Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Italian art
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Duecento === {{Main|Duecento}} [[File:San Francesco Cimabue.jpg|thumb|300px|[[Cimabue]]'s ''[[Maestà]]'', [[Basilica of San Francesco d'Assisi|Basilica of St. Francis in Assisi]], {{circa|1290}}]] Duecento is the Italian term referring to the 13th century, a formative period in Italian cultural and artistic history. During this time, [[Gothic architecture]], which had originated in northern Europe, began to spread into Italy, particularly in the northern regions. However, Italian Gothic developed distinctive local variations, often more restrained and less vertically ambitious than its northern counterparts. Two major religious orders—the [[Dominican Order|Dominicans]], founded by [[Saint Dominic]], and the [[Franciscan Order|Franciscans]], founded by [[Francis of Assisi]]—gained widespread popularity and financial support in this period. These mendicant orders undertook extensive church-building projects, often adopting simplified versions of Gothic architecture suited to their preaching missions and vows of poverty. The use of large-scale [[fresco]] cycles became widespread during the Duecento, as frescoes were both cost-effective and useful for conveying religious narratives to largely illiterate congregations. A landmark example is the [[Basilica of Saint Francis of Assisi]], a complex structure comprising two superimposed churches built on a hillside and begun shortly after Francis's canonization in 1228. The basilica was adorned with frescoes by many of the leading painters of the period, including [[Cimabue]], [[Giotto di Bondone|Giotto]], [[Simone Martini]], [[Pietro Lorenzetti]], and possibly [[Pietro Cavallini]]. These artistic developments laid the groundwork for the innovations of the [[Trecento]] and the later [[Italian Renaissance]].
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)