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Density 21.5
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==Further reading== *[[Milton Babbitt|Babbitt, Milton]] (1966). "Edgard Varèse: A Few Observations of His Music". ''[[Perspectives of New Music]]'' 4, No. 2 (Spring–Summer): 14–22. *Bernard, Jonathan W. (1981). "Pitch/Register in the Music of Edgard Varèse". ''[[Music Theory Spectrum]]'' 3 (Spring): 1–25. *Bernard, Jonathan W. (1986). "On ''Density 21.5'': A Response to Nattiez". ''[[Music Analysis (journal)|Music Analysis]]'' 5, nos. 2–3 (July–October): 207–231. *Brouwer, Candace (1997–98). "Pathway, Blockage, and Containment in ''Density 21.5''". ''Theory and Practice'' 22–23:35–54. *Guck, Marion (1984). "A Flow of Energy: ''Density 21.5''". ''[[Perspectives of New Music]]'' 23, no. 1 (Autumn–Winter): 334–347. *Kresky, Jeffrey (1984). "A Path Through ''Density''". ''Perspectives of New Music'' 23, no. 1 (Autumn–Winter): 318–333. *Marvin, Elizabeth West (1991). "The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse". ''[[Music Theory Spectrum]]'' 13, no. 1 (Spring): 61–78. *[[Jean-Jacques Nattiez|Nattiez, Jean-Jacques]] (1982). "Varèse's ''Density 21.5'': A Study in Semiological Analysis", translated by Anna Barry. ''[[Music Analysis (journal)|Music Analysis]]'' 1, no. 3 (October): 243–340. *Siddons, James (1984). "On the Nature of Melody in Varèse's ''Density 21.5''". ''[[Perspectives of New Music]]'' 23, no. 1 (Autumn–Winter): 298–316. *[[James Tenney|Tenney, James]], and [[Larry Polansky]] (1980). "Temporal Gestalt Perception in Music: A Metric Space Model". ''[[Journal of Music Theory]]'' 24:205–241.
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