Editing Schenkerian analysis (section)

==Further reading==

* Blasius, Leslie D. (1996). ''Schenker's Argument and the Claims of Music Theory'', Cambridge, Cambridge University Press. {{ISBN|0-521-55085-8}}.
* Brown, Matthew (2005). ''Explaining Tonality: Schenkerian Theory and Beyond''. University of Rochester Press. {{ISBN|1-58046-160-3}}.
* Berry, David Carson(2004). [https://web.archive.org/web/20110715062935/http://www.pendragonpress.com/books/bookdetail.php?PPNo=574 ''A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices'']. Hillsdale, New York: Pendragon Press; {{ISBN|9781576470954}}. A thorough documentation of Schenker-related research and analysis. The largest Schenkerian reference work ever published, it has 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. It is organized topically: fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
* Cook, Nicholas (2007). ''The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna''. Oxford University Press. {{ISBN|0-19-974429-7}}.
* [[Martin Eybl|Eybl, Martin]] and Fink-Mennel, Evelyn, eds. (2006). ''Schenkerian traditions. A Viennese school of music theory and its international dissemination''. Vienna, Cologne, Weimar: Böhlau. {{ISBN|3-205-77494-9}}.
* [[Oswald Jonas|Jonas, Oswald]] (1982). ''Introduction to the theory of Heinrich Schenker: the nature of the musical work of art''. {{ISBN|9780967809939}}, translated by John Rothgeb. New York and London: Longman. "Most complete discussion of Schenker's theories." {{harv|Beach|1983}}

Essays on the dissemination of Schenkerian thought in the U.S. by David Carson Berry:
*{{cite journal |title=The Role of [[Adele T. Katz]] in the Early Expansion of the New York 'Schenker School' |journal=Current Musicology |volume=74 |year=2002 |pages=103–151}}
*{{cite journal |title=Victor Vaughn Lytle and the Early Proselytism of Schenkerian Ideas in the U.S |journal=[[Journal of Schenkerian Studies]] |volume=1 |year=2005 |pages=92–117}}
*{{cite journal |title=Schenkerian Theory in the United States: A Review of Its Establishment and a Survey of Current Research Topics |journal=Zeitschrift der Gesellschaft für Musiktheorie |volume=2 |issue=2–3 |year=2005 |pages=101–137|url=http://www.gmth.de/zeitschrift/artikel/206.aspx}}
*{{cite book |chapter=Hans Weisse (1892–1940) |title=Schenker-Traditionen: Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung |trans-title=Schenker Traditions: A Viennese School of Music Theory and Its International Dissemination |editor1-first=Martin |editor1-last=Eybl|editor1-link=Martin Eybl|editor2-first=Evelyn |editor2-last=Fink-Mennel |location=Vienna |publisher=Böhlau Verlag |year=2006 |pages=91–103 |isbn=978-3-205-77494-5|ref=none}}

===Summaries===
*{{cite journal |jstor=739052 |pages=311–329|last1=Katz |first1=A. T.|author-link=Adele T. Katz|title=Heinrich Schenker's Method of Analysis |volume=21 |issue=3 |journal=[[The Musical Quarterly]]|year=1935 |doi=10.1093/mq/XXI.3.311|ref=none}}
*Katz, Adele T. (1945). ''Challenge to Musical Tradition. A New Concept of Tonality'', New York, Alfred A. Knopf. {{ISBN|9781174860447}} (2011 reprint)
*{{cite journal |jstor=842996 |pages=1–30 |last=Forte|first=A.|author-link=Allen Forte|title=Schenker's Conception of Musical Structure |volume=3 |issue=1 |journal=[[Journal of Music Theory]]|year=1959 |ref=none}}

===Pedagogical works===
*Forte, Allen and Gilbert, Steven E. (1982). ''Introduction to Schenkerian Analysis''. W. W. Norton & Company. {{ISBN|0-393-95192-8}}. ''Schenker never presented a pedagogical presentation of his theories, this being the first according to its authors.''
*Snarrenberg, Robert (1997). "Schenker's Interpretive Practice." Cambridge: Cambridge University Press. {{ISBN|0-521-49726-4}}.
*Cadwallader, Allen and Gagné, David (1998). ''Analysis of Tonal Music: A Schenkerian Approach'', Oxford: Oxford University Press, {{ISBN|0-19-510232-0}}. ''The second major English-language textbook on Schenkerian analysis"
*[[Sylvan Kalib|Kalib, Sylvan]] (1973). ''Thirteen Essays from The Three Yearbooks “Das Meisterwerk in Der Musik,” by Heinrich Schenker: An Annotated Translation.'' (Vols. I–III). Ph.D. diss., Northwestern University.
*[[Peter Westergaard|Westergaard, Peter]] (1975). ''[[Peter Westergaard's tonal theory|An Introduction to Tonal Theory]]''. New York: W.W. Norton. {{ISBN|9780393093421}}
*Aldwell, Edward, and [[Carl Schachter|Schachter, Carl]] (2003). ''Harmony and Voice Leading''. Schirmer. 2nd ed. 2008; 3rd ed. (with Allen Cadwallader), 2011. {{ISBN|0-495-18975-8}}.
*Pankhurst, Tom (2008), ''SchenkerGUIDE: A Brief Handbook and Web Site for Schenkerian Analysis'', New York: Routledge. {{ISBN|0-415-97398-8}} – an introduction for those completely new to the subject.

===Expansions===
*[[David Epstein (conductor)|Epstein, David]] (1979). ''Beyond Orpheus – Studies in Musical Structure''. Cambridge, Massachusetts: MIT Press.
*[[Felix Salzer|Salzer, Felix]] (1952). ''Structural Hearing: Tonal Coherence in Music''. New York: Charles Boni. "The first book to present a reorganization (as well as modification and expansion) of Schenker's writings from a pedagogical standpoint." {{harv|Beach|1983}}
*[[Peter Westergaard|Westergaard, Peter]] (1975). ''[[Peter Westergaard's tonal theory|An Introduction to Tonal Theory]]''. New York: W.W. Norton.
*[[Maury Yeston|Yeston, Maury]], ed. (1977). ''Readings in Schenker Analysis and Other Approaches''. New Haven: Yale University Press.

====Post-tonal expansions====
*{{cite journal |jstor=842853 |pages=257–284|last1=Travis |first1=R. |title=Towards a New Concept of Tonality? |volume=3 |issue=2 |journal=[[Journal of Music Theory]]|year=1959 |ref=none}}
*{{cite journal |jstor=832217 |pages=85–89 |last1=Travis |first1=R. |title=Directed Motion in Schoenberg and Webern |volume=4 |issue=2 |journal=[[Perspectives of New Music]]|year=1966 |doi=10.2307/832217|ref=none}}

====Rhythmic expansions====
*Komar, Arthur (1971/1980). ''Theory of Suspensions: A Study of Metrical Pitch Relations in Tonal Music''. Princeton: Princeton University Press/Austin, Texas: Peer Publications. {{harv|Beach|1983}}
*[[Maury Yeston|Yeston, Maury]] (1976). ''The Stratification of Musical Rhythm''. New Haven: Yale University Press. {{harv|Beach|1983}}

===Political issues===
*Clark, Suzannah (2007). "The Politics of the Urlinie in Schenker's ''Der Tonwille'' and ''Der freie Satz''", ''[[Journal of the Royal Musical Association]]'' 132/1, pp. 141–164.
*Cook, Nicholas (2007). ''The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna''. Oxford University Press.
*[[Martin Eybl|Eybl, Martin]] (1995). ''Ideologie und Methode. Zum ideengeschichtlichen Kontext von Schenkers Musiktheorie''. Tutzing, Hans Schneider.
*Federhofer, Hellmut Federhofer (1985). ''Heinrich Schenker. Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection'', Chapter V, ''Schenkers Weltanschauung''. Hildesheim, Olms, pp. 324–330.
*{{citation|last=Schachter|first=Carl|author-link=Carl Schachter|title=Elephants, Crocodiles, and Beethoven: Schenker's Politics and the Pedagogy of Schenkerian Analysis|journal=Theory and Practice|volume=26|year=2001|jstor=41054326|pages=1–20|ref=none}}
*Wedler, Sebastian (2020). "Adorno on Schenker: Reconstructing the Formation of a Critique", ''Music Analysis'' 39/2, pp. 240–265 (https://doi.org/10.1111/musa.12157, open access).

===Criticisms===
*{{cite book|last=Narmour|first=Eugene|title=Beyond Schenkerism: The Need for Alternatives in Music Analysis|location=Chicago|publisher=University of Chicago Press|year=1977|isbn=9780226568478|ref=none}}