Editing Lord Jim (section)

==Critical interpretation==
The novel is in two main parts, firstly Jim's lapse aboard the ''Patna'' and his consequent fall, and secondly an adventure story about Jim's rise and the tale's climax in the fictional town of [[Patusan]], presumed a part of the [[Indonesian archipelago]]. The main themes surround young Jim's potential ("he was one of us", says [[Charles Marlow|Marlow]], the narrator) thus sharpening the drama and tragedy of his fall, his subsequent struggle to redeem himself, and Conrad's further hints that personal character flaws will almost certainly emerge given an appropriate catalyst. Conrad, speaking through his character Stein, called Jim a [[Romanticism|romantic]] figure, and indeed ''Lord Jim'' is arguably Conrad's most romantic novel.<ref>{{cite book |url=https://archive.org/details/conradinnineteen00watt |url-access=registration |first=Ian |last=Watt |title=Conrad in the Nineteenth Century |page=[https://archive.org/details/conradinnineteen00watt/page/346 346] |isbn=978-0520044050 |publisher=University of California Press |year=1981}}</ref>

In addition to the [[lyricism]] of Conrad's descriptive writing, the novel is noted for its [[sophisticated]] structure. The bulk of the novel is told in the form of a story recited by the character [[Charles Marlow|Marlow]] to a group of listeners, and the conclusion is presented in the form of a letter from Marlow. Within Marlow's narration, other characters also tell their own stories in nested [[dialogue]]. Thus, events in the novel are described from several viewpoints, and often out of [[chronological]] order.

The reader is left to form an impression of Jim's interior [[psychological]] state from these multiple external points of view. Some [[critic]]s (using [[deconstruction]]) contend that this is impossible and that Jim must forever remain an enigma,<ref>{{cite book |url=https://books.google.com/books?id=W6aycisnuiAC&pg=PA22 |first=J. Hillis |last=Miller |title=Fiction and Repetition: Seven English Novels |publisher=Harvard University Press |page=22 |isbn=978-0674299269 |year=1985}}</ref> whereas others argue that there is an absolute [[reality]] the reader can perceive and that Jim's actions may be [[ethic]]ally judged.<ref>{{cite book |url=https://books.google.com/books?id=lD2CIFZi3hQC&pg=PA222 |first=Daniel R. |last=Schwartz |title=The Transformation of the English Novel |page=222 |publisher=Palgrave Macmillan |year=1989 |isbn=978-0312023713}}</ref>

There is also an analysis that shows in the novel a fixed pattern of meaning and an implicit unity that Conrad said the novel has. As he wrote to his publisher four days after completing ''Lord Jim'', it is "the development of one situation, only one really, from beginning to end."  A [[metaphysical]] question pervades the novel and helps unify it: whether the "destructive element" that is the "spirit" of the Universe has intention—and, beyond that, malevolent intention—toward any particular individual or is, instead, indiscriminate, impartial, and indifferent. Depending (as a [[corollary]]) on the answer to that question is the degree to which the particular individual can be judged responsible for what he does or does not do; and various responses to the question or its corollary are provided by the several characters and voices in the novel.<ref>{{cite book |first=Kenneth B. |last=Newell |title=Conrad's Destructive Element: The Metaphysical World-View Unifying LORD JIM |location= Newcastle upon Tyne |publisher=Cambridge Scholars Publishing |year=2011 |isbn=978-1-4438-2667-9}}</ref>

The omniscient narrator of the first part remarks of the trial: "They wanted facts. Facts! They demanded facts from him, as if facts could explain anything!" Ultimately, Jim remains mysterious, as seen through a mist: "that mist in which he loomed interesting if not very big, with floating outlines – a straggler yearning inconsolably for his humble place in the ranks... It is when we try to grapple with another man's intimate need that we perceive how incomprehensible, wavering, and misty are the beings that share with us the sight of the stars and the warmth of the sun." It is only through Marlow's recitation that Jim lives for us – the relationship between the two men incites Marlow to "tell you the story, to try to hand over to you, as it were, its very existence, its reality – the truth disclosed in a moment of illusion."

[[Postcolonialism|Postcolonial]] interpretations of the novel, while not as intensive as that of ''[[Heart of Darkness]]'', point to similar themes in the two novels – the [[protagonist]] sees himself as part of a "[[civilising mission]]" and the story involves a "heroic adventure" during the [[apogee]] of the [[New Imperialism]] era.<ref name=colonial>{{cite book|title=Colonial and postcolonial literature: migrant metaphors|first=Elleke |last=Boehmer |year=2005 |url=https://archive.org/details/colonialpostcolo0000boeh_d5z5|url-access=registration|pages=[https://archive.org/details/colonialpostcolo0000boeh_d5z5/page/59 59]–60 |publisher=[[Oxford University Press]]|isbn=978-0-19-925371-5}}</ref> Conrad's use of a protagonist with a dubious history has been interpreted as an expression of his increasing doubts with regard to positive benefits of [[colonialism]]; [[literary critic]] [[Elleke Boehmer]] sees the novel, along with ''[[Dr. Jekyll and Mr. Hyde]]'', as part of a growing suspicion that "a primitive and demoralising other" is present within the governing order of the day.{{citation needed|date=June 2021}}