Editing Postdigital (section)

==Further reading==
* Alexenberg, Mel, (2019), ''Through a Bible Lens: Biblical Insights for Smartphone Photography and Social Media''. Nashville, Tennessee: HarperCollins; {{ISBN|978-1-5955-5831-2}}.
* Alexenberg, Mel, (2011), ''The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness''.  Bristol and Chicago: Intellect Books/University of Chicago Press; {{ISBN|978-1-84150-377-6}}.
* Alexenberg, Mel, ed. (2008), ''Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture''. Bristol and Chicago: Intellect Books/University of Chicago Press, 344 pp.&nbsp;{{ISBN|978-1-84150-191-8}}. (postdigital chapters by Roy Ascott, Stephen Wilson, Eduardo Kac, and others).
* Ascott, R. (2003), ''Telematic Embrace''. (E.Shaken, ed.) Berkeley: University of California Press. {{ISBN|0-520-21803-5}}.
* Barreto, R. and Perissinotto,  P. (2002),  [https://web.archive.org/web/20080625200657/http://www.file.org.br/the_culture_of_immanence.doc ''The Culture of Immanence''], in Internet Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP. {{ISBN|85-7060-038-0}}.
* Benayoun, M. (2008), ''Art after Technology'' abstract of the text written by [[Maurice Benayoun]] in Technology Review - French edition, N°7 June–July 2008, MIT, ISSN 1957-1380. [http://www.benayoun.com/projet.php?id=114&lang=eng Full text in English].
* Benayoun, M., ''The Dump, 207 Hypotheses for Committing Art'', bilingual (English/French), Fyp éditions, France, July 2011, {{ISBN|978-2-916571-64-5}}.
* Berry, D. M. (2014) ''Critical Theory and the Digital'', New York: Bloomsbury. {{ISBN|978-1441166395}}.
* Berry, D. M. and Dieter (2015) ''Postdigital Aesthetics: Art, Computation and Design'', London: Palgrave. {{ISBN|978-1137437198}}.
* [[Daniel Birnbaum|Birnbaum, D]] and Kuo (2008) ''More than Real: Art in the Digital Age,'' 2018 Verbier Art Summit''.'' London: Koenig Books. {{ISBN|978-3-96098-380-4}}.
* [[Maurizio Bolognini|Bolognini, M.]] (2008), [http://www.bolognini.org/bolognini_PDIG.htm ''Postdigitale''], Rome: Carocci. {{ISBN|978-88-430-4739-0}}.
* Ferguson, J., & Brown, A. R. (2016). [http://journals.cambridge.org/abstract_S1355771816000054 "Fostering a post-digital avant-garde: Research-led teaching of music technology"]. Organised Sound, 21(2), 127–137.
* Ferreira, P. (2024), ''Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts'', Bielefeld, Germany: transcript Verlag. {{ISBN|978-3-8376-7416-3}}.
* Pepperell, R. and Punt, M. (2000), ''The Postdigital Membrane: Imagination, Technology and Desire'', Intellect Books, Bristol, UK, 182 pp.
* Toshiko, Saneoki. (2019). Postigital Theory of Giorgio Agamben, Ryota Matsumoto, Kim Cascone,[https://ja.wikibooks.org/wiki/%E3%83%9D%E3%82%B9%E3%83%88%E3%83%87%E3%82%B8%E3%82%BF%E3%83%AB '' Japanese Art and Design'']. Hachimato, Tokyo Institute of Art, Tokyo, Japan.
* Toshimo, Saniev. (2019). “Postdigital, Giorgio Agamben, Ryota Matsumoto” Tokyo University Press ''Media Research Journal'' Japanese Text.
* Wilson, S. (2003), ''Information Arts: Intersections of Art, Science, and Technology''. {{ISBN|0-262-23209-X}}.