Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Musical notation
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Further reading== {{div col|colwidth=36em}} * {{cite journal |last=Gayou |first=Évelyne |url=http://cec.concordia.ca/econtact/12_4/Gayou_transcrire.html |title=Transcrire les musiques électroacoustiques |journal=EContact! |volume=12 |issue=4 ''Perspectives on the Electroacoustic Work / Perspectives sur l'œuvre électroacoustique'' |date=August 2010 |location=Montréal |publisher=[[Canadian Electroacoustic Community]] |language=fr|ref=none}} * {{cite book |last=Gould |first=Elaine |year=2011 |title=[[Behind Bars: The Definitive Guide to Music Notation]] |location=London |publisher=Faber Music|ref=none}} * {{cite book |last=Hall |first=Rachael |year=2005 |url=http://www.sju.edu/~rhall/Rhythms/Poets/arcadia.pdf |title=Math for Poets and Drummers |publisher=[[Saint Joseph's University]] |access-date=21 March 2006 |archive-url=https://web.archive.org/web/20120616225617/http://www.sju.edu/~rhall/Rhythms/Poets/arcadia.pdf |archive-date=16 June 2012 |url-status=dead|ref=none}} * {{cite journal |last=Karakayali |first=Nedim |year=2010 |title=Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe |journal=[[Journal of Historical Sociology]]|volume=23 |issue=3 |pages=343–71 |doi=10.1111/j.1467-6443.2010.01377.x |hdl=11693/22234 |hdl-access=free|ref=none}} * {{cite conference |last=Lieberman |first=David |year=2006 |url=http://portal.acm.org/citation.cfm?id=1174472 |title=Game Enhanced Music Manuscript |book-title=Graphite '06: Proceedings of the 4th International Conference on Computer Graphics and Interactive Techniques in Australasia and South East Asia, Kuala Lumpur (Malaysia), 29 November–2 December 2006 |conference=4th International Conference on Computer Graphics and Interactive Techniques in Australasia and South East Asia |editor1=Y Tina Lee |editor2=Siti Mariyam Shamsuddin |editor3=Diego Gutierrez |editor4=Norhaida Mohd Suaib |pages=245–50 |location=New York |publisher=ACM Press |isbn=1-59593-564-9|ref=none}} * {{cite book |author-link=Gardner Read |last=Read |first=Gardner |year=1978 |title=Modern Rhythmic Notation |publisher=Victor Gollance|ref=none}} * {{cite book |last=Read |first=Gardner |year=1987 |title=Source Book of Proposed Music Notation Reforms |publisher=Greenwood Press|ref=none}} * {{cite journal |last=Reisenweaver |first=Anna |year=2012 |title=Guido of Arezzo and His Influence on Music Learning |journal=Musical Offerings |volume=3 |issue=1 |pages=37–59 |doi=10.15385/jmo.2012.3.1.4 |url=http://digitalcommons.cedarville.edu/musicalofferings/vol3/iss1/4 |doi-access=free|ref=none}} * {{Cite book | publisher=Hercules | isbn =0-916586-24-3 | last =Savas | first =Savas I. | title =Byzantine Music in Theory and Practice | location =Boston | year =1965 | url =http://www.byzantinechant.org/Resources/SavasSavas_combined%20%28small%29.pdf | access-date=27 January 2013|ref=none}} * {{cite journal |last=Schneider |first=Albrecht |year=1987 |title=Musik, Sound, Sprache, Schrift: Transkription und Notation in der Vergleichenden Musikwissenschaft und Musikethnologie |trans-title=Music, sound, language, writing: Transcription and notation in comparative musicology and music ethnology |language=de |journal=Zeitschrift für Semiotik |volume=9 |issue=3–4 |pages=317–43|ref=none}} * {{cite book |last=Sotorrio |first=José A. |year=1997 |title=Bilinear Music Notation: A New Notation System for the Modern Musician <!--Place of publication needed.--> |publisher=Spectral Music |isbn=978-0-9548498-2-5 |ref=none}} * {{cite book |last=Stone |first=Kurt |year=1980 |title=Music Notation in the Twentieth Century: A Practical Guidebook |url=https://archive.org/details/musicnotationint0000ston |url-access=registration |publisher=W. W. Norton |ref=none}} * {{cite journal |last=Strayer |first=Hope R. |year=2013 |title=From Neumes to Notes: The Evolution of Music Notation |journal=Musical Offerings |volume=4 |issue=1 |pages=1–14 |doi=10.15385/jmo.2013.4.1.1 |url=http://digitalcommons.cedarville.edu/musicalofferings/vol4/iss1/1 |doi-access=free|ref=none}} * {{cite book | last=Tortiglione |first=Paolo |year=2012 |title=Semiography and Semiology of Contemporary Music |location=Milan |publisher=Rugginenti |isbn=9788876656163 |ref=none}} * {{cite book |author-link=Habib Hassan Touma |last=Touma |first=Habib Hassan |year=1996 |title=The Music of the Arabs |edition=new expanded |translator1=Laurie Schwartz |location=Portland, Oregon |publisher=Amadeus Press |isbn=0-931340-88-8 |type=book with accompanying CD recording|ref=none}} *{{cite book |last=Williams |first=Charles Francis Abdy |year=1903 |title=The Story of Notation |location=New York |publisher=Charles Scribner's Sons |url=https://archive.org/details/storyofnotation00willuoft|ref=none}} {{div col end}}
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)