Editing Color theory (section)

=== Complementary colors ===
{{Main|Complementary colors}}
[[File:Chevreul's RYB chromatic diagram.png|upright=1.35|thumb|[[Michel Eugène Chevreul|Chevreul]]'s 1855 "chromatic diagram" based on the [[RYB color model]], showing [[complementary colors]] and other relationships]]

For the mixing of colored light, [[Isaac Newton]]'s [[color wheel]] is often used to describe complementary colors, which are colors that cancel each other's hue to produce an achromatic (white, gray or black) light mixture. Newton offered as a conjecture that colors exactly opposite one another on the hue circle cancel out each other's hue; this concept was demonstrated more thoroughly in the 19th century. An example of [[complementary colors]] would be magenta and green.{{citation needed|date=April 2024}}

A key assumption in Newton's hue circle was that the "fiery" or maximum saturated hues are located on the outer circumference of the circle, while achromatic white is at the center. Then the saturation of the mixture of two spectral hues was predicted by the straight line between them; the mixture of three colors was predicted by the "center of gravity" or centroid of three triangle points, and so on.

According to traditional color theory based on [[subtractive primary color]]s and the RYB color model, yellow mixed with purple, orange mixed with blue, or red mixed with green produces an equivalent gray and are the painter's complementary colors.

One reason the artist's primary colors work at all is due to the imperfect pigments being used have sloped absorption curves and change color with concentration. A pigment that is pure red at high concentrations can behave more like magenta at low concentrations. This allows it to make purples that would otherwise be impossible. Likewise, a blue that is ultramarine at high concentrations appears cyan at low concentrations, allowing it to be used to mix green. [[Chromium]] red pigments can appear orange, and then yellow, as the concentration is reduced. It is even possible to mix very low concentrations of the blue mentioned and the chromium red to get a greenish color. This works much better with oil colors than it does with watercolors and dyes.

The old primaries depend on sloped [[Absorption spectroscopy|absorption]] curves and pigment leakages to work, while newer scientifically derived ones depend solely on controlling the amount of absorption in certain parts of the [[spectrum]].