Editing Trio sonata (section)

===Other composers===
* [[Tomaso Albinoni]], 12 sonatas da chiesa Op. 1, twelve balletti a tre Op. 3, six sonatas da camera as part of Op. 8, six unpublished trio sonatas Op. 11, and a further six trio sonatas without opus number in a manuscript in Vienna, Österreichische Nationalbibliothek, Musiksammlung.{{sfn|Talbot|2001a}}
* [[Carl Philipp Emanuel Bach]] wrote at least 44 trio sonatas, including one for flute, viola, and piano, said to have been given its world premiere by the Society for Forgotten Music at the New York Public Library on 30 January 1949.{{sfn|Anon.|1949}} His best-known work in the genre is the [[Program music|programmatic]] Trio ("Sanguineus und Melancholicus"), in C minor, composed in 1749 and published in Nuremberg in 1751, which exists in two versions: one for obbligato keyboard and violin, the other for two violins and continuo.{{sfn|Wolff and Leisinger|2001}} Trio Sonatas {{ill|BWV&nbsp;1036|scores|Trio Sonata in D minor, H.569 (Bach, Carl Philipp Emanuel)}} and {{ill|BWV&nbsp;1038|scores|Trio Sonata in G major, BWV 1038 (Bach, Johann Sebastian)}}.
* [[William Boyce (composer)|William Boyce]], 12 Trio Sonatas for two violins and continuo (1747).{{sfn|Boyce|1747}}
* [[Dieterich Buxtehude]], Op. 1, six sonatas, and Op. 2, seven sonatas, scored for violin, [[viola da gamba]] and basso continuo. These were the only works by Buxtehude that were published during his lifetime. Though real trio texture does occur from time to time, these are really ''sonate a due'' for violin and viola da gamba, with the continuo often being a simplification of the gamba part. There are however four genuine trio sonatas by Buxtehude surviving in manuscript, two for two violins, viola da gamba and continuo in C and G major (BuxWV 266 and 271), one for two violins and continuo in F major (BuxWV 270, fragmentary), and one for viola da gamba, viola, and continuo in D major (BuxWV 267).{{sfn|Snyder|2001}}
* [[François Couperin]] published a number of trio sonatas: ''Le Parnasse, ou L’apothéose de Corelli, grande sonade en trio'', for two violins and continuo (Paris, 1724); ''[[L'Apothéose de Lully|Concert instrumental sous le titre d’Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Lully]]'', for two violins (two flutes, or other unspecified instruments), and continuo (Paris, 1725); and the collection ''Les nations: sonades et suites de simphonies en trio'', for two violins and continuo (Paris, 1726), consisting of ''La Françoise'' [La pucelle], ''L’Espagnole'' [La visionnaire], ''L’impériale'', and ''La Piemontoise'' [L’astrée]. In addition, two trio sonatas have survived in manuscript: ''La Steinquerque'' and ''La superbe'', both for two violins and continuo.{{sfn|Higginbottom|2001}}
* [[Jean-Marie Leclair]] :
** JML.062 : trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 1
** JML.063 : trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 2
** JML.064 :trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 3
** JML.065 :  trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 4
** JML.066 : trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 5
** JML.067 : trio sonata for 2 violins and bc, op. 4, <abbr>n<sup>o</sup></abbr> 6
** JML.068 : Récréation de musique for 2 violins and bc (1), op. 6 (trio instrumental - ouverture en trio)
** JML.070 : Ouverture for 2 violins and bc, op. 13, <abbr>n<sup>o</sup></abbr> 1 (trio instrumental - ouverture en trio)
** JML.071 : Ouverture for 2 violins and bc, op. 13, <abbr>n<sup>o</sup></abbr> 3 (trio instrumental - ouverture en trio)
** JML.072 : Ouverture for 2 violins and bc, op. 13, <abbr>n<sup>o</sup></abbr> 5 (trio instrumental - ouverture en trio)
* [[Domenico Gallo]], 12 trio sonatas for two violins and continuo, long erroneously attributed to [[Giovanni Battista Pergolesi|Pergolesi]], some movements of which were arranged for [[Igor Stravinsky|Stravinsky]]'s ballet ''[[Pulcinella (ballet)|Pulcinella]]''.
* [[Johann Gottlieb Goldberg]], a student of J.&nbsp;S. Bach, composed at least six trio sonatas.{{sfn|Dürr|1954|pp=56–57}} Four of these are for 2 violins and continuo, one of which used to be attributed to J.&nbsp;S. Bach, as {{ill|BWV&nbsp;1037|scores|Trio Sonata in C major, DürG 13 (Goldberg, Johann Gottlieb)}}.{{sfn|Dürr|1954}} Two trio sonatas for flute, violin, and continuo are listed in a Breitkopf catalogue, but have gone missing.{{sfn|Dürr|1954|p=56}}{{sfn|Rubin|2001}}
{{Listen
| type        = music
| filename    = Les Arts Florissants - Handel's Trio Sonata in B-flat major, Op. 2 No. 3, HWV 388, IV. Allegro.ogg
| title       = Handel's Trio Sonata in B-flat major, Op. 2 No. 3, HWV 388, IV. Allegro
| description = Performed by [[Les Arts Florissants (ensemble)|Les Arts Florissants]]
}}
* [[George Frideric Handel]], trio sonatas Op. 2 and 5, all in ''sonata da chiesa form''. The attribution to Handel of the six trios HWV 380-385 for two oboes and continuo is doubtful, and the authenticity of the three trios HWV 393-395 is uncertain.{{sfn|Hicks|2001}}
* [[Johann Adolf Hasse]], 6 trio sonatas for two flutes (or violins) and continuo Op. 2 (1739) and 6 trio sonatas for two flutes (or violins) and continuo Op. 3 (1756).
* [[Jacques-Martin Hotteterre]], Sonates en trio pour les flûtes traversières et a bec, violon, hautbois, Op. 3 (1712).{{sfn|Giannini|2001}}
* [[Pietro Antonio Locatelli]], six Trio Sonatas, Op. 5, for two violins or two traversos and continuo (1736).{{sfn|Locatelli|1736}}
* [[Johann Pachelbel]], ''[[Musicalische Ergötzung|Musikalische Ergötzung]]'' ("Musical Delight"), containing six suites for two violins and basso continuo, each commencing with a sonata, followed by a succession of dances. The violin parts use [[scordatura]] tuning. The sonatas are of two types. Nos. 1 and 3 are marked Allegro, and are [[fughetta]]s. The remaining four are Adagio movements and are similar to [[French overture]]s, in two sections.{{sfn|Nolte, Butt, and Butler|2001}}
* [[Henry Purcell]], Sonnata's of III Parts, 1683, ten sonatas in four parts, 1697, but both sets are scored for two violins, bass viol, and organ or harpsichord. In terms of style, Purcell's trio sonatas are conservative, modeled on the older generation of Italians ([[Giovanni Legrenzi]], [[Lelio Colista]], and [[Giovanni Battista Vitali]]) rather than Corelli or [[Giovanni Battista Bassani]].{{sfn|Holman, Thompson, and Humphreys|2001}}
* [[Jean-Féry Rebel]] : 
** JFR.30 : La Flore (trio sonata)
** JFR.31 : La Vénus (trio sonata)
** JFR.32 : L'Apollon (trio sonata)
** JFR.33 : La Junon (trio sonata)
** JFR.34 : La Pallas (trio sonata)
** JFR.35 : L'Immortelle (trio sonata)
** JFR.36 : Tombeau de Monsieur de Lully (trio sonata)
* [[Gottfried Heinrich Stölzel]], [[Gottfried Heinrich Stölzel#Instrumental music|over 25 extant trio sonatas]], including two for solo organ. Others for continuo (sometimes indicated as harpsichord) and diverse combinations of flute(s), violin(s), [[oboe]]s or unspecified instruments.{{sfn|Stölzel|c. 1750}}{{sfn|Stölzel c. 1720–1750}}{{sfn|Stölzel|c. 1740}}{{sfn|Stölzel|c. 1760a}}{{sfn|Stölzel|c. 1760b}}{{sfn|Stölzel|c. 1770}}{{sfn|Stölzel|n.d.}}{{sfn|Stölzel c. 1700–1799a}}{{sfn|Stölzel c. 1700–1799b}}
{{listen
|type=music
|filename=Telemann-42-F7-2.ogg
|title=TWV 42 F7 #I
|description=(freepats sound from a [[Libre art]] score)
}}
* [[Georg Philipp Telemann]], around 100 trio sonatas in [[TWV]] 42.{{sfn|IMSLP|n.d.}} The earliest sonatas exhibit the Corelli style most clearly, while later works anticipate the mid-century ''[[Sensitive style|Empfindsamkeit]]'' and [[Galant music|galant]] styles, or mix Italian, French, and Polish styles.{{sfn|Zohn|2001}}
* [[Antonio Vivaldi]], 12 trio sonatas da camera Op. 1, two trio sonatas mixed with four solo sonatas in Op. 5, and thirteen unpublished trios. One further trio sonata, RV 80, in G major, for two flutes and continuo, is attributed to Vivaldi but is probably spurious.{{sfn|Talbot|2001c}}
* [[Jan Dismas Zelenka]], {{Interlanguage link multi|Six Sonatas (Zelenka)|scores|3=6 Sonatas, ZWV 181 (Zelenka, Jan Dismas)|lt=six sonatas}}, [[List of compositions by Jan Dismas Zelenka|ZWV]] 181, composed around 1721–1722.{{sfn|Zelenka [1721–22]}}