Orchestra amongst others.

Singh has pursued several artistic ventures parallel to and in conjunction with his music career, including creating the seminal London club ANOKHA, performing at the [[Tate Gallery]] in London, creating a sound installation at the Frith Street Gallery in London and composing music for various experimental dance, theatre and film projects. In 1990 Singh conceived the Tablatronic, a hybrid electronic/analog tabla (drum) which uses a rare internal microphone system. However, in a 2017 interview, he said he "did not do fusion music" and disliked the way Indian musicians felt they had to do fusion music.<ref>Canton, Naomi.[http://timesofindia.indiatimes.com/home/sunday-times/all-that-matters/Indian-musicians-feel-they-have-to-do-fusion-to-be-hip/articleshow/60440503.cms "'Indian musicians feel they have to do fusion to be hip'"]. ''[[The Times of India]]''. 10 September 2017.</ref>