Editing Neo-Byzantine architecture (section)

===Serbia===
{{main|Serbo-Byzantine Revival}}
{{Panorama|image=File:Size_comparison_church_of_st_sava_st_sophie.jpg|width=90%|height=350|caption=[[Church of Saint Sava]] in Belgrade paraphrases Hagia Sophia}}
Serbia's modern sacral architecture got its main impetus from the dynastic burial church in Oplenac which was commissioned by the Karađorđeviċ dynasty 1909.<ref>Aleksandar Kadijević: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste. Serbian Committee for Byzantine Studies, Belgrade 2016, {{ISBN|978-86-7025-694-1}}, S. 87.</ref> With the arrival of Russian émigré artists after the [[October Revolution]], Belgrade's main governmental edifices were planned by eminent Russian architects trained in Russia. It was King Alexander I who was the patron of the Neo-Byzantine movement.<ref>Aleksandar Kadijević: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste. Serbian Committee for Byzantine Studies, Belgrade 2016, {{ISBN|978-86-7025-694-1}}, S. 62.</ref> Its main proponents were [[Aleksandar Deroko]], [[Momir Korunović]], [[Krstić Brothers|Branko Krstić]], [[Grigorije Samojlov]] and [[Nikolay Krasnov (architect)|Nikolay Krasnov]]. Their main contribution were the royal castles on Dedinje, the [[Church of Saint Sava]] and the [[St. Mark's Church, Belgrade|St. Mark's Church]] in Belgrade. After the communist era ended, [[Mihajlo Mitrović]] and Nebojša Popović were proponents of new tendencies in sacral architecture which used classic examples in the Byzantine tradition.<ref>Aleksandar Kadijević 2016: ''Between Artistic Nostalgia and Civilisational Utopia: Byzantine Reminiscences in Serbian Architecture of the 20th Century''. Lidija Merenik, Vladimir Simić, Igor Borozan (Hrsg.) 2016: IMAGINING THE PAST THE RECEPTION OF THE MIDDLE AGES IN SERBIAN ART FROM THE 18TH TO THE 21ST CENTURY. Ljubomir Maksimovič & Jelena Trivan (Hrsg.) 2016: BYZANTINE HERITAGE AND SERBIAN ART I–III. The Serbian National Committee of Byzantine Studies, P.E. Službeni glasnik, Institute for Byzantine Studies, Serbian Academy of Sciences and Arts. Hier S. 177 [https://www.academia.edu/28269003/Between_artistic_nostalgia_and_civilizational_utopia_Byzantine_reminiscences_in_Serbian_architecture_of_the_20th_century_in_BYZANTINE_HERITAGE_AND_SERBIAN_ART_III_IMAGINING_THE_PAST_THE_RECEPTION_OF_THE_MIDDLE_AGES_IN_SERBIAN_ART_FROM_THE_18_TH_TO_THE_21_ST_CENTURY (Academia:PDF)]</ref>