Editing Entertainment robot (section)

== Non-commercial art robots ==
In 1956, [[Nicolas Schöffer]] created ''Cysp 1 (Spatiodynamique Cybernétique)'', a robot and dancer working together to create an abstract sculpture and choreography with [[musique concrète|concrete music]] by [[Pierre Henry]]. These works could react to color, sound, and light.

[[Survival Research Laboratories]], in San Francisco, California, creates large destructive robotic performances to [[roast (comedy)|roast]] contemporary culture and express their distaste for the [[military-industrial complex]].

[[Emergent Systems]] is creating large-scale interactive art environments where robots can respond to humans and each other as they react and evolve in robotic installations. [[Autopoiesis]] was one such [[artificial life]] work that allowed a series of robots constructed of grapevines to both act as individuals and a group.<ref>{{Cite web|url=http://accad.osu.edu/~rinaldo/works/autopoiesis/autopoiesis.html|archive-url=https://web.archive.org/web/20060628201408/http://accad.osu.edu/~rinaldo/works/autopoiesis/autopoiesis.html|url-status=dead|archive-date=2006-06-28|title=Ken Rinaldo; Autopoiesis is a group consciousness of interactive robotic sculptures - robotic art|date=2006-06-28|access-date=2018-04-21}}</ref> Augmented Fish Reality allowed [[Siamese fighting fish]] to control their robots to meet across the gap of their glass fish bowls.

[[Intel Museum]] hosts the A.I.-driven interactive robot, ARTI, which is short for "artificial intelligence". This robot is considered to be a work of fine art and is capable of [[face recognition|recognizing faces]], understands speech, and even teaches the museum guests about the history of the museum and its founders, Robert Noyes and [[Gordon Moore]]. ARTI's face is made out of an inanimate silicon wafer.