Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Syrinx
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== In literature === The story became popular among artists and writers in the 19th century. Elizabeth Barrett Browning wrote a poem entitled "A Musical Instrument" describing Pan's ruinous actions in creating the musical pipes. The Victorian artist and poet [[Thomas Woolner]] wrote ''Silenus'', a long narrative poem about the myth, in which Syrinx becomes the lover of [[Silenus]], but drowns when she attempts to escape rape by Pan. As a result of the crime, Pan is transmuted into a demon figure and Silenus becomes a drunkard.<ref>Thomas Woolner, ''Silenus'', Macmillan, 1884.</ref> [[Amy Clampitt]]'s poem ''Syrinx'' refers to the myth by relating the whispering of the reeds to the difficulties of language. [[File:Pan_Pursuing_Syrinx_LACMA_AC1992.225.2.jpg|thumb|upright=1.1|''Pan Pursuing Syrinx'' by Ignaz Elhafen, c. 1690–1695, LACMA.]] The story was used as a central theme by Aifric Mac Aodha in her poetry collection ''Gabháil Syrinx''. [[Samuel R. Delany]] features an instrument called a syrynx in his science-fiction novel [[Nova (novel)|''Nova'']]. Syrinx is the name of one of the main characters in [[the Night's Dawn Trilogy]] of [[space opera]] novels by British author [[Peter F. Hamilton]]. In the trilogy, Syrinx is a member of the transhumanist future society known as Edenism, and serves as the captain of the ''Oenone'', a living starship. A 1972 poem by [[James Merrill]], titled "Syrinx", draws on several aspects on the mythological tale, with the poet himself identifying with the celebrated nymph, desiring to become not just a "reed" but a "thinking reed" (in contrast to a "thinking stone", as critic [[Helen Vendler]] has observed, noting the influence of a [[Wallace Stevens]] lyric, "Le Monocle de Mon Oncle").<ref name=Merrill/> The poet aspires to return to his "scarred case" with minimal suffering inflicted by "the great god Pain", a play of words on the Greek god [[Pan (god)|Pan]]. "Syrinx" is the final poem in Merrill's 1972 collection, ''[[Braving the Elements]]''.<ref name=Merrill>{{cite news|work=The New York Times|date=September 24, 1972|first=Helen|last=Vendler|access-date=March 25, 2017|url=https://www.nytimes.com/books/01/03/04/specials/merrill-elements.html|title=New Merrill}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)