Editing Mail art (section)

===1990s and the impact of the Internet era===
[[File:Paulo bruscky and david horvitz.JPG|thumb|American mail-artist [[David Horvitz]] (active since the 2000s) meets Brazilian mail artist Paulo Bruscky (active since the 1970s) in Berlin, Germany in November 2015]]

In 1994, Dutch mail artist [[Ruud Janssen]] began a series of [[mail-interviews]] which became an influential contribution in the field of mail art.<ref>
Ruud Janssen, ''Mail-Interviews'', Tilburg 1994–2001
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By the 1990s, mail art's peak in terms of global postal activities had been reached, and mail artists, aware of increasing postal rates, were beginning the gradual migration of collective art projects towards the web and new, cheaper forms of digital communication.<ref>[[Guy Bleus]] (Ed.), ''Re: The E-Mail-Art & Internet-Art Manifesto'', in: ''E-Pêle-Mêle: Electronic Mail-Art Netzine'', Vol.III, n° 1, T.A.C.-42.292, Hasselt, 1997.</ref> The Internet facilitated faster dissemination of mail art calls (invitations) and precipitated the involvement of newcomers.