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Rhythmic mode
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==Further reading== * {{wikicite|ref={{harvid|Articles|1980}}|reference=Articles. 1980. "Rhythmic Mode", "Johannes de Garlandia", "Franco of Cologne". ''The New Grove Dictionary of Music and Musicians'', edited by Stanley Sadie. 20 vols. London, Macmillan Publishers Ltd. {{ISBN|1-56159-174-2}}.}} * {{wikicite|ref={{harvid|Grout, Burkholder, and Palisca|2006}}|reference=[[Donald Jay Grout|Grout, Donald Jay]], [[J. Peter Burkholder]], and [[Claude V. Palisca]]. 2006. ''A History of Western Music'', seventh edition. New York: W. W. Norton. {{ISBN|0-393-97991-1}}.}} * {{wikicite|ref={{harvid|Hiley|1984}}|reference=[[David Hiley|Hiley, David]]. 1984. "The Plica and Liquescence". In ''Gordon Athol Anderson (1929β1981) in memoriam: Von seinen Studenten, Freunden und Kollegen'', 2 vols., 2:379β91. Wissenschaftliche Abhandlungen, no. 39. Henryville, PA: Institute of MediΓ¦val Music.}} * {{wikicite|ref={{harvid|Parrish|1957}}|reference=Parrish, Carl. 1957. ''The Notation of Medieval Music''. London: Faber & Faber.}} * {{wikicite|ref={{harvid|Randel and Apel|1986}}|reference=[[Don Michael Randel|Randel, Don Michael]], and Willi Apel (eds.). 1986. ''The New Harvard Dictionary of Music''. Cambridge, Massachusetts: Belknap Press of Harvard University Press. {{ISBN|0-674-61525-5}}.}} * {{wikicite|ref={{harvid|Smith|1988}}|reference=Smith, Norman E. 1988. "The Notation of Fractio Modi". ''Current Musicology'', nos. 45β47 (Fall: ''Studies in Medieval Music: Festschrift for Ernest H. Sanders'', edited by Peter M. Lefferts and Leeman L. Perkins): 283β304.}} * {{wikicite|ref={{harvid|Wellesz|1957}}|reference=[[Egon Wellesz|Wellesz, Egon]] (ed.). 1957. ''New Oxford History of Music'', vol. 1: "Ancient and Oriental Music". London & New York: Oxford University Press.}} {{Ars antiqua}} {{rhythm and meter}} [[Category:Musical techniques]] [[Category:Musical notation]] [[Category:European rhythm]] [[Category:Medieval music theory]]
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