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Musica ficta
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==References== {{reflist}} '''Sources''' {{div col|colwidth=45em}} * {{wikicite|ref={{harvid|Bent|1984}}|reference=[[Margaret Bent|Bent, Margaret]]. 1984. "Diatonic 'Ficta{{'"}}. ''[[Early Music History]]'' 4:1–48. Reprinted in Margaret Bent, ''Counterpoint, Composition, and Musica Ficta'', 1115–1159. Criticism and Analysis of Early Music 4. New York and London: Routledge. {{ISBN|978-0-8153-3497-2}}.}} * {{wikicite|ref={{harvid|Bent and Silbiger|2001}}|reference=Bent, Margaret, and Alexander Silbiger. 2001. "Musica Ficta [Musica Falsa]". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan; New York: Grove's Dictionaries of Music.}} * {{wikicite|ref={{harvid|Berger|1987}}|reference=[[Karol Berger|Berger, Karol]]. 1987. ''Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto Da Padova to Gioseffo Zarlino''. Cambridge and New York: Cambridge University Press. {{ISBN|978-0-521-32871-5}} (cloth). Paperback reprint 2004. {{ISBN|978-0-521-54338-5}} (pbk).}} * {{wikicite|ref={{harvid|Le Roy|1574}}|reference=Le Roy, Adrian. 1574. ''A Briefe and Plaine Instruction to Set all Musicke of Eight Divers Tunes in Tableture for the Lute''. London: J. Kyngston for J. Robothome.}} * {{wikicite|ref={{harvid|Praetorius|1619}}|reference=[[Michael Praetorius|Praetorius, Michael]]. 1619. ''Syntagma Musicum'', III. Wolfenbüttel: Elias Holwein. Facsimile reprint, Kassel: Bärenreiter, 1958.}} * {{wikicite|ref={{harvid|Toft|1992}}|reference=Toft, Robert. 1992. ''Aural Images of Lost Traditions: Sharps and Flats in the Sixteenth Century.'' Toronto: University of Toronto Press. {{ISBN|0-8020-5929-5}}.}} * {{wikicite|ref={{harvid|Toft|2014}}|reference=Toft, Robert. 2014. ''With Passionate Voice: Re-Creative Singing in 16th-Century England and Italy''. New York: Oxford University Press. {{ISBN|978-0-19-938203-3}}.}} * {{wikicite|ref={{harvid|Zarlino|1558}}|reference=[[Gioseffo Zarlino|Zarlino, Gioseffo]]. 1558. ''Le istitutioni harmoniche''. Venice: n.p.}} * {{wikicite|ref={{harvid|Zarlino|1968}}|reference=Zarlino, Gioseffo. 1968. ''The Art of Counterpoint: Part Three of Le istitutioni harmoniche, 1558'', translated by Guy A. Marco and [[Claude V. Palisca]]. Music Theory in Translation 2. New Haven: Yale University Press. Reprinted, New York: W. W. Norton & Company, Inc., 1976.}} {{div col end}}
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