Editing Op art (section)

=== Color ===
Beginning in 1965 [[Bridget Riley]] began to produce color-based op art;<ref>{{cite book|url=https://books.google.com/books?id=JFuXfLYqQVsC&q=op+art&pg=RA1-PA147|title=After Modern Art 1945-2000|first=David|last=Hopkins|date=September 14, 2000|publisher=OUP Oxford|page=147|isbn=9780192842343|access-date=November 5, 2017|via=Google Books}}</ref> however, other artists, such as [[Julian Stanczak]] and [[Richard Anuszkiewicz]], were always interested in making color the primary focus of their work.<ref>See ''Color Function Painting: The Art of Josef Albers, Julian Stanczak, and Richard Anuszkiewicz'', Wake Forest University, reprinted 2002.</ref> [[Josef Albers]] taught these two primary practitioners of the "Color Function" school at [[Yale]] in the 1950s. Often, colorist work is dominated by the same concerns of figure-ground movement, but they have the added element of contrasting colors that produce different effects on the eye.  For instance, in Anuszkiewicz's "temple" paintings, the juxtaposition of two highly contrasting colors provokes a sense of depth in illusionistic three-dimensional space so that it appears as if the architectural shape is invading the viewer's space.

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File:Intrinsic-Harmony.jpg|''Intrinsic Harmony'' by Richard Anuszkiewicz, 1965
File:Victor Vasarely Kezdi-Ga 1970 Screenprint in colors 20×20in Edition of 250.jpg|[[Victor Vasarely]], Kezdi-Ga, 1970, Serigraph, Edition of 250, 20 × 20 in
File:ככר_דיזנגוף_-_מזרקת_יעקב_אגם.jpg|The [[Fire and Water Fountain]] by [[Yaacov Agam]], [[Dizengoff Square]] in Tel Aviv, Israel 1986. Example of both op art and [[kinetic art]].
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