Editing Allen Forte (section)

== Bibliography (Books and seminal articles) ==
* (1955) ''Contemporary Tone-Structures''. New York: Bureau of Publications, Columbia Univ. Teachers College.
* (1959) "Schenker's Conception of Musical Structure," ''Journal of Music Theory'', iii, 1–30.
* (1961) ''The Compositional Matrix''. Baldwin, NY: Music Teachers National Assoc.
* (1962) ''Tonal Harmony in Concept and Practice'' (3rd ed., 1979). New York: Holt, Rinehart and Winston.
* (1967) ''SNOBOL3 Primer: An Introduction to the Computer Programming Language''. Cambridge, MA: MIT Press.
* (1970) ''Musicology and the computer : musicology 1966-2000: a practical program : three symposia American Musicological Society, Greater New York Chapter 1965-1966'' (with Barry S Brook) New York: City Univ. of New York Press.
* (1973) ''The Structure of Atonal Music''. New Haven: Yale Univ. Press.
* (1978) ''The Harmonic Organization of The Rite of Spring''. New Haven: Yale Univ. Press.
* (1978) "Schoenberg's Creative Evolution: the Path to Atonality," ''The Musical Quarterly'', lxiv, 133–76.
* (1980) "Generative Chromaticism in Mozart's Music," ''The Musical Quarterly'', lxvi, 459–83.
* (1982) ''Introduction to Schenkerian Analysis'' (with Steven E. Gilbert). New York: W. W. Norton.
* (1984) "Middleground Motives in the Adagietto of Mahler's Fifth Symphony," ''19th-Century Music'', viii, 153–63.
* (1985) "Tonality, Symbol, and Structural Levels in Berg's ''Wozzeck''," ''The Musical Quarterly'', lxxi, 474–99.
* (1987) "Liszt's Experimental Music and Music of the Early Twentieth Century," ''19th-Century Music'', x, 209–28; repr. as "Liszt's Experimental Idiom and Twentieth-Century Music," ''Music at the Turn of the Century'', ed. J. Kerman (Berkeley, 1990), 93–114.
* (1988) "New Approaches to the Linear Analysis of Music," ''Journal of the American Musicological Society'', xli, 315–48.
* (1988) "Pitch-Class Set Genera and the Origin of Modern Harmonic Species," ''Journal of Music Theory'', xxxii, 187–270.
* (1990) "Musorgsky as Modernist: the Phantasmic Episode from ''Boris Godunov''," ''Music Analysis'', ix, 1–42.
* (1991) "Debussy and the Octatonic," ''Music Analysis'', x, 125–69.
* (1991) "The Mask of Tonality: Alban Berg's Symphonic Epilogue to ''Wozzeck''," ''Alban Berg: Analytical and Historical Perspectives'', ed. D. Gable and R.P. Morgan, Oxford: Oxford Univ.     Press, 151–200.
* (1992) "Concepts of Linearity in Schoenberg's Atonal Music: a Study of the Opus 15 Song Cycle," ''Journal of Music Theory'', xxxvi, 285–382.
* (1993) "Foreground Rhythm in Early Twentieth-Century Music," ''Early Twentieth-Century Music'', ed. J. Dunsby Oxford: Oxford Univ. Press, 132–47.
* (1995) ''The American Popular Ballad of the Golden Era: 1924-1950''. Princeton: Princeton Univ. Press.
* (1996) "The Golden Thread: Octatonic Music in Webern's Early Songs," ''Webern Studies'', ed. K. Bailey, Cambridge: Cambridge Univ. Press, 74–110.
* (1998) ''The Atonal Music of Anton Webern''. New Haven: Yale Univ. Press.
* (2001) ''Listening to Classic American Popular Songs''. New Haven: Yale Univ. Press.
* (2009) "Schoenberg as Webern: The Three Pieces for Chamber Orchestra: III (1910)," ''Schoenberg's Chamber Music, Schoenberg's World '', ed. James K. Wright and Alan Gillmor, Hillsdale, NY: Pendragon Press, 55–64.