Editing Performance art (section)

=== Institutionalization of performance art / performance collecting processes ===
[[File:ArtistIsPresent.jpg|thumb|[[Marina Abramović]] performing ''The Artist Is Present'', [[MoMA]], Nueva York, 2010]]

Since the 2000s, big museums, institutions and collections have supported performance art. Since January 2003, [[Tate Modern]] in London has had a curated programme of live art and performance.<ref>{{cite news|title=Tate Modern Performance. BMW Tate Live|url=https://revistalupita.art/expo/tate-modern-performance-bmw-tate-live/|access-date=May 11, 2020|work=Lupita. Arte de América Latina en Europa|date=2016}}</ref> With exhibitions by artists such as [[Tania Bruguera]] or [[Anne Imhof]].<ref>{{cite web|last1=Tate|first1=Modern|title=Anne Imnhof: Sex|url=https://www.tate.org.uk/whats-on/tate-modern/performance/bmw-tate-live|publisher=Tate Modern|date=2019|access-date=May 13, 2020}}</ref> In 2012 The Tanks at [[Tate Modern]] were opened: the first dedicated spaces for performance, film and installation in a major modern and contemporary art museum.

The [[Museum of Modern Art]] held a major retrospective and performance recreation of [[Marina Abramović]]'s work, the biggest exhibition of performance art in MoMA's history, from March 14 to 31, 2010.<ref>Kino, Carol (March 10, 2010). [https://www.nytimes.com/2010/03/14/arts/design/14performance.html?pagewanted=all A Rebel Form Gains Favor. Fights Ensue.], ''[[The New York Times]]''. Retrieved April 16, 2010.</ref><ref>{{cite news|title=Marina Abramovic: Performance y Polémica en el Moma|url=https://www.revistaarcadia.com/arte/articulo/marina-abramovic-performance-polemica-moma/21948|access-date=May 11, 2020|work=Revista Arcadia|date=March 30, 2010}}</ref> The exhibition consisted of more than twenty pieces by the artist, most of them from the years 1960–1980. Many of them were re-activated by other young artists of multiple nationalities selected for the show.<ref>{{cite news|last1=Cotter|first1=Holland|title=700-Hour Silent Opera Reaches Finale at MoMA|url=https://www.nytimes.com/2010/05/31/arts/design/31diva.html|access-date=May 11, 2020|work=[[The New York Times]]|date= May 30, 2010}}</ref> In parallel to the exhibition, Abramovic performed ''The Artist is Present'', a 726-hour and 30-minute static, silent piece, in which she sat immobile in the museum's atrium, while spectators were invited to take turns sitting opposite her.<ref>{{cite news|url=http://www.huffingtonpost.com/yazmany-arboleda/bringing-marina-flowers_b_592597.html|title=SBringing Marina Flowers|last=Arboleda|first=Yazmany|author-link=Yazmany Arboleda|date=May 28, 2010|newspaper=The Huffington Post|access-date=June 16, 2010|archive-url=https://web.archive.org/web/20110822174846/http://www.huffingtonpost.com/yazmany-arboleda/bringing-marina-flowers_b_592597.html|archive-date=August 22, 2011}}</ref> The work is an updated reproduction of one of the pieces from 1970, shown in the exhibition, where Abramovic stayed for full days next to Ulay, who was her sentimental companion. The performance attracted celebrities such as [[Björk]], [[Orlando Bloom]] and [[James Franco]]<ref>{{cite news|last1=Bell|first1=Christopher|title=Review: 'Marina Abramović: The Artist Is Present' Is A Good But Conventional Doc On An Unconventional Artist|url=https://www.indiewire.com/2012/06/review-marina-abramovic-the-artist-is-present-is-a-good-but-conventional-doc-on-an-unconventional-artist-109309/|access-date=May 11, 2020|work=IndieWire|date=June 14, 2012}}</ref> who participated and received media coverage.<ref>[http://thoughtcatalog.com/2010/marina-abramovic-the-staring-woman-at-moma/ thoughtcatalog.com/2010/marina-abramovic]</ref>

Against the background of the institutionalisation of performance, the Bruxelles-based initiative A Performance Affair<ref>{{Cite web |last=Kerr |first=Liv Vaisberg, Will |title=APA • A Performance Affair • re:production, The Second Edition 2019 |url=https://aperformanceaffair.com/ |access-date=2022-09-12 |website=aperformanceaffair.com |language=English}}</ref> co founded by [[Liv Vaisberg]] and Will Kerr and the London-based format Performance Exchange<ref>{{Cite web |title=Home |url=https://www.performance-exchange.org/ |access-date=2022-09-12 |website=Performance Exchange |language=en}}</ref> inquire about the collectability of performance works. With The Non-fungible Body?, the Austrian museum and culture centre [https://www.ooekultur.at/event-detail/performance-festival-the-non-fungible-body?expired&fbclid=IwAR2-U8j6DMO50ByKptigw2mSRNce_mx-ERd4OJ0NbKTp7r-p1-P4kh-3HGk OÖLKG/OK] reflects upon recent developments in institutionalizing performance through a discursive festival format that was presented for the first time in June 2022.

<gallery widths="200" heights="200">
File:Detail of Facade of Guggenheim Museum with Yoko Ono Banner - Bilbao - Biscay - Spain (14434764509).jpg|Facade of the [[Guggenheim Museum in Bilbao]] with a [[Yoko Ono]] Banner
File:Shibboleth - Tate Modern 2007.jpg|Work by [[Doris Salcedo]] in the [[Tate Modern]] in London, 2007
File:Marina 1 1.jpg|[[Marina Abramović]] during her seven performances in ''Seven Easy Pieces'' (2005), in the [[Solomon R. Guggenheim Museum]]
File:Marina Abramović, The Artist Is Present, 2010Marina Abramović, The Artist Is Present, 2010 (4422516908).jpg|Zenith shot of the performance ''The Artist Is Present'' in the [[Museum of Modern Art]]

File:Marina Abramović. The Cleaner.jpg|Work by [[Marina Abramović]] reproduced for the retrospective in [[Bologna]], Italy, 2018
File:128 aktion 22.10.09 613.jpg|[[Hermann Nitsch]] carrying out a performance in his homonymous museum (2009)
File:Fleeting-glimpse-bryan-zanisnik.jpg|Performance by Bryan Zanisnik, called ''When I Was a Child I Caught a Fleeting Glimpse'', 2009
File:Muestra Yoko Ono- Quito4.jpg|Exhibition dedicated to [[Yoko Ono]] in the Cultural Metropolitan Centre of [[Quito]] (2018)
</gallery>