Editing Performance rights organisation (section)

==Organisations==

===International===
{{further|List of copyright collection societies|:Category:Copyright collection societies}}

===North America===
====United States====

*[[AllTrack]] (U.S.)<ref>{{Cite magazine|url=https://www.billboard.com/articles/business/8527404/alltrack-new-pro-digital-era-creators-hayden-bower|title=Ex-SESAC Board Member Launches New PRO for 'Digital-Era Creators'|magazine=Billboard|access-date=2020-02-04}}</ref>
*[[ASCAP]] (U.S.)
*[[Broadcast Music Incorporated|BMI]] (U.S.)
*Global Music Rights (U.S.)<ref>{{Cite web|url=https://www.allaccess.com/net-news/archive/story/135012/irving-azoff-launches-global-music-rights-to-take-|title=Irving Azoff Launches 'Global Music Rights' To Take On ASCAP And BMI|website=All Access|access-date=2020-04-24}}</ref>
*[[SESAC]] (U.S.)
*[[Pro Music Rights]] (U.S.)

====Canada====
*[[Society of Composers, Authors and Music Publishers of Canada|SOCAN]] ([[Canada]])
*[[Re:Sound Music Licensing Company]] 
*[[CMRRA]] (Canada)

==== Others ====

Most countries (that observe copyright) have the equivalent:

{|
! Country
! Agencies
|-
| [[Argentina]] || [[SADAIC]]
|-
| [[Australia]] || [[Australasian Performing Right Association]] (APRA)
|-
| [[Australia]] || Phonographic Performance Company of Australia (PPCA)
|-
| [[Austria]] || Autoren, Komponisten und Musikverleger (AKM)
|-
| [[Belgium]] || [[SABAM]]
|-
| [[Bolivia]] || Servicio Nacional de Propiedad Intellectual (SENAPI)
|-
| [[Brazil]] || ECAD (Escritório Central de Arrecadação e Distribuição)
|-
| [[Bulgaria]] || MUSICAUTHOR
|-
| [[Canada]] || [[Society of Composers, Authors and Music Publishers of Canada]] (SOCAN), [[Re:Sound Music Licensing Company]]
|-
| [[Chile]] || [[Sociedad Chilena del Derecho de Autor]] (SCD)
|-
| [[China]] || [[Music Copyright Society of China]](MCSC)<ref>{{Cite web |title=CISAC |url=https://members.cisac.org/CisacPortal/directorySociety.do?method=detail&societyId=145 |access-date=2022-04-28 |website=members.cisac.org}}</ref><ref>{{Cite web |title=NCAC-MCSC-Music Copyright Society of China |url=https://en.ncac.gov.cn/copyright/contents/10377/329098.shtml |access-date=2022-04-28 |website=en.ncac.gov.cn}}</ref>
|-
| [[Colombia]] || SAYCO/ACINPRO
|-
| [[Croatia]] || HDS
|-
| [[Czech Republic]] || OSA
|-
| [[Denmark]] || KODA
|-
| [[Estonia]] || EAU
|-
| [[Finland]] || [[Teosto]]
|-
| [[France]] || [[Société des auteurs, compositeurs et éditeurs de musique]] (SACEM)
|-
| [[Georgia (country)|Georgia]] || SAS
|-
| [[Germany]] || [[Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte]] (GEMA)
|-
| [[Greece]] || [[AEPI]]
|-
| [[Greece]] || GEA-GRAMMO, ERATO-APOLLON
|-
| [[Hong Kong]] || [[Composers and Authors Society of Hong Kong|CASH]]
|-
| [[Hungary]] || [[ARTISJUS]]
|-
| [[India]] || [[The Indian Performing Right Society Ltd]]
|-
| [[Ireland]] || [[Irish Music Rights Organisation]], [[Phonographic Performance Ireland]] (PPI)
|-
| [[Israel]] || [[Society of Authors, Composers and Music Publishers in Israel|ACUM]]
|-
| [[Italy]] || [[SIAE]]
|-
| [[Japan]] || [[JASRAC]]
|-
| [[Lithuania]] || [[LATGA-A]]
|-
| [[Malaysia]] || [[Music Authors' Copyright Protection|MACP]]
|-
| [[Mexico]] ||[[Sociedad de Autores y Compositores de México|SACM]]
|-
| [[Nepal]] || [[Music Royalty Collection Society Nepal (MRCSN)]]
|-
| [[Netherlands]] || [[Buma/Stemra|BUMA]]
|-
| [[New Zealand]] || [[Australasian Performing Right Association|APRA]]
|-
| [[Norway]] || [[TONO]]
|-
| [[Panama]] || [[Panamanian Society of Authors and Composers|SPAC]]
|-
| [[Peru]] || [[APDAYC]]
|-
| [[Philippines]] || [[FILSCAP]]
|-
| [[Poland]] || [[ZAIKS]]
|-
| [[Puerto Rico]] || [[ACEMLA]]
|-
| [[Romania]] || [[UCMR]]
|-
| [[Russia]] || [[Russian Authors' Society|RAO]]
|-
| [[Serbia]] || [[SOKOJ]]
|-
| [[Singapore]] || Composers and Authors Society of Singapore Ltd (COMPASS)
|-
| [[Slovakia]] || [[SOZA]]
|-
| [[South Africa]] || [[Southern African Music Rights Organisation]] (SAMRO)
|-
| [[South Korea]] || [[KOMCA]], [[KOSCAP]]<ref name="joongang">{{Cite web | title = Divided royalties enrage musicians | author = Yim Seung-hye | work = [[Korea JoongAng Daily]] | date = July 28, 2015 | access-date = June 30, 2016 | url = http://koreajoongangdaily.joins.com/news/article/Article.aspx?aid=3007112 }}</ref>
|-
| [[Spain]] || [[Sociedad General de Autores y Editores|SGAE]]
|-
| [[Sweden]] || [[STIM]]
|-
| [[Switzerland]] || [[SUISA]]
|-
| [[Taiwan]] || [[Music Copyright Society of Chinese Taipei|MUST]]
|-
| [[Thailand]] || [[Music Copyright (Thailand) Limited|MCT]]
|-
| [[Trinidad and Tobago]] || [[COTT]]
|-
| [[Ukraine]] || [[UACRR]]
|-
| [[United Kingdom]] || [[PRS for Music|PRS]], [[Phonographic Performance Limited|PPL]]
|-
| [[United States|United States of America]] || [[ASCAP]], [[Broadcast Music, Inc.|BMI]], [[SESAC]], [[ACEMLA]] ([[SPACEM]]), [[AllTrack]], Global Music Rights (GMR), Pro Music Rights
|-
| [[Uruguay]] || [[AGADU]]
|-
| [[Venezuela]] || [[SACVEN]]
|}