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Musical notation
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== References == {{reflist}} ===Sources=== {{div col|colwidth=36em}} * {{cite journal |last1=Adams |first1=Kyle |date=October 2009 |url=http://www.mtosmt.org/issues/mto.09.15.5/mto.09.15.5.adams.html |title=On the Metrical Techniques of Flow in Rap Music |journal=Music Theory Online |volume=5 |issue=9 |access-date=4 April 2014 }} *{{Cite book | last = Alexandru | first = Maria | title = Studie über die 'großen Zeichen' der byzantinischen musikalischen Notation unter besonderer Berücksichtigung der Periode vom Ende des 12. bis Anfang des 19. Jahrhunderts |trans-title=Study of the 'great signs' of Byzantine musical notation with special reference to the period from the end of the 12th to the beginning of the 19th century |date = 2000 |location=Copenhagen |publisher=Københavns Universitet, Det Humanistiske Fakultet |language=de }}{{Full citation needed|date=March 2020|reason=ISBN needed}} *{{cite book |last=Apel |first=Willi |date=1961 |title=The Notation of Polyphonic Music, 900–1600 |url=https://archive.org/details/notationofpolyph00apel |edition=5th revised and with commentary |series=Publications of the Mediaeval Academy of America, no. 38 |location=Cambridge, Mass. |publisher=Mediaeval Academy of America }} * {{cite speech |last1=Bagley |first1=Robert |title=The Prehistory of Chinese Music Theory |event=Elsley Zeitlyn Lecture on Chinese Archaeology and Culture |date=26 October 2004 |series=British Academy's Autumn 2004 Lecture Programme |location=London |publisher=British Academy |url=http://www.britac.ac.uk:80/events/2004/abstracts/2004-bagley.cfm |url-status=dead |archive-url=https://web.archive.org/web/20080609090628/http://www.britac.ac.uk/events/2004/abstracts/2004-bagley.htm |archive-date=9 June 2008| access-date=30 May 2010 }} *{{cite encyclopedia|last1=Bhandarkar|first1=D. R.|author-link=D. R. Bhandarkar|date=1913–1914|title=28. Kudimiyamalai inscription on music|encyclopedia=[[Epigraphia Indica]]|editor-first=Sten|editor-last=Konow|editor-link=Sten Konow|volume=12|url=https://archive.org/details/in.ernet.dli.2015.48788/page/n297/|pages=226–237}} * {{cite book |last=Christensen |first=Thomas |date=2002 |title=The Cambridge History of Western Music Theory |location=Cambridge and New York |publisher=Cambridge University Press}} *{{Cite book |publisher = Michele Weis |author = Chrysanthos of Madytos |author-link = Chrysanthos of Madytos |script-title = el:Θεωρητικὸν μέγα τῆς Μουσικῆς |title=Theoritikón méga tís Mousikís |trans-title=Great Theory of Music |location = Tergeste |date=1832 |url = https://archive.org/details/theoretikonmegat00chry |access-date = 11 April 2012 |ref = {{harvid|Chrysanthos|1832}}}} * {{cite book |last1=Cogan |first1=Robert |year=1976 |title=Sonic Design The Nature of Sound and Music |location=New Jersey |publisher=Prentice Hall |isbn=0-13822726-8 }} * {{cite book |last1=Edwards |first1=Paul |year=2009 |title=How to Rap: The Art & Science of the Hip-Hop MC |url=https://archive.org/details/howtorapartscien0000edwa |url-access=registration |others=foreword by Kool G. Rap |location=Chicago |publisher=Chicago Review Press }} * {{cite book |last1=Edwards |first1=Paul |year=2013 |title=How to Rap 2: Advanced Flow and Delivery Techniques |others=foreword by Gift of Gab |location=Chicago |publisher=Chicago Review Press }} *{{Cite book |last1=Floros |first1=Constantin |last2=Moran |first2=Neil K. |date=2009 |publisher=Peter Lang |isbn=9783631595534 |title=The Origins of Russian Music: Introduction to the Kondakarian Notation |location=Frankfurt am Main etc.}} *{{cite book |last1=Gnanadesikan |first1=Amalia E. |title=The Writing Revolution: Cuneiform to the Internet |date=2011 |publisher=John Wiley & Sons |url=https://books.google.com/books?id=nlEPhP900-UC&q=%22A+unique+style+of+Korean+musical+notation+developed+under+his+reign%2C+the+first+East+Asian+system+to+fully+represent+rhythm.%22&pg=PT172 |access-date=20 September 2016 |isbn=9781444359855 }} *{{Cite book |last1=Hall |first1=John |first2=Mary Jo |last2=Neitz |first3=Marshall |last3=Battani |year=2003 |title=Sociology on Culture |location=London |publisher=Routledge |isbn=978-0-415-28484-4 }} *{{cite book |author=Isidore of Seville |year=2006 |title=The Etymologies of Isidore of Seville |url=http://pot-pourri.fltr.ucl.ac.be/files/AClassftP/Textes/ISIDORUS/Etymologie/B1N8PWGetQy.pdf |others=Translated with introduction and notes by Stephen A. Barney, W. J. Lewis, J. A. Beach, and Oliver Berghof, with the collaboration of Muriel Hall |location=Cambridge and New York |publisher=Cambridge University Press |isbn=978-0-521-83749-1}} * {{cite book |author-link=Yuri Kholopov|last=Kholopov |first=Yuri |year=2003 |title=Гармония. Теоретический курс |trans-title=Harmony: A Theoretical Course |edition=2nd |location=Moscow; Saint Petersburg |publisher=Lan |isbn=5-8114-0516-2}} * {{cite encyclopedia |last=Kilmer |first=Anne Draffkorn |year=1965 |title=The Strings of Musical Instruments: Their Names, Numbers, and Significance |encyclopedia=Studies in Honor of Benno Landsberger on His Seventy-fifth Birthday, April 21, 1965 |series=Assyriological Studies |volume=16 |editor-first1=Hans G. |editor-last1=Güterbock |editor-first2=Thorkild |editor-last2=Jacobsen |pages=261–268 |location=Chicago |publisher=University of Chicago Press}} * {{cite journal |last1=Kilmer |first1=Anne Draffkorn |first2=Miguel |last2=Civil |year=1986 |title=Old Babylonian Musical Instructions Relating to Hymnody |journal=Journal of Cuneiform Studies |volume=38 |issue=1 |pages=94–98 |doi=10.2307/1359953 |jstor=1359953 |s2cid=163942248 }} * {{cite book |last=Krims |first=Adam |year=2001 |title=Rap Music and the Poetics of Identity |location=Cambridge and New York |publisher=Cambridge University Press }} * {{cite book |last=Lindsay |first=Jennifer |year=1992 |title=Javanese Gamelan |location=Oxford and New York |publisher=Oxford University Press |isbn=0-19-588582-1 }} * {{cite journal |last=McNaught |first=W. G. |date=January 1893 |url=https://books.google.com/books?id=nNYPAAAAYAAJ&pg=PA35 |title=The History and Uses of the Sol-fa Syllables |journal=Proceedings of the Musical Association |volume=19 |pages=35–51 |doi=10.1093/jrma/19.1.35 |issn=0958-8442 }} * {{cite book |last=Middleton |first=Richard |year=1990 |title=Studying Popular Music |location=Philadelphia |publisher=Open University Press |isbn=0-335-15275-9 }} *{{cite book |last=Murray |first=Chris |year=1994 |title=Dictionary of the Arts |location=New York |publisher=Facts on File |isbn=978-0-8160-3205-1 |url-access=registration |url=https://archive.org/details/dictionaryofarts00newyrich }} *{{Cite journal | last = Myers| first = Gregory | doi = 10.1017/S0961137100001406 | volume = 7 | issue = 1 | pages = 21–46 | title = The medieval Russian Kondakar and the choirbook from Kastoria: a palaeographic study in Byzantine and Slavic musical relations | journal = Plainsong and Medieval Music | date = 1998 | s2cid = 163125078 }} * {{cite encyclopedia |last=Otten |first=J. |year=1910 |title=Guido of Arezzo |encyclopedia=The Catholic Encyclopedia |location=New York |publisher=Robert Appleton Company|url=http://www.newadvent.org/cathen/07065a.htm |access-date=30 May 2010 }} * {{cite book |last=Pierce |first=Brent |year=1973 |title=New Choral Notation (A Handbook) |location=New York |publisher=Walton Music Corporation }} *{{Cite book |last=Rochat |first=Jacques-Daniel |title=Dodeka: la révolution musicale |date=2018 |publisher=Crea 7 |isbn=9782970127505 |location=Chexbres |oclc=1078658738 |language=fr }} * {{cite book |last=Tagg |first=Philip |year=1979 |title=Kojak—50 Seconds of Television Music: Toward the Analysis of Affect in Popular Music |series=Skrifter från Musikvetenskapliga Institutionen, Göteborg 2 |location=Göteborg |publisher=Musikvetenskapliga Institutionen, Göteborgs Universitet |isbn=91-7222-235-2 }} English translation of "Kojak—50 sekunders tv-musik". * {{cite book |last=Toussaint |first=Godfried |year=2004 |url=http://www.cs.mcgill.ca/research/reports/2004/SOCS-TR-2004.6.pdf |url-status=dead |archive-url=https://web.archive.org/web/20120707184208/http://www.cs.mcgill.ca/research/reports/2004/SOCS-TR-2004.6.pdf |archive-date=7 July 2012 |title=A Comparison of Rhythmic Similarity Measures |series=Technical Report SOCS-TR-2004.6 |location=Montréal |publisher=School of Computer Science, McGill University }} * {{cite journal |last=West |first=Martin Litchfield |date= May 1994 |title=The Babylonian Musical Notation and the Hurrian Melodic Texts |journal=Music & Letters |volume=75 |issue=2 |pages=161–179 |doi=10.1093/ml/75.2.161 }} * {{cite journal |last=Widdess |first=D. R |date=1979 |title=The Kudumiyamalai inscription: a source of early Indian music in notation |journal=Musica Asiatica |volume=2 |pages=115–150 |publisher=Oxford University Press }} * {{cite book |editor-last=Zapke |editor-first=Susana |year=2007 |title=Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition (9th–12th Centuries) |others=Foreword by Anscario M Mundó |location=Bilbao |publisher=Fundación BBVA |isbn=978-84-96515-50-5 }} {{div col end}}
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