Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Cropping (image)
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== In cinematography and broadcasting == {{See also|Aspect ratio (image)#Problems in film and television{{!}}Aspect ratio issues}} In certain circumstances, film footage may be cropped to change it from one aspect ratio to another, without stretching the image or filling the blank spaces with [[letterbox (filming)|letterbox]] bars (fig. 2). Concerns about aspect ratios are a major issue in [[filmmaking]]. Rather than cropping, the cinematographer usually uses [[Open matte|mattes]] to increase the latitude for alternative aspect ratios in projection and broadcast. [[Anamorphic format|Anamorphic]] optics (such as [[Panavision]] lenses) produce a [[Full frame (cinematography)|full-frame]], horizontally compressed image from which broadcasters and projectionists can matte a number of alternative aspect ratios without cropping relevant image detail. Without this, widescreen reproduction, especially for television broadcasting, is dependent upon a variety of soft matting techniques such as letterboxing, which involves varying degrees of image cropping (see figures 2, 3 and 4).<ref>{{Cite web|url=http://www.filmbug.com/dictionary/aspect-ratios.php|title=Aspect Ratios β Filmbug}}</ref> Since the advent of [[widescreen]] television, a similar process has removed large chunks from the top & bottom to make a standard 4:3 image fit a 16:9 one, losing 25 percent of the original image. Another option is a process called [[pillarboxing]], where black bands are placed down the sides of the screen, allowing the original image to be shown full-frame within the wider aspect ratio (fig. 6). <gallery caption="Typical cropping in cinematographic and broadcast applications" widths="200px" heights="120px" perrow="3"> File:Image cropping aspect ratios.jpg|Figure 1:<br />2.35:1 original image with widescreen aspect ratio, showing alternative aspect ratios File:Image cropping 235x1.jpg|Figure 2:<br />2.35:1 image with letterbox resized to 4:3, the whole image is visible File:Image cropping 185x1.jpg|Figure 3:<br />1.85:1 image with letterbox resized to 4:3. Typical 16:9 image, the outer edges of the image are not visible File:Image cropping 155x1.jpg|Figure 4:<br />1.55:1 image with letterbox resized to 4:3. A compromise between 16:9 and 4:3, often broadcast in the UK File:Image cropping 133x1.jpg|Figure 5:<br />1.33:1 image without letterbox, because it is cropped to 4:3, losing much of the original <!-- File:Pillarboxed.jpg|Figure 6:<br />A pillarboxed image, allowing the full 4:3 frame to be viewed within a cropped 16:9 widescreen --> </gallery>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)