Editing Iowa Writers' Workshop (section)

=== Curriculum and courses ===
The program's curriculum requires students to take a small number of classes each semester, including the Graduate Fiction Workshop or Graduate Poetry Workshop and one or two additional literature seminars. These requirements are meant to prepare students for the realities of professional writing, where self-discipline is paramount. The graduate workshop courses meet weekly. Before each three-hour class, a small number of students submit material for critical reading by their peers. The class consists of a round-table discussion during which the students and the instructor discuss each piece. How classes are conducted varies by teacher and between poetry and fiction. The ideal result is not only that writers come away with insights into their work's strengths and weaknesses, but that the class as a whole derives insight, whether general or specific, about the process of writing.<ref name=nyt86>{{Cite news| url=https://www.nytimes.com/1986/05/25/magazine/can-writing-be-taught-in-iowa.html | title=Can Writing Be Taught in Iowa? |first=Maureen |last=Howard | date=May 25, 1986| work=The New York Times}}</ref>

When the Workshop received the National Humanities Medal in 2002, then director Conroy explained its ethos: "It is a focused program, like [[Juilliard]]. We read constantly, rereading the classics. They can write anything they want. We teach them what we've learned as writers."<ref>{{cite web |title=Iowa Writer's Workshop |url=https://www.neh.gov/about/awards/national-humanities-medals/iowa-writers-workshop |publisher=National Endowment for the Humanities |access-date=June 14, 2023}}</ref>

In a 2022 interview, Chang said: <blockquote>We don't have a quota about where people are from or what kind of writing they do. What we look for is work that is filled with energy, work that interests us. I'm sure, every year, there are many, many very good writers who go elsewhere because we don't admit them. But we try to be very open. I would say that we look for work that excites us. Frank Conroy used to describe it as feeling someone reaching off the page at you when you're reading, feeling tension in the language.<ref>{{cite web |last1=Otosirieze |title=In Conversation with Lan Samantha Chang, Director of the Iowa Writers' Workshop |url=https://opencountrymag.com/in-conversation-with-lan-samantha-chang-director-of-the-iowa-writers-workshop/ |website=Open Country Mag |date=July 23, 2022|access-date=June 14, 2023}}</ref></blockquote>