Editing Musical notation (section)

==Perspectives of musical notation in composition and musical performance==
According to Philip Tagg and [[Richard Middleton (musicologist)|Richard Middleton]], musicology and to a degree European-influenced musical practice suffer from a 'notational centricity', a methodology slanted by the characteristics of notation.{{sfnp|Tagg|1979|pp=28–32}}{{sfnp|Middleton|1990|pp=104–106}} A variety of 20th- and 21st-century composers have dealt with this problem, either by adapting standard Western musical notation or by using graphic notation.{{Clarify|date=October 2018}}<!--How does changing the style of notation encourage musicologists to ignore notation in favor of other approaches, such as recordings or spectrograms?--> These include [[George Crumb]], [[Luciano Berio]], [[Krzystof Penderecki]], [[Earle Brown|Earl Brown]], [[John Cage]], [[Witold Lutoslawski]], and others.{{sfnp|Pierce|1973|p={{Page needed|date=October 2018}}}}{{sfnp|Cogan|1976|p={{Page needed|date=October 2018}}}}