Editing Scenic design (section)

== Scenic designer ==
A scenic designer works with the [[theatre director]] and other members of the creative team to establish a visual concept for the production and to design the stage environment. They are responsible for developing a complete set of [[design]] drawings that include:
*''Basic [[floor plan]]'' showing all stationary scenic elements;
*''Composite floor plan'' showing all moving scenic elements, indicating both their onstage and storage positions;
*''Complete floor plan'' of the stage space incorporating all elements; and
*''Front elevations'' of every scenic element and additional elevations of sections of units as required.
In planning, scenic designers often make multiple [[scale model]]s and [[Rendering (computer graphics)|renderings]]. Models are often made before final drawings are completed for construction.<ref name=":0">{{Cite web |last=Pincus-Roth |first=Zachary |date=2008-01-31 |title=ASK PLAYBILL.COM: Sets |url=http://www.playbill.com/article/ask-playbillcom-sets-com-147339 |access-date=2019-10-31 |website=Playbill |language=en}}</ref> These precise drawings help the scenic designer effectively communicate with other production staff, especially the [[technical director]], [[Production manager (theatre)|production manager]], [[charge scenic artist]], and [[property master|prop master]].

In [[Europe]] and [[Australia]],<ref>{{cite web |title=Training as a Theatre Designer |url=http://sceno.org/theatre-design-101/training-as-a-theatre-designer/ |url-status=dead |archive-url=https://web.archive.org/web/20160903172738/http://sceno.org/theatre-design-101/training-as-a-theatre-designer/ |archive-date=2016-09-03 |access-date=2011-04-02 |publisher=Central School of Speech and Drama, University of London article}}</ref><ref>{{Cite web |title=Scenography, MA/MFA |url=https://www.cssd.ac.uk/courses/scenography-mamfa |access-date=2023-11-08 |website=The Royal Central School of Speech and Drama |language=en}}</ref> many scenic designers are also responsible for [[costume design]], [[lighting design]] and [[sound design]]. They are commonly referred to as theatre designers, [[scenographer]]s, or production designers.

Scenic design often involves skills such as [[carpentry]], [[architecture]], [[Script breakdown|textual analysis]], and [[budget]]ing.<ref name=":1" /> In addition, successful scenic designers must have a strong understanding of theatrical collaboration, including the ability to communicate ideas clearly, engage with the director’s vision, and address technical challenges in the design.<ref name=":5">{{Cite book |last=Hayford |first=Michelle |url=https://www.taylorfrancis.com/books/9781000392951 |title=Undergraduate Research in Theatre: A Guide for Students |date=2021-05-20 |publisher=Routledge |isbn=978-1-003-02380-7 |edition=1 |language=en |doi=10.4324/9781003023807}}</ref>

Many modern scenic designers use [[3D modeling|3D]] [[Computer-aided design|CAD models]] to produce design drawings that used to be done by hand.<ref>{{Cite web |title=Scenic Designer |url=https://up.yalecollege.yale.edu/roles-responsibilities/scenic-designer |access-date=2021-12-22 |website=Yale Undergraduate Production}}</ref> CAD tools have revolutionized the way designers create technical drawings, allowing for precise, scalable plans that are easier to adjust and communicate to the entire production team.<ref name=":4" />

=== Influential Scenic designers ===
Some of the most influential scenic designers include:[[File:The Glass Menagerie (37125707913).jpg|thumb|A scene from Tennessee Williams' ''The Glass Menagerie''. The lighting and backdrop contribute to the play's atmosphere.]]'''Robin Wagner''': Known for his work on Broadway musicals like ''A Chorus Line'' and ''The Producers'', Wagner's designs often blur the boundaries between traditional and modern aesthetics. His sets are celebrated for their dramatic flair and innovative use of space, enhancing both the storytelling and the audience’s emotional engagement.<ref name=":3" />

'''Eugene Lee''': A key figure in contemporary scenic design, Lee's work on ''Sweeney Todd'' and ''The Glass Menagerie'' showcases his ability to create immersive environments that serve as a vital part of the narrative. His work often integrates lighting design with set elements to create an emotional connection with the audience.<ref name=":3" />

'''Jim Clayburgh''': Clayburgh's sets for productions like ''The Red Shoes'' and ''Pippin'' have demonstrated his collaborative process with directors and designers, focusing on creating highly theatrical and dynamic spaces that support the narrative’s emotional core.<ref name=":3" /><ref name=":2" />

'''Bob Crowley''': Recognized for his work on the Broadway musical ''The Lion King'', Crowley’s designs are iconic for their ability to integrate '''traditional African aesthetics''' with a modern theatrical approach. His work has influenced the integration of '''[[puppetry]]''' and '''[[stagecraft]]''', making the set an active part of the storytelling process.<ref name=":3" />