Editing Quest for Camelot (section)

===Animation===
The film was mainly animated at the main Warner Bros. Feature Animation facility located in [[Glendale, California]] and [[London]], [[England]].<ref name="Reeve" /> In January 1996, the London animation studio was opened where more than 50 animators were expected to animate 20 minutes of animation, which would be sent back to Glendale to be [[Traditional animation#ink and paint|inked-and-painted]].<ref>{{cite press release|title=Warner to open London animation studio|archive-url=https://web.archive.org/web/20170920045036/http://www.upi.com/Archives/1996/01/05/Warner-to-open-London-animation-studio/1680820818000/|url=http://www.upi.com/Archives/1996/01/05/Warner-to-open-London-animation-studio/1680820818000/|location=[[Burbank, California]]|agency=Warner Bros.|via=[[United Press International]]|url-status=live|date=January 5, 1996|access-date=September 19, 2017|archive-date=September 20, 2017}}</ref> Additional studios that worked on the film included [[Yowza! Animation]] in [[Toronto, Ontario]], where they assisted in [[Cleanup (animation)|clean-up]] animation,<ref>{{cite web|url=http://www.durhamcollege.ca/new-notable/focus-on-innovation/durham-college-and-yowza-digital-inc-announce-research-agreement-to-create-new-transmedia-production-process|title=Durham College and Yowza Digital Inc. announce research agreement to create new transmedia production process|publisher=[[Durham College]]|date=August 19, 2010|access-date=September 19, 2017|archive-date=September 20, 2017|archive-url=https://web.archive.org/web/20170920044757/http://www.durhamcollege.ca/new-notable/focus-on-innovation/durham-college-and-yowza-digital-inc-announce-research-agreement-to-create-new-transmedia-production-process|url-status=live}}</ref> Heart of Texas Productions in [[Austin, Texas|Austin]], and [[A. Film A/S]] in [[Copenhagen]] where, along with London, about a quarter of the film was animated overseas.<ref name=beck/>{{rp|218}}<ref>{{cite news|last=Solomon|first=Charles|url=https://www.latimes.com/archives/la-xpm-1997-aug-03-ca-18862-story.html|title=Drawing on Talent Overseas|newspaper=Los Angeles Times|date=August 3, 1997|access-date=September 8, 2017|archive-date=November 21, 2015|archive-url=https://web.archive.org/web/20151121221628/http://articles.latimes.com/1997/aug/03/entertainment/ca-18862|url-status=live}}</ref> The supervising animators were [[Nassos Vakalis|Athanassios Vakalis]] for Kayley, Chrystal Klabunde for Garrett, Cynthia Overman for Juliana, [[Alexander Williams (cartoonist)|Alexander Williams]] for Ruber, Dan Wagner for Devon and Cornwall, Stephan Franck for the Griffin and Bladebeak, and [[Mike Nguyen]] for Ayden.<ref name="ProductionNotes">{{cite web|archive-url=https://web.archive.org/web/20030816150610/http://www.filmscouts.com/scripts/matinee.cfm?Film=que-cam&File=productn|url=http://www.filmscouts.com/scripts/matinee.cfm?Film=que-cam&File=productn|title=Quest for Camelot: About The Production|publisher=Film Scouts|archive-date=August 16, 2003|access-date=September 8, 2017}}</ref>

To create the rock-like [[ogre]] and other computer-generated effects, the production team used [[Silicon Graphics]]' [[Alias Research]] software. According to Katherine Percy, the head of CGI effects, the software was originally designed for special effects used in live-action films.<ref name="ProductionNotes" /><ref name=AnimationProcess>{{cite AV media |title=Quest for Camelot – Special Features: The Animation Process (text) | type=DVD | publisher=Warner Home Video |date=1998 }}</ref>