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Lyubov Popova
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=== Cubo-Futurism === [[File:1913 Popova Das Modell anagoria.JPG|thumb|''The Model'', 1913]] [[File:Lyubov Popova - The Pianist.jpg|thumb|''The Pianist'', 1914, [[National Gallery of Canada]]]] Popova was one of the first female pioneers in [[Cubo-Futurism]].<ref>{{cite web|last1=Drutt|first1=Matt|title=Lyubov Popova|url=http://www.guggenheim.org/new-york/collections/collection-online/artwork/3494|website=Guggenheim}}</ref> Through a synthesis of styles she worked towards what she termed ''painterly architectonics''. After first exploring [[Impressionism]], by 1913, in ''Composition with Figures'', she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy. From 1914 to 1915 her Moscow home became the meeting-place for artists and writers. In 1914β1916 Popova together with other [[avant-garde]] artists ([[Aleksandra Ekster]], Nadezhda Udaltsova, [[Olga Rozanova]]) contributed to the two [[Jack of Diamonds (artists)|''Knave of Diamonds'']] exhibitions, in Petrograd '' Tramway V'' and the ''[[0,10 Exhibition|0.10]]'', ''The Store'' in Moscow. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of [[Fernand LΓ©ger|Fernand Leger]], whose geometry of tubular and conical forms in his series of paintings from 1913 to 1914 is similar to that in Popova's paintings.<ref name=":1" />
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