Editing Schenkerian analysis (section)

===Political issues===
*Clark, Suzannah (2007). "The Politics of the Urlinie in Schenker's ''Der Tonwille'' and ''Der freie Satz''", ''[[Journal of the Royal Musical Association]]'' 132/1, pp. 141–164.
*Cook, Nicholas (2007). ''The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna''. Oxford University Press.
*[[Martin Eybl|Eybl, Martin]] (1995). ''Ideologie und Methode. Zum ideengeschichtlichen Kontext von Schenkers Musiktheorie''. Tutzing, Hans Schneider.
*Federhofer, Hellmut Federhofer (1985). ''Heinrich Schenker. Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection'', Chapter V, ''Schenkers Weltanschauung''. Hildesheim, Olms, pp. 324–330.
*{{citation|last=Schachter|first=Carl|author-link=Carl Schachter|title=Elephants, Crocodiles, and Beethoven: Schenker's Politics and the Pedagogy of Schenkerian Analysis|journal=Theory and Practice|volume=26|year=2001|jstor=41054326|pages=1–20|ref=none}}
*Wedler, Sebastian (2020). "Adorno on Schenker: Reconstructing the Formation of a Critique", ''Music Analysis'' 39/2, pp. 240–265 (https://doi.org/10.1111/musa.12157, open access).