Editing Volpone (section)

== Adaptations ==
''Volpone'' was adapted by [[Jules Romains]] and [[Stefan Zweig]] in their 1928 production, with the ending changed so that Mosca ends up with Volpone's money. This version was used by [[George Antheil]] in his 1953 [[opera]] ''[[Volpone (opera)|Volpone]]''.

In 1941 a French film version was released, under the direction of noted filmmaker [[Maurice Tourneur]]. Begun in 1938 by [[Jacques de Baroncelli]], the production shut down because of financial difficulties. Tourneur took over and the shooting resumed in 1940. This version also used portions of the adaptation by Romains and Zweig.

An adaptation by [[Alphons Silbermann]] ran at the [[Independent Theatre]], Sydney from 3 April to 21 June 1947.<ref>{{cite news |url=http://nla.gov.au/nla.news-article18020187 |title="Volpone" At Independent. |newspaper=[[The Sydney Morning Herald]] |location=NSW |date=4 April 1947 |access-date=1 January 2016 |page=4 |via=National Library of Australia}}</ref>

A short-lived 1964 [[Broadway theatre|Broadway]] musical adaptation entitled ''[[Foxy (musical)|Foxy]]'' moved the play's setting to the [[Yukon]] during the [[gold rush]] of 1898.

It was [[Volpone (1968 film)|adapted for Australian television in 1968]].

The stage adaptation ''[[Sly Fox]]'', by [[Larry Gelbart]], updated the setting from [[Renaissance]] [[Venice]] to 19th century [[San Francisco]], and changed the tone from satire to farce.

''[[The Honey Pot]]'' is a 1967 film by [[Joseph L. Mankiewicz]] based on ''Volpone'', although with a romantic subplot and sentimental trappings. It featured [[Rex Harrison]] in the main role, [[Cliff Robertson]] as Mosca ("McFly"), and [[Maggie Smith]] as the love interest. A portion of the original play is presented in private performance for Harrison's character, who states that it is his favourite.

In France, there have been three further video and DVD adaptations of ''Volpone'' based on versions of the Stefan Zweig/Jules Romains script: in 1978, [[Jean Meyer (actor)|Jean Meyer]] directed a production in the 'théâtre de boulevard' style for the Théâtre de Marigny and Panorama (Au Théâtre ce soir), starring himself as Corbaccio, [[Jean Le Poulain]] as Volpone, [[Francis Huster]] as Mosca and [[Claude Jade]] as Colomba (Celia). This was followed in 2001 by a production directed by [[Francis Perrin (actor)|Francis Perrin]] with a script that resembles the Zweig/Romains text but rewritten in pseudo-Elizabethan style by Jean Collette and Toni Cecchinato. Bernard Haller plays the part of Volpone, Francis Perrin plays Mosca, and Thibaut Lorain plays Lady Would-Be. In 2003, the play was rewritten for television by [[Éric-Emmanuel Schmitt]] for a production starring [[Gérard Depardieu]] as Volpone and [[Daniel Prévost]] as Mosca. The ending is changed to see Volpone and Mosca escaping together with Corbaccio's wife.

In 1974 [[György Fehér]] adapted the play for the [[Hungarian Television]] with title ''Volpone''. Volpone was played by [[Tamás Major]].

In 1988 the film was adapted for Italian cinema by [[Maurizio Ponzi]], with the title ''[[Il volpone]]''. Set in modern [[Liguria]], it features [[Paolo Villaggio]] as Ugo Maria Volpone and [[Enrico Montesano]] as Bartolomeo Mosca.

On 24 March 2004, [[Ian McDiarmid]] starred as Volpone in a [[BBC Radio 3]] production directed by Peter Kavanagh that included [[Tom Hollander]] as Mosca, Malcolm Sinclair as Corvino, Patrick Barlow as Voltore and [[John Rowe (actor)|John Rowe]] as Corbacchio.

In 2004 the [[Wolf Trap Opera Company]], [[Vienna, Virginia]], commissioned and produced a new opera based on the play. The score was written by [[John Musto]] with libretto by Mark Campbell. The world premiere took place at [[The Barns at Wolf Trap]] on 10 March 2004. The opera was produced again in 2007 by the Wolf Trap Opera Company with a new cast featuring Joshua Jeremiah, Jeremy Little, Faith Sherman, and [[Lisa Hopkins Seegmiller|Lisa Hopkins]]. This production was recorded live at The Barns at Wolf Trap for Wolf Trap Recordings and was [[52nd Grammy Awards|nominated in 2010]] for a [[Grammy Award for Best Opera Recording]].