Editing Invisible Touch (section)

=== Side two ===
Banks gained inspiration for "[[Anything She Does]]" from pictures of scantily clad women the band would cut out and place on the wall of their recording studio.{{sfn|Bowler|Dray|1992|p=202}} It features a brass sound that Banks sampled from "some tape" that he had; he clarified that the brass was not from the [[Phenix Horns]], the brass section for [[Earth, Wind and Fire]] that were previously used on ''Abacab''.<ref name=MM86/>

"[[Domino (Genesis song)|Domino]]" is a track split into two sections—"In the Glow of the Night" and "The Last Domino". Banks wrote the lyrics based on the idea that politicians often fail to think through their ideas and the consequences of their actions.{{sfn|Reissues Interview|2007|loc=08:46–09:47}} Rutherford thinks "Domino" is "one of the best things" the band has done.{{sfn|Bowler|Dray|1992|p=205}} He was aware that due to the popularity of [[MTV]] and the increased pressure to deliver hit singles, people would often forget about their longer songs like "Domino" in favor of the shorter, more commercial hits.{{sfn|Reissues Interview|2007|loc=07:27–08:21}}

"[[Throwing It All Away]]" developed from a guitar riff from Rutherford, who also wrote the lyrics. Collins described it as like a "one-note samba".{{sfn|Reissues Interview|2007|loc=13:24–10:47}} It was a heavy guitar song in its original form, with Collins "drumming in a [[John Bonham]] style". As the chorus developed, its mood changed to that of a softer one "matched by the single love-song lyric".{{sfn|Bowler|Dray|1992|p=204}}

"[[The Brazilian]]" is an instrumental based around a sample that Banks had recorded on his E-mu Emulator playing throughout the track, which he achieved by sticking a knife onto the keyboard. He realised he could have done it electronically, but the knife "looks better that way."<ref name=MM86>{{cite magazine|url=http://www.muzines.co.uk/articles/that-genesis-touch/4910|title=Tony Banks: That Genesis Touch|first=Paul|last=Colbert|date=July 1986|magazine=Making Music|via=Muzines|access-date=27 July 2021}}</ref> Collins recalled it was put together when the group were "fooling around" in the studio, and he had been experimenting with sounds that could be programmed into his Simmons kit.{{sfn|Reissues Interview|2007|loc=14:40–15:14}}