Editing I Modi (section)

== Images from ''I modi'' copies ==

<gallery mode="packed" widths="200" heights="200">
File:Posture 01 - Woodblock cut copy - after Marcantonio Raimondi, Giulio Romano - around 1555 - version 2.jpg|Image 1 woodcut booklet
File:Marcantonio - A nude God and Goddess laying on a bed embracing, 1857,0711.20.jpg|The corresponding image thought to be by Agostino Veneziano. Around 1530.<ref name="June 2009"/> British Museum
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Pietro aretino e anonimo xilografo veneziano, sonetti sopra il xvi modi, post 1537-1550 ca. (coll. priv.) 02. - Extracted image.jpg|Image 2 woodcut booklet
File:Print (BM Ii,16.6.1-9 04).jpg|Corresponding fragment to image 2 thought to be by Agostino Veneziano.<ref name="December 2004"/> Around 1530.<ref name="June 2009"/> 
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Pietro aretino e anonimo xilografo veneziano, sonetti sopra il xvi modi, post 1537-1550 ca. (coll. priv.) 03. - Extracted image.jpg|Image 3 woodcut booklet
</gallery>

<gallery mode="packed" widths="150px" heights="150px">
File:Posture 04 - Woodblock cut copy - after Marcantonio Raimondi after Agostino Veneziano.- around 1555.jpg|Image 4 woodcut booklet
File:Print (BM Ii,16.6.1-9 05).jpg|Corresponding fragment to image 4 thought to be by Agostino Veneziano. Two fragments cut from the one engraving.<ref name="December 2004"/> Around 1530.<ref name="June 2009"/> 
File:Print (BM Ii,16.6.1-9 08).jpg|Corresponding fragment to image 4 thought to be by Agostino Veneziano.<ref name="December 2004"/> Around 1530.<ref name="June 2009"/>  
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Posture 07 - Woodblock cut copy - after Marcantonio Raimondi, Giulio Romano - around 1555 - version 3.jpg|Image 7 woodcut booklet
File:Print (BM Ii,16.6.1-9 07).jpg|Corresponding fragment to image 7 thought to be by Agostino Veneziano.<ref name="December 2004"/> Around 1530.<ref name="June 2009"/>  
File:Bacanal sarcófago Nápoles.JPG|Detail of a relief on the outside of an ancient Roman sarcophagus. It has been commented that postures of the female Satyr and the herm sculpture have similarities to the figures in image 7 of the woodcut booklet.<ref name="Lawner 1998"/><ref name=Bette/><ref name="2017 Visible"/> Marble. National Archaeological Museum, Naples. 140 to 160 CE. 
</gallery>

<gallery mode="packed" widths="200" heights="200">
File:Print (BM Ii,16.6.1-9 03).jpg|Corresponding fragment to image 9 thought to be by Agostino Veneziano.<ref name="December 2004" /> Around 1530.<ref name="June 2009" />
File:Posture 09 - Woodblock cut copy - after Marcantonio Raimondi - around 1550 - 4.jpg|This image is made from two images. One is the image from the woodcut booklet. The second is the engraving thought to be by Agostino Veneziano.<ref name="2017 Visible"/> 
</gallery>

<gallery mode="packed" widths="180" heights="180">
File:Print (BM Ii,16.6.1-9 02).jpg|Corresponding fragment to image 10 thought to be by Agostino Veneziano.<ref name="December 2004" /> Around 1530.<ref name="June 2009" />
File:Parmigianino - drawing - b.jpg|A drawing that copies image 10 in the woodcut booklet.<ref name="2017 Visible" /> Parmigianino.<ref name="2017 Visible" /> Pen and brown ink on paper, trimmed. 1524–1527.<ref name="2017 Visible" />
File:Parmigianino - Lovers, 1886.jpg|A second drawing by Parmigianino with similarities to image 10.<ref name="2017 Visible" /> Pen, ink on paper. 1524–1527.<ref name="2017 Visible" />
</gallery>

<gallery mode="packed" widths="150px" heights="150px">
File:Posture 11 - Woodblock cut copy - after Marcantonio Raimondi - around 1555.jpg|Image 11 woodcut booklet
File:Print (BM Ii,16.6.1-9 01).jpg|Corresponding fragment to image 11 thought to be by Agostino Veneziano.<ref name="December 2004"/> Around 1530.<ref name="June 2009"/> 
File:Engraving - after Marcantonio Raimondi - Albertina Museum (2).jpg|Anonymous engraving, Albertina museum, 16th century
File:Engraving - 2 images -.jpg|This image has been made from two engravings. The first engraving is from the Albertina museum, and the second is thought to be by Agostino Veneziano.<ref name="2017 Visible"/>
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Posture 12 - Woodblock cut copy - after Marcantonio Raimondi, Giulio Romano - around 1555 - version 3.jpg|Image 12 woodcut booklet
File:Posture 13 - Woodblock cut copy - after Marcantonio Raimondi, Giulio Romano - around 1555 - version 3.jpg|Image 13 woodcut booklet
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Posture 14 - Woodblock cut copy - after Marcantonio Raimondi - around 1550 - 3.jpg|Image 14 woodcut booklet
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Posture 15 - Woodblock cut copy - after Marcantonio Raimondi - around 1550 - Final two images - 3.jpg|Image 15 woodcut booklet. <small>The woodcut booklet has been described as having two images "…in the abbreviated final signature…[that] seem to come from different traditions."<ref name="December 2004"/> For the image with the standing figure it has been commented that "…both image and text differ markedly in style from those that precede them" in the woodcut booklet.<ref name="spring 2009"/></small>
File:Posture 16 - Woodblock cut copy - after Marcantonio Raimondi - around 1550 - Final two images - 2.jpg|Image 16 woodcut booklet. <small>In the Fossombrone sketchbook there are two drawings of sexual scenes and it is speculated that the figures in these drawings have similar postures to the figures in image 16 from the woodcut booklet.<ref name="June 2009 page 121"/><ref name=2013Turnerp72/> A second idea is that "...these drawings [in the fossombrone sketchbook] while fascinatingly similar to the Modi, differ even more significantly from anything in the visual remains of those prints, as well as from each other in composition and perhaps graphic style."<ref name=2013Turnerp72/></small>
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Print (BM Ii,16.6.1-9 09).jpg|Two fragments cut from the one engraving. These fragments not present in the woodcut booklet. Both fragments are thought to be by Agostino Veneziano. Around 1530.<ref name="June 2009"/> 
File:Print (BM Ii,16.6.1-9 06).jpg|Second fragment that is not present in the woodcut booklet and thought to be by Agostino Veneziano. Around 1530.<ref name="June 2009"/> 
</gallery>

<gallery mode="packed" widths="180" heights="180">
File:Engraving by an unkown Artist - printed with brownish ink - dated to around 1530 - National Library of Spain.jpg|An engraving in the National Library of Spain that copies one scene from ''I modi''.<ref name="2017 Visible p157"/> This engraving is not present in the woodcut booklet,<ref name="2017 Visible p157"/><ref name="December 2004"/> and none of the fragments thought to be by Agostino Veneziano in the British Museum are related to this scene.<ref name="December 2004"/> It is by an unknown artist and dated to after 1530.<ref name="2017 Visible p157"/> This image has been reversed.
File:Sepia drawings - A copy of an engraving that is in the National Library of Spain - This engraving is a scene from I Modi - Artist; Johan Tobias Sergel (1740 - 1814) - 1.jpg|A sepia drawing by Johan Tobias Sergel (1740–1814) that possibly copies one scene from ''I modi''. The scene that it copies can be seen on an engraving that is in the National Library of Spain.
File:Sepia drawings - Artist; Johan Tobias Sergel (1740 - 1814) - 3.jpg|A second sepia drawing by Johan Tobias Sergel that has some similarities to a scene from ''I modi'' that is in the National Library of Spain.
File:L'Aretin François, gravure-16.jpg|An engraving with similarities to a scene from ''I modi'' that is in the National Library of Spain. Engraving by Francois-Rolland Elluin from drawings by Antoine Borel. 1787
File:Copperplate engraving - detail - End of the eighteenth century.jpg|Detail of a copperplate engraving with similarities to a scene from ''I modi'' that is in the National Library of Spain. End of the 18th century.
</gallery>

<gallery mode="packed" widths="180" heights="180">
File:C.sf., urbino, francesco xanto avelli, piatto con inondazione del tevere, 1531.JPG|<small>A maiolica dish titled ''The Tiber in Flood'' that was painted by Francesco Xanto Avelli.<ref name="2017 Visible"/> It is thought that between 1531 and 1535 Francesco Xanto Avelli saw Agostino Veneziano's copy of I modi.<ref name="December 2004"/> There are five figures on this dish that have the same postures as those in images numbered 1, 3, 8 and 14 in the woodcut booklet.<ref name="December 2004"/></small>
File:Posture 01 - Woodblock cut copy - after Marcantonio Raimondi, Giulio Romano - around 1555 - version 2.jpg|The first image from the woodcut booklet. One figure in this image has been copied in the maiolica dish titled ''The Tiber in Flood''.<ref name="2017 Visible" />
File:Posture 8 - Woodblock cut copy - after Marcantonio Raimondi Giulio Romano - around 1555 - 4.jpg|The eighth woodcut copy image of ''I modi''.<ref name="2017 Visible" /><ref name="December 2004" /> A figure in this image has been copied in the maiolica dish titled ''The Tiber in Flood''.<ref name="2017 Visible" />
File:Posture 14 - Woodblock cut copy - after Marcantonio Raimondi Giulio Romano - around 1555 - 4.jpg|The fourteenth woodcut copy image of ''I modi''.<ref name="2017 Visible" /><ref name="December 2004" /> A figure in this image has been copied in the maiolica dish titled ''The Tiber in Flood''.<ref name="2017 Visible" />
</gallery>

<gallery mode="packed" widths="220" heights="220">
File:Maiolica plate - 1a.jpg|Francesco Xanto Avelli painted a second maiolica dish titled ''Narcissus (The vain lover of his own image)''.<ref name="2017 Visible"/> The figure of Narcissus on this Maiolica dish has been copied from the third woodcut copy image of ''I modi''.<ref name="2017 Visible"/>
</gallery>

<gallery mode="packed" widths="200px" heights="200px">
File:Agostino Veneziano - Attributed to - Leda, sitting on a carved bench, leaning against a tree and embracing Jupiter in the form of a swan, 1922,0610.11.jpg|This engraving of Leda and the Swan is not present in the woodcut booklet. It is thought to be by Agostino Veneziano.<ref name="2017 Visible"/> It is speculated that this image is based on an image that was in the Giulio and Marcantonio edition of ''I modi''. 1524–1527?<ref name="2017 Visible"/>
</gallery>