Editing Samuel Fuller (section)

===Acting===
Fuller made a [[cameo role|cameo appearance]] in [[Jean-Luc Godard]]'s ''[[Pierrot le Fou]]'' (1965), where he famously intones: "Film is like a battleground ... Love, hate, action, violence, death. In one word, emotion!"<ref>{{Cite book|last=Brody|first=Richard|title=Everything is Cinema: The Working Life of Jean-LucGodard|publisher=Metropolitan Books|year=2008|pages=246|isbn=978-0-8050-6886-3}}</ref> He also made a cameo appearance at an outdoor cafe in [[Luc Moullet]]'s ''[[Brigitte et Brigitte]]'' (1966) along with [[French New Wave]] directors [[Claude Chabrol]], [[Eric Rohmer]], and [[André Téchiné]]. He plays a film director in [[Dennis Hopper]]'s ill-fated ''[[The Last Movie]]'' (1971);<ref>{{usurped|1=[https://archive.today/20130124103137/http://www.geraldpeary.com/interviews/def/fuller.html Cigars and Cinema with Sam Fuller]}}, an interview from geraldpeary.com</ref> an Army colonel in [[Steven Spielberg]]'s ''[[1941 (film)|1941]]'' (1979); a war correspondent in his film ''The Big Red One'' (scene deleted in the original release, restored in the reconstructed version),<ref>''The Big Red One'' a film by Samuel Fuller</ref> a talent agent in his film ''White Dog'' (1981), and a cameraman in [[Wim Wenders]]' ''[[The State of Things (film)|The State of Things]]'' (1982). He portrays an American gangster in two films set in Germany: ''[[The American Friend]]'' by Wenders and ''[[Helsinki Napoli All Night Long]]'' by [[Mika Kaurismäki]]. He also appeared in [[Larry Cohen]]'s ''[[A Return to Salem's Lot]]'' (1987), and played a businessman in {{Lang|fr|[[La Vie de Bohème (1992 film)|La Vie de Bohème]]}} (1992) by [[Aki Kaurismäki]]. His last work in film was as an actor in ''[[The End of Violence]]'' (1997). A photo of Fuller also appears on one of the mirrors of a stripper in his ''Shock Corridor''.