Editing Pitch class (section)

==Further reading==
*Purwins, Hendrik (2005). "[https://depositonce.tu-berlin.de/items/4cb9db3c-3ff1-4849-bb62-936df7fde7b3 Profiles of Pitch Classes: Circularity of Relative Pitch and Key—Experiments, Models, Computational Music Analysis, and Perspectives]". Ph.D. Thesis. Berlin: [[Berlin Institute of Technology|Technische Universität Berlin]].
*Rahn, John (1980). ''Basic Atonal Theory''. New York: Longman; London and Toronto: Prentice Hall International.  {{ISBN|0-02-873160-3}}. Reprinted 1987, New York: Schirmer Books; London: Collier Macmillan.
*Schuijer, Michiel (2008). ''Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts''. Eastman Studies in Music 60. Rochester, NY: University of Rochester Press. {{ISBN|978-1-58046-270-9}}.
*Tsao, Ming (2010). ''Abstract Musical Intervals: Group Theory for Composition and Analysis''. Berkeley, CA: Musurgia Universalis Press. ISBN 978-1430308355.
*Butterfield, Sean (2023). ''[https://intmus.github.io/inttheory/ Integrated Musicianship: Theory]''. [https://intmus.github.io/inttheory/23-intro-to-post-tonal/b1-ex-mod12transnormform.html Chapter 23].

{{Musical tuning}}
{{Set theory (music)}}

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[[Category:Musical notation]]
[[Category:Musical set theory]]
[[Category:Pitch (music)]]