Editing Tarring and feathering (section)

== In popular culture ==
Tarring and feathering has been commonly referenced in historic and contemporary popular culture, particularly in the [[United States]].

[[File:Huck Finn Travelling by Rail.jpg|thumb|250px|A fictional depiction of this practice in [[Mark Twain]]'s 1884 novel ''[[Adventures of Huckleberry Finn]]'']]

===Literature===
The use of tar and pitch in punishments appearing in such medieval works as [[Anglo-Norman literature|Anglo-Norman]] sermons, ''[[Legend of the Purgatory of St. Patrick|The Purgatory of Saint Patrick]]'' by [[Marie de France]] and [[Dante]]'s ''[[Inferno (Dante)|Inferno]]'' have been seen as precursors for the idea of tarring and feathering. The latter also features the element of feathers when a "human thief is painfully transformed into a grotesque simulacrum of nature's thief, the magpie".<ref>{{cite journal |last=Sayers |first=William |date=2010 |title=The Early Symbolism of Tarring and Feathering |journal=[[The Mariner's Mirror]] |volume=96 |issue=3 |pages=317–319|doi=10.1080/00253359.2010.10657149 |s2cid=220325586 }}</ref>

====North America====
The punitive social ritual of tarring and feathering has appeared in numerous [[American literature|American works]] of both "canonical literature and dime novels", even as the actual practice became less frequent, "dramatizing debates between summary punishment on the one hand, and individual rights on the other".<ref name=Trininc>{{cite thesis |last=Trininc |first=Marina |date=August 2013 |title=Blackening character, imagining race, and mapping morality: Tarring and feathering in nineteenth-century American literature |type=PhD |publisher=[[Texas A&M University]] |url=https://oaktrust.library.tamu.edu/bitstream/handle/1969.1/151298/TRNINIC-DISSERTATION-2013.pdf?sequence=1&isAllowed=y |access-date=July 22, 2022}}</ref>{{rp|2, 4}}<ref name=Trininc2018>{{cite journal |last=Trninic |first=Marina |date=2018 |title=Edgar Allan Poe's Tarred and Feathered Bodies: Imagining Race, Questioning Bondage, and Marking Humanity |url=https://muse.jhu.edu/article/710348 |journal=South Central Review |volume=35 |issue=3 |pages=26–39 |doi=10.1353/scr.2018.0034 |s2cid=150323211 |issn=1549-3377|url-access=subscription }}</ref> This outward blackening by tar was generally equated with blackness of character, which again was linked to racist notions of the inferiority of black-skinned slaves, while the feathers were sometines regarded as "nodding to [[Native Americans in the United States|[American-]Indian]] headdresses". "[[John Trumbull]], [[James Fenimore Cooper]], [[Nathaniel Hawthorne]], and [[Edgar Allan Poe]], among numerous others, draw on tarring and feathering to portray anxieties about the "experiment" of democracy in which egalitarian alignment of society yielded a racialized social opprobrium."<ref name=Trininc/>{{rp|3–7, 47, 159}} The earliest representations in literature were in the context of the [[American Revolution]], in a poem by [[Philip Freneau]] and in John Trumbull's ''[[M'Fingal]]'' from 1776, which in its literary form of "the mockepic genre [...] resonated with the euphemistic, tongue-in-cheek language used in newspapers".<ref name=Trininc/>{{rp|39–40}} This background reappeared in [[Jimmy Carter]]'s 2003 novel ''[[The Hornet's Nest: A Novel of the Revolutionary War|The Hornet's Nest]]'', which features a "stunning" scene with the tarring and feathering of [[Loyalist (American Revolution)|loyalist]] [[Thomas Brown (loyalist)|Thomas Brown]].<ref>{{cite news |url=https://www.washingtonpost.com/archive/entertainment/books/2003/11/16/patriot-acts/0165c33f-41c0-4b5a-aa6a-2bbeb667947d/ |title=Patriot Acts |last=Perrin |first=Noel |date=16 November 2003 |type=Review |newspaper=[[The Washington Post]] |access-date=20 October 2022 |quote=many effective scenes and a few stunning ones, like the tarring and feathering of a young loyalist named Thomas Brown, who later founds the military unit called the Florida Rangers.}}</ref> The torture was presented as the pivotal event for the radicalization of that character.<ref>{{cite magazine |last=Fried |first=Ellen |date=Summer 2004 |title=The Revolution in the South |magazine=[[Prologue (magazine)|Prologue]] |volume=36 |number=2 |pages=73–74}}</ref>

James Fenimore Cooper's ''Redskins'' from 1846 presented the act of tarring and feathering in the context of the [[Anti-Rent War]] as the "unwarranted, imbalanced threat of violence from misguided, irrational, and selfinterested crowds".<ref name=Trininc/>{{rp|55, 59–65, 70}} In the works of Nathaniel Hawthorne, tarring and feathering appeared as problematic side-effect of democracy and nationalism in the United States of America of his time,<ref name=Trininc/>{{rp|114–126}} progressing from a symbolic regicide in the American Revolution to fratricide.<ref name=Trininc/>{{rp|146}} In "[[My Kinsman, Major Molineux]]" (1831), Robin, the nephew of the eponymous character, seeks him in vain throughout the story. Finally, Robin sees the Major taken by in a procession, tarred and feathered, having fallen out of the favour of his community. Here Hawthorne examined the effect this punishment has on the "community after engaging in such a brutal act",<ref name=Trininc/>{{rp|114–126}}<ref>{{cite journal |last=Dowries |first=Paul |date=2004 |title=Democratic Terror in "My Kinsman, Major Molineux" and "The Man of the Crowd" |url=https://onlinelibrary.wiley.com/doi/pdf/10.1111/j.1754-6095.2004.tb00161.x |journal=Poe Studies |volume=37 |issue=1–2 |pages=35–31 |doi=10.1111/j.1754-6095.2004.tb00161.x |access-date=28 September 2022|url-access=subscription }}</ref> while he used it as "as a metaphor of persecution and victimization" in "[[Old News: The Old Tory]]" (1837) and "The Custom-House", the introduction to ''[[The Scarlet Letter]]'' (1850).<ref name=Trininc/>{{rp|126–130, 135–136}} In ''[[Doctor Grimshawe's Secret]]'' (1882) Hawthorne puts both perspectives together "as characters alternate between victims and perpetrators with each passing moment".<ref name=Trininc/>{{rp|146–149}} In the stories "The Liberty Tree" and "Tory's Farewell" from the collection ''[[Grandfather's Chair]]'' (1842), Hawthorne shows tarring and feathering as a sign of "mob mentality that dismisses common sense" and is unwarranted as a means of political and social dispute.<ref name=Trininc/>{{rp|130–132, 149–150}}

"Dramatizations of the ritual in antebellum literature reveal the deep political and psychological anxieties about the use of violent social coercion to establish the always shifting class and racial boundaries of U.S. nationalism."<ref name=Trininc2018/> [[Edgar Allan Poe]]'s humorous short story, "[[The System of Doctor Tarr and Professor Fether]]" (1845), featured the staff of an insane asylum being tarred and feathered as a means of torture.<ref name=Uther/><ref name=Trininc/>{{rp|92–93}} In his short story "[[Hop-Frog; Or Eight Chained Ourang-Outangs]]" (1849) appeared the "image of the tarred and feathered body as ape", which "for Poe, is the embodiment of white terror associated with the chaos of rioting and insurrection."<ref name=Trininc2018/> Both stories are written against the background of the [[abolitionism]] debate, and the tarring and feathering is also seen as the outward sign of a "power inversion", which can be related for Poe's society both to the relationship of slave and master, as well as abolitionists and anti-abolitionists.<ref name=Trininc/>{{rp|88, 92–93}}  Psychiatric history researcher Wendy Gonaver assumed that "Tarr and Fether" "mocks the conceit that bourgeois liberalism can contain the violent madness of revolution". The story was very loosely adapted by [[The Alan Parsons Project]] into the song "[[(The System of) Dr. Tarr and Professor Fether]]" on the ''[[Tales of Mystery and Imagination (Alan Parsons Project album)|Tales of Mystery and Imagination]]'' album.<ref>{{cite journal |last=Camastra |first=Nicole J. |date=2020 |title=Self-Styled Madness: Fitzgerald's "Nightmare (Fantasy in Black)" and Poe's "The System of Doctor Tarr and Professor Fether" |journal=The F. Scott Fitzgerald Review |volume=18 |issue=1 |pages=143–163 |doi=10.5325/fscotfitzrevi.18.1.0143|s2cid=235033356 }}</ref><ref>{{cite book |last=Huckvale |first=David |date=2014 |title=Poe Evermore: The Legacy in Film, Music and Television |publisher=[[McFarland & Company]] |pages=168–169 |isbn=9780786494415}}</ref> A more racialized context, where tar is used to blacken the skin against abolitionists and sympathizers "to correspond to the purported color of the slaves they were trying to free" is prevalent in the atmosphere preceding the [[American Civil War]]. This was reflected in literary works like [[Harriet Beecher-Stowe]]'s novel ''[[Dred: A Tale of the Great Dismal Swamp|Dred]]'' from 1856 and ''[[Rose Mather]]'' (1868) by [[Mary Jane Holmes]].<ref name=Trininc/>{{rp|151–154}}

The ''[[Adventures of Huckleberry Finn]]'' (1885) by [[Mark Twain]] "perhaps more than any other literary work, immortalized the punishment": [[List of Tom Sawyer characters#"The King" and "the Duke"|the King and the Duke]] are tarred, feathered, and [[Riding a rail|ridden on a rail]] after performing the Royal Nonesuch to a crowd that Jim had warned about the rapscallions. Twain points out the dehumanizing effect of the ritual and "that even those who deserve blame do not warrant punishment outside the law".<ref name=Trininc/>{{rp|154–157}}<ref name=Uther/> In 1958 the social punishment appears as a humorous element in [[James Thurber]]'s modern fable "What Happened To Charles": the duck Eva, who eavesdrops on every conversation she hears but never gets anything quite right, is ironically tarred and ''un''-feathered, i.e. plucked, after she mistakes "shod" (having shoes put on) for "shot" and spreads the [[rumor]] that the horse Charles has been killed (he turns up alive and wearing new horseshoes).<ref>{{cite book |author=<!--Staff writer(s); no by-line.-->|date=1989 |title=Elements of Literature: Grade 10 |publisher=[[Holt McDougal]] |page=75 |isbn=9780157175318}}</ref><ref>{{cite book |author-link= |date=1967 |title=Teacher's Manual for Literature to Remember: Literary Heritage Basal Textbooks |volume=5-8 |publisher=[[Macmillan Inc.|MacMillan]] |page=50}}</ref> In [[Philip Roth]]'s 2004 [[alternate history]] novel ''[[The Plot Against America]]'', the 8-year-old protagonist has a daydreaming fear of himself and his family being tarred and feathered. Here this "antiquated punishment from Western mythology" symbolizes the humiliation the Jewish family suffers in a climate of antisemitism.<ref>{{cite journal |last=Hirth |first=Brittany |date=2018 |title="An Independent Destiny for America": Roth's Vision of American Exceptionalism |url=https://muse.jhu.edu/article/705455/summary |journal=Philip Roth Studies |volume=14 |number=1 |pages=70–93 |doi=10.5703/philrothstud.14.1.0070 |s2cid=165720331 |access-date=26 October 2022|url-access=subscription }}</ref> In [[Anne Cameron]]'s ''The Journey'' (1982) it is an example of misogyny in the American West.<ref>{{cite book |last=Fehrle |first=Johannes |editor-last1=Zwierlein |editor-first1=Anne-Julia |editor-last2=Petzold |editor-first2=Jochen |editor-last3=Boehm |editor-first3=Katharina |editor-last4=Decker |editor-first4=Martin |date=2018 |title=Anglistentag 2017 Regensburg - Proceedings |url=https://www.researchgate.net/publication/337389385 |access-date=10 February 2023 |publisher=Wissenschaftlicher Verlag Trier |chapter="If I get an outfit can I be cowboy, too": Female Cowboys in the Revisionist Canadian Western |page=216 |isbn=978-3-86821-767-4}}</ref>

Scholar of American literature Marina Trininc observed in 2013 that tarring and feathering has also appeared in recent American novels against the background of terroristic attacks in the US and worldwide.<ref name=Trininc/>{{rp|158}}

====Europe====
Tarring and feathering in North America was reported and discussed in many British newspapers in the 1770s, often in an exaggerating manner, emphasizing different sensibilites between the two populations and denigrating North American attitudes,<ref name=Levy>{{cite journal |last=Levy |first=Berry |date=2011 |title=Tar and Feathers |journal=Journal of the Historical Society |volume=11 |issue=1 |pages=85–110 |doi=10.1111/j.1540-5923.2010.00323.x}}</ref> while a majority of American newspapers presented such acts in a sympathetic and euphemistic way.<ref name=Trininc/>{{rp|24, 36–37}} [[Charles Dickens]] satirized this tone of the latter in ''[[Martin Chuzzlewit]]'' (1842–1844) in the figure of Mr. Chollop: This American was an "advocate of Lynch law, and slavery; and invariably recommended, both in print and speech, the "tarring and feathering" of any unpopular person who differed from himself" and "was much esteemed for his devotion to rational Liberty".<ref>{{cite journal |last=Moss |first=Sidney P. |date=1983 |title=The American Episode of ''Martin Chuzzlewit'': The Culmination of Dickens' Quarrel with the American Press |url=https://www.jstor.org/stable/30227516 |journal=Studies in the American Renaissance |pages=223–243 |jstor=30227516 |access-date=19 October 2022}}</ref>

In [[Northern Irish literature]], "[t]arring and feathering women who are accused of dating males of the other community (especially British soldiers) are a common ''topos''".<ref name=Drong>{{cite journal |last=Drong |first=Leszek |date=2015 |title="Cold Beads of History and Home": Fictional Perspectives on the Northern Irish Troubles |url=https://journals.pan.pl/Content/88906/mainfile.pdf |journal=Kwartalnik Neofilologiczny |volume=62 |issue=4 |pages=523–538 |access-date=August 12, 2022}}</ref> A graphic depiction of the practice occurs in [[Robert McLiam Wilson]]'s 1989 novel ''[[Ripley Bogle]]'', where in West Belfast a woman made pregnant by a corporal of the [[Royal Engineers]] is punished.<ref name=Drong/><ref>{{cite book |last=McLiam Wilson |first=Robert |author-link=Robert McLiam Wilson |date=1998 |title=[[Ripley Bogle]] |publisher=[[Vintage Books]] |pages=111–115 |isbn=978-0-7493-9465-3}}</ref> [[Seamus Heaney]]'s 1975 poem "[[Punishment (poem)|Punishment]]" juxtaposes the tarring and feathering of Catholic women who fraternized with British soldiers with the punishment of Iron Age bog body the [[Windeby Girl]] (since revealed to be a man) who was at the time thought to have been punished for infidelity, suggesting that the punishment meted to women in Northern Ireland is very much rooted in ancient tribal traditions.<ref>{{cite book |last=Brewster |first=Scott |editor-last1=Collins |editor-first1=Lucy |editor-last2=Matterson |editor-first2=Stephen |date=2012 |title=Aberration in Modern Poetry: Essays on Atypical Works by Yeats, Auden, Moore, Heaney and Others |publisher=[[McFarland & Company]] |pages=71–72 |chapter=Participation without Belonging: Apostrophe and Aberration in Seamus Heaney's ''North'' |isbn=978-0-7864-6295-7}}</ref><ref>{{cite journal |last=Multani |first=Navleen |date=2019 |title=Bog Body, Violence and Silence in Seamus Heaney's "Punishment" |url=https://dialog.puchd.ac.in/wp-content/uploads/2020/10/11.Navleen-Multani-Bog-BodyViolence-and-Silence-in-Seamus-Heaney-Punishment.pdf |journal=Dialog |volume=34 |access-date=25 October 2022}}</ref> This connection has been criticized by scholar of English literature Richard Danson Brown as "sloppy thinking" which removes the modern punitive ritual from the political realm.<ref>{{cite book |last=Brown |first=Richard Danson |editor-last=Johnson |editor-first=David |date=2005 |title=The Popular & the Canonical: Debating Twentieth-century Literature 1940-2000 |publisher=[[Routledge]] |page=281 |chapter=The poetry of Seamus Heaney |isbn=0-415-35169-3}}</ref> In [[Eoin McNamee]]'s novel ''Resurrection Man'' (1994), both sides of the [[Northern Ireland conflict]] are shown employing these "ritual punishments for consorting with the enemy", emphasizing the Troubles "as a period of the destabilization of ethical norms".<ref name=Drong/>

In fairy tales tarring and feathering is only rarely found, but it appears in a number of droll stories (most prevalent in Northern and Eastern Europe) after the middle of the 19th century. The character types "klutz at housework", "dumb woman", and "unwanted male suitor" — all caricatures of human weaknesses — are ridiculed by tarring and feathering. Sometimes the function of tar and feathers is replaced by other substances like eggs and bran, or by being put into fool's motley. In some stories tarred and feathered characters are misrepresented or mistaken for an unknown animal or [[the devil]], and sometimes do not even recognize themselves. In a few cases tarring and feathering is done deliberately as part of a ruse.<ref name=Uther>{{cite book |last=Uther |first=Hans-Jörg |author-link=Hans-Jörg Uther |date=2010 |title=Enzyklopädie des Märchens - Band 13 |location= |publisher=[[Walter de Gruyter]] |pages=305–309 |chapter=Teeren und federn |isbn=978-3-11-023767-2}}</ref>

===Comics===
The punishment of tarring and feathering in the [[American Old West]] has been "forever more given to posterity in comics".<ref name=Benham>{{cite conference |url=https://orca.cardiff.ac.uk/75643/1/10)%20Jenny%20Benham.pdf |title=Law, Language and Crime in Denmark and England: A Comparative Approach |last=Benham |first=Jenny |editor1-last=Andersen |editor1-first=Per |editor2-last=Salonen |editor2-first=Kirsi |editor3-last=Sigh |editor3-first=Helle I. M. |editor4-last=Vogt |editor4-first=Helle |date=2013 |publisher=[[Djoef Publishing]] |book-title=How Nordic Are the Nordic Medieval Laws? - Ten Years After |location= |conference=Tenth Carlsberg Academy Conference on Medieval Legal History 2013 |isbn=978-8757432251}}</ref> It is used in ironic fashion in the comic series ''[[Lucky Luke]]'', where a number of antagonists, usually cardsharps and swindlers, are shown tarred and feathered.<ref name=Uther/><ref name=Benham/><ref name="Burns 2015">{{cite web |last=Burns |first=Janet |title=A Brief, Sticky History of Tarring and Feathering |website=Mental Floss |date=August 6, 2015 |url=https://www.mentalfloss.com/article/66830/brief-sticky-history-tarring-and-feathering |access-date=May 12, 2023}}</ref> In [[Don Rosa]]'s ''[[The Terror of the Transvaal]]'' (1993), the sixth chapter of ''[[The Life and Times of Scrooge McDuck]]'', syrup and feathers are used to punish a treacherous thief.<ref>{{cite book |last=Kontturi |first=Katja |editor1-last=Genc |editor1-first=Burcu |editor2-last=Lenhardt |editor2-first=Corinna |date=2011 |title=Global Perspectives on Villains and Villainy Today |url=https://brill.com/view/book/edcoll/9781848880528/BP000016.xml |publisher=Inter-Disciplinary Press |chapter=The Triumvirate of Evil: The Major Villains in Don Rosa's Donald Duck Comics |page=142 |isbn=978-1-84888-052-8 |doi=10.1163/9781848880528_016}}</ref>
[[File:A tarred and feathered man standing on hands and feet with a rope attached to upper thighs and held by a man standing at left; the man on all fours looks back at a wild-eyed devil standing LCCN2004673301.jpg|thumb|250px|British satirical mezzotint print of a tarred and feathered man (1770)]]

===Art===
In the 1770s, when tarring and feathering was perceived as a novelty and became increasingly frequent in [[British America]], a number of prints showing this punishment were published in England.<ref name=Levy/><ref name=Trininc/>{{rp|25–28}} According to historian Barry Levy these pictures both catered to a sense of thrill, as well as anti-American sentiments. One [[mezzotint]] from 1775 also depicted women - "probably seductively and fearfully pornographic," being tarred and feathered before any such a case was actually recorded.<ref name=Levy/> Marina Trininc remarked that English prints emphasized the feathers, as e.g. geese symbolized "weak intellects and moral unnaturalness", while the "racialized dimensions of this punishment", the association of the tar with black skin, "were lost in translation across the shores".<ref name=Trininc/>{{rp|27–28}}

The [[Neo-expressionism|neo-expressionist]] painter [[Jean-Michel Basquiat]] exhibited the paintings ''Black Tar and Feathers'', and ''Untitled (Yellow Tar and Feathers)'' in 1982, the later a painting that scholar Fred Hoffman interprets as containing "young black heroic figures" and speaking of "a rising above the pain, suffering and degradation associated with the act of being 'tarred and feathered'".<ref>{{cite web |url=https://www.sothebys.com/en/auctions/ecatalogue/2013/nov-2013-contemporary-evening-n09037/lot.10.html |title=Nov 2013 Contemporary Evening / Lot 10 |last=Hoffman |first=Fred |date=September 2013 |publisher=[[Sotheby's]] |access-date=August 11, 2022}}</ref> In the view of art historian Leonard Emmering, the "blackness of tar is [...] associated with Basquiat's skin color", and his ''Tar and Feathers'' painting "refers to the racist practice of tarring and feathering black men."<ref>{{cite book |last=Emmerling |first=Leonhard |date=2003 |title=Jean-Michel Basquiat: 1960-1988 |publisher=[[Taschen]] |pages=46–47 |isbn=3-8228-1637-X}}</ref>

===On stage===
Tarring and feathering appeared in several English plays in the 1770s as a novel element used in "a satirical and comedic context". The appearance of a victim of the punishment was also used as a costume in a masked ball and other public appearances of that time.<ref name=Levy/> Much later, in [[Meredith Willson]]'s musical ''[[The Music Man]]'' (1957), tarring and feathering is demanded as punishment of the main character Harold Hill, con man and [[Trickster]] figure, for his scam.<ref>{{cite book |last=Armbrust |first=Walter |author-link= |date=2019 |title=Martyrs and Tricksters - An Ethnography of the Egyptian Revolution |publisher=[[Princeton University Press]] |page=231 |isbn=9780691197517}}</ref><ref>{{cite book |last=Viertel |first=Jack |author-link= |date=2018 |title=The Secret Life of the American Musical - How Broadway Shows Are Built |publisher=[[Farrar, Straus and Giroux]] |pages=225–226 |isbn=9780374711252}}</ref>

===Television and film===
[[File:Mother's Angel (1920) - 1.jpg|thumb|250px|A victim of tarring and feathering depicted in American short film ''Mother's Angel'' (1920)]]
Tarring and feathering has been depicted in television and film in different functions, for drastic effect, realistically, or in a humorous manner: In the 1972 John Waters "trash cinema" film ''[[Pink Flamingos]]'', Connie and Raymond Marbles (played by [[Mink Stole]] and [[David Lochary]]), are tarred and feathered. Here this act of retribution for a series of misdeeds against the film's protagonist, Babs Johnson ([[Divine (actor)|Divine]]), is one of the signs showing her "defiance of feminine cultural norms".<ref>{{cite book |last=Studlar |first=Gaylyn |editor-last1=Edgerton |editor-first1=Gary Richard |editor-last2=Marsden |editor-first2=Michael T. |editor-last3=Nachbar |editor-first3=Jack |date=1997 |title=In the Eye of the Beholder: Critical Perspectives in Popular Film and Television |publisher=[[Bowling Green State University Popular Press]] |chapter=Midnight S/excess: Cult Configurations of "Femininity" and the Perverse |page=123 |isbn=0-87972-753-5}}</ref><ref>{{cite book |last=Barefoot |first=Guy |date=2017 |title=Trash Cinema: The Lure of the Low |publisher=[[Columbia University Press]] |chapter= |isbn=978-0-231-54269-2}}</ref> The episode "Join or Die" of 2008 HBO miniseries ''[[John Adams (miniseries)|John Adams]]'' has [[John Adams|Adams]] witnessing an angry [[Boston]] mob tarring and feathering a British tax officer. While effective as a "chilling portrayal" of the procedure, the situation around it is historically inaccurate.<ref>{{cite book |last1=Murrin |first1=John M. |last2=Hämäläinen |first2=Pekka |last3=Johnson |first3=Paul E. |last4=Brunsman |first4=Denver |last5=McPherson |first5=James M. |last6=Fahs |first6=Alice |last7=Gerstle |first7=Gary |last8=Rosenberg |first8=Emily s. |last9=Rosenberg |first9=Norman L. |display-authors=2 |date=2015 |title=Liberty, Equality, Power: A History of the American People |publisher= |page=143 |isbn=9781305545045}}</ref><ref>{{cite journal |last=McConville |first=Brendan |date=January 2009 |title=Sage of the Small Screen: HBO's John Adams |url=https://muse.jhu.edu/pub/1/article/259236/pdf |journal=[[Historically Speaking (journal)|Historically Speaking]] |volume=10 |issue=1 |pages=9–10 |doi=10.1353/hsp.0.0014|s2cid=161150334 |url-access=subscription }}</ref> In ''[[American Horror Story: Freak Show]]'' episode 8 "[[Blood Bath (American Horror Story)|Blood Bath]]" (2014), The Lizard Girl's father is tarred and feathered in retaliation for his role in his daughter's intentional disfigurement. This is presented as a both gruesome and satisfying act of retribution.<ref>{{cite book |last=Jowett |first=Lorna |editor-last=Janicker |editor-first=Rebecca |date=2017 |title=Reading American Horror Story: Essays on the Television Franchise |publisher=[[McFarland & Company]] |chapter=American Horror Stories, Repertory Horror and Intertextuality of Casting |page=23 |isbn=9781476663524}}</ref><ref>{{cite web |url=https://www.bustle.com/articles/52275-how-does-ahs-freakshow-grace-gummer-do-her-lizard-girl-makeup |title=How Does Grace Gummer Turn Into "Lizard Girl?" |last=DiStasio |first=Christine |date=10 December 2014 |website=[[Bustle (magazine)|Bustle]] |access-date=15 March 2023 |quote=Though it was a small consolation when the women of ''Freak Show'' tarred and feathered him.}}</ref><ref>{{cite web |url=https://www.tvguide.com/news/features/american-horror-story-craziest-moments/ |title=100 Things We Still Can't Believe Happened on American Horror Story |last=Gennis |first=Sadie |date=23 October 2019 |website=[[TV Guide (magazine)|TV Guide]] |access-date=15 March 2023 |quote=Penny [...] gets retribution by tarring and feathering her father with the freaks}}</ref><ref>{{cite web |url=https://www.cosmopolitan.com/entertainment/tv/a33887/american-horror-story-freak-show-recap-episode-8/ |title="American Horror Story" Recap: Is Everyone Going to Get Killed Off This Season, Or ... |last=Henderson |first=Danielle |date=4 December 2014 |website=[[Cosmopolitan (magazine)|Cosmopolitan]] |access-date=15 March 2023 |quote=Penny eagerly dumps hot tar on him and [Maggie] tries to get them to reconsider. Somehow it works, and Penny agrees to set him free. But they've already tarred and feathered him! He's already melting! Amazon Eve already ripped off his face skin}}</ref> In the film ''[[Revenge of the Nerds]]'' (1984) characters [[Lewis Skolnick]] and [[Gilbert Lowe]] are tarred and feathered by the Alpha Betas in response to their attempt to seek admittance to the fraternity.<ref name=Ager>{{cite web |url=https://www.collativelearning.com/Revenge%20of%20the%20Nerds%20-%20film%20analysis.html |title=Film analysis of REVENGE OF THE NERDS |last=Ager |first=Rob |author-link=Rob Ager |date=January 2015 |website=[[Collative Learning]] |access-date=10 March 2023}}</ref><ref>{{cite web |url=https://dramatica.com/analysis/revenge-of-the-nerds |title=Revenge of the Nerds: Comprehensive Storyform |website=[[Dramatica (software)|Dramatica]] |publisher=[[Write Brothers]] |access-date=10 March 2023 |quote=He is very confident about getting whatever he thinks people ought to be able to get in college [...]. This attitude is contrary to his handicap of being an obvious nerd, yet Lewis holds to it to the point of being tarred and feathered.}}</ref> Despite the overall funny tone of the movie, the scene connects to "a public form of humiliation used throughout history", "a sort of lynch mob mentality" directed against the minority, here the eponymous nerds.<ref name=Ager/> In the episode "The Gang Cracks the Liberty Bell" (2008) of the television series ''[[It's Always Sunny In Philadelphia]]'', [[Mac (It's Always Sunny in Philadelphia)|Mac]] and [[Dennis Reynolds|Dennis]], while dressed as British [[fop]]s, are tarred and feathered by colonial Americans in light-hearted "hilarious scenes".<ref>{{cite web |url=https://www.cbr.com/its-always-sunny-worst-episodes-imdb/#the-gang-cracks-the-liberty-bell-ndash-season-4-episode-11 |title=The 10 Worst Episodes Of It's Always Sunny In Philadelphia, Ranked According To IMDb |last=Grimes |first=Hannah |date=27 September 2022 |website=[[Comic Book Resources]] |access-date=22 February 2023 |quote=The episode does contain some hilarious scenes, like Dennis and Mac getting tarred and feathered for acting like British Noblemen.}}</ref><ref>{{cite web |url=https://www.avclub.com/its-always-sunny-in-philadelphia-the-gang-cracks-the-1798205265 |title=''It's Always Sunny In Philadelphia'': "The Gang Cracks The Liberty Bell" |last=Bowman |first=Donna |date=6 November 2008 |website=[[The A.V. Club]] |access-date=22 February 2023 |quote=Mac and Dennis try to infiltrate the loyalist forces disguised as fops, only to be tarred and feathered by colonials who assume they are sodomites.}}</ref>

A number of the depictions on screen refer to the era of the American Wild West, some in a mythologizing and some in a more realistic manner. In the film ''[[Little Big Man (film)|Little Big Man]]'' (1970), adapted from [[Little Big Man|the 1964 novel]] by [[Thomas Berger (novelist)|Thomas Berger]], con man Meriweather, played by Martin Balsam, and title character Jack Crabbe, played by [[Dustin Hoffman]], are shown being tarred and feathered for selling a phony medicinal elixir. The cruel procedure is used as a tragicomic element illustrating this "revisionist retelling of the Wild West saga", as the leader of the perpetrating mob turns out to be Jack's long lost sister.<ref>{{cite book |last=Hischak |first=Thomas S. |date=2012 |title=American Literature on Stage and Screen: 525 Works and Their Adaptations |publisher=[[McFarland & Company]] |page=122 |isbn=978-0-7864-6842-3}}</ref><ref>{{cite journal |last=McGuire |first=John Thomas |date=2020 |title=Man In A Hat: Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 |url=https://cinej.pitt.edu/ojs/index.php/cinej/article/view/235/525 |journal=Cinej Cinema Journal |volume=8 |issue=1 |page=51 |doi=10.5195/cinej.2020.235 |s2cid=216243174 |access-date=16 November 2022|doi-access=free }}</ref><ref>{{cite book |last=Samuels |first=David W. |date=2004 |title=Putting a Song on Top of It: Expression and Identity on the San Carlos Apache Reservation |publisher=[[The University of Arizona Press]] |pages=234–235 |isbn=978-0-8165-2379-5}}</ref> In [[Daniel Knauf]]'s ''[[Carnivàle]]'', in an episode called "Lincoln Highway" (2005), Clayton "Jonesy" Jones, the crippled co-manager, is tarred and feathered almost lethally. The procedure here is presented as a deserved punishment for the accidental death of several children at the Ferris wheel under Jonsey's responsibility. While anachronistic for the 1930s setting, it is one of a number of references to the American frontier.<ref>{{cite book |editor-last=Ames |editor-first=Melissa |author-link= |date=2012 |title=Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming |publisher=[[University Press of Mississippi]] |page=183 |chapter=Reevaluating Memory and Identity through Daniel Kauf's ''Carnivàle'' |isbn=978-1-61703-293-6}}</ref> Similarly, the 2012 film ''[[Lawless (film)|Lawless]],'' set in the 1930s has been considered a "Western-gangster film hybrid".<ref name=Crucianelli>{{cite web |url=https://www.popmatters.com/165693-lawless-2495796006.html |title='Lawless': A Family with a Moonshine Bloodline |last=Crucianelli |first=Guy |date=25 November 2012 |website=[[Popmatters]] |access-date=10 March 2023 |quote=There are some extremely violent, er, touches: [...] another tarred and feathered until he resembles a molting vulture.}}</ref> A bootlegger being tarred and feathered was one of the violent images that shaped the impression that the film made.<ref>{{cite web |url=https://www.theguardian.com/film/2012/may/19/lawless-cannes-film-festival |title=Lawless – review |last=Solomons |first=Jason |date=19 May 2012 |website=[[The Guardian]] |access-date=10 March 2023 |quote=it's the violent images that linger: a man tarred and feathered and dumped on the porch}}</ref><ref name=Crucianelli/><ref>{{cite web |url=https://www.mtv.com/news/rtivvz/lawless-red-band-trailer |archive-url=https://web.archive.org/web/20230310150243/https://www.mtv.com/news/rtivvz/lawless-red-band-trailer |url-status=dead |archive-date=March 10, 2023 |title='Lawless' Red Band Trailer: Tom Hardy Fills 'Er Up |last=Sullivan |first=Kevin P. |date=22 August 2012 |website=[[MTV]] |access-date=10 March 2023 |quote=including a gruesome shot of a tarred and feathered bootlegger}}</ref> In an episode of the [[Deadwood (TV series)|''Deadwood'']] TV series, African-American character [[Samuel Fields]] is tarred and feathered in a racist "eruption of mob violence that acts to express and purge the anger of the town's whites" in scenes clearly depicting the horror of the procedure.<ref>{{cite journal |last=Wayne |first=Michael L. |date=2017 |title=Depicting the Racist Past in a "Postracial" Age: The White, Male Protagonist in ''Hell on Wheels'' and ''The Knick'' |url=https://www.alphavillejournal.com/Issue13/HTML/ArticleWayne.html |journal=Alphaville: Journal of Film and Screen Media |volume=13 |pages=105–116 |doi=10.33178/alpha.13.06 |access-date=1 February 2023|doi-access=free |hdl=10468/6031 |hdl-access=free }}</ref><ref>{{cite book |last=Nelson |first=John S. |author-link= |date=2018 |title=Cowboy Politics: Myths and Discourses in Popular Westerns from The Virginian to Unforgiven and Deadwood |publisher=[[Lexington Books]] |page=331 |isbn=978-1-4985-4947-9 |quote=the resemblance to Shakespeare's playwriting is strong. [...] Ironies abound. [...] Samuel Fields gets tarred and feathered.}}</ref><ref>{{cite web |url=https://screenrant.com/most-least-horrifying-deadwood-injuries/#barely-counted-merrick-s-face |title=Deadwood: 5 Most Horrifying Injuries (& 5 That Barely Counted) |last=Pierce-Bohen |first=Kayleena |date=3 August 2020 |website=[[Screen Rant]] |access-date=1 February 2023 |quote=MOST HORRIFYING: SAMUEL FIELD'S TAR AND FEATHERING}}</ref> The season 1 episode "God of Chaos" (2011) one of the AMC TV series ''[[Hell on Wheels (TV series)|Hell on Wheels]],'' a character, The Swede, is depicted  being tarred and feathered before getting run out of town.<ref>{{cite journal |last=Nelson |first=Megan Kate |date=June 2013 |title=Hell on Wheels. AMC, Sundays 9/8c |url=https://www.pdcnet.org/cwh/content/cwh_2013_0059_0002_0235_0237 |journal=[[Civil War History]] |volume=59 |issue=2 |pages=235–237 |doi=10.1353/cwh.2013.0043 |s2cid=143544336 |type=Media review |access-date=1 February 2023 |quote=The most terrifying Bad Guy of all is a former Andersonville prisoner-of-war (Christopher Heyerdahl) [...] even after he is tarred and feathered for his abuses of power, he lurks around Hell on Wheels|url-access=subscription }}</ref><ref>{{cite web |url=https://www.pastemagazine.com/tv/mexico/hell-on-wheels-review-viva-la-mexico-episode-201/ |title=''Hell On Wheels'' Review: "Viva La Mexico" (Episode 2.01) |last=Bonaime |first=Ross |date=10 August 2012 |website=[[Paste (magazine)|Paste]] |access-date=9 February 2023 |quote=Gunderson, otherwise known as "The Swede," has been left carrying the dead bodies out of town after he was tarred-and-feathered and ran out on a rail}}</ref><ref>{{cite web |url=https://www.vulture.com/2012/08/tv-review-season-two-of-hell-on-wheels.html |title=Seitz: ''Hell on Wheels''<nowiki>'</nowiki> Second Season Continues to Show Promise When It's Not Killing Time |last=Seitz |first=Matt Zoller |author-link=Matt Zoller Seitz |date=9 August 2012 |website=[[Vulture (website)|Vulture]] |access-date=10 February 2023 |quote=The business of The Swede (Christopher Heyerdahl), the camp's former head of security, getting tarred and feathered and knocked down to glorified janitor status is nearly as frustrating.}}</ref><ref>{{cite web |url=https://www.avclub.com/hell-on-wheels-god-of-chaos-1798171138 |title=''Hell On Wheels'': "God Of Chaos" |last=Dyess-Nugent |first=Phil |date=15 January 2012 |website=[[The A.V. Club]] |access-date=10 February 2023 |quote=all the craziness going on around him—big dance, fireworks, Swede being tarred and feathered}}</ref>

In animation, tarring and feathering has been used for comic effect with no serious or lasting impact on the characters. In the [[Road Runner and Wile E. Coyote]] short film, ''[[Guided Muscle]]'' (1955), Coyote tries to apply a tar-and-feather machine to Road Runner, who already has feathers. As usual in these cartoons, Coyote becomes the victim of his backfiring plan, but is humiliated rather than seriously harmed by the procedure.<ref>{{cite book |last=Samerdyke |first=Michael |author-link= |date=2014 |title=Cartoon Carnival: A Critical Guide to the Best Cartoons from Warner Brothers, MGM, Walter Lantz and DePatie-Freleng |location= |publisher=[[Lulu.com]] |chapter=1955 |isbn=9781312470071}}</ref><ref>{{cite journal |last=Kennedy |first=Victor |date=2018 |title=The Gravity of Cartoon Physics; or, Schrödinger's Coyote |url=https://revije.ff.uni-lj.si/elope/article/download/7850/8205 |journal=ELOPE: English Language Overseas Perspectives and Enquiries |volume=15 |issue=1 |pages=29–49 |doi=10.4312/elope.15.1.29-49 |access-date=3 November 2022|doi-access=free }}</ref><ref>{{Cite book |title=[[The National Union Catalog]]: A Cumulative Author List Representing Library of Congress Printed Cards and Titles Reported by Other American Libraries. Motion pictures and filmstrips 1957 |publisher=[[Library of Congress]] |year=1957 |page=10}}</ref> In the TV series ''[[The Simpsons]],'' characters are tarred and feathered in several episodes as dark humour.<ref>{{cite web |url=https://www.avclub.com/ranking-the-31-best-horror-spoofs-from-the-simpsons-t-1849690021/slides/28 |title=Ranking the 31 best horror spoofs from ''The Simpsons''<nowiki>'</nowiki> "Treehouse Of Horror" |last=White |first=Cindy |date=24 October 2022 |website=[[The A.V. Club]] |access-date=13 January 2023 |quote=The other performers attack him on this way out and turn him into a tarred-and-feathered freak.}}</ref><ref>{{cite news |date=29 September 2015 |title=Great reveals in 'Simpsons' history |work=[[New York Daily News]] |quote=[...] the real [[Principal Skinner|Skinner]] returns to [[Springfield (The Simpsons)|Springfield]], but he wears out his welcome and is tarred and feathered out of town.}}</ref><ref>{{cite web |url=https://www.looper.com/382170/scenes-in-the-simpsons-we-wish-hadnt-been-deleted/ |title=Scenes In The Simpsons We Wish Hadn't Been Deleted |last=Scott |first=Sam |date=14 April 2021 |website=[[Looper (website)|Looper]] |access-date=13 January 2023 |quote=[...] and then we saw [[Grampa Simpson|Grandpa]] walking down the hall covered in feathers and tar like it was the most natural thing in the world.}}</ref><ref name=McMillin>{{cite book |last=McMillin |first=Divya Carolyn |date=2009 |title=Mediated Identities: Youth, Agency, & Globalization |publisher=[[Peter Lang (publisher)|Peter Lang]] |pages=59–60 |isbn=9781433100970}}</ref> For [[Bart Simpson]] as a perpetrator, Divya Carolyn McMillin cited the procedure as an example of a character who "was unapologetic and acted on impulse", making him appealing to youths, which was possible in animation, in contrast to real life, as no consequences for Bart were shown.<ref name=McMillin/>

Marina Trininc observed in 2013 that tarring and feathering has appeared in recent American films and series against the backdrop of terroristic attacks in the US and worldwide.<ref name=Trininc/>{{rp|158}}

===Video games===
In the video game ''[[Curse of Monkey Island]]'', [[Guybrush Threepwood]] is tarred and feathered by monkey crew members of a pirate ship, treating the procedure in a less-than-serious manner. He later uses this to pose as El Pollo Diablo, a giant chicken who has terrorized the area.<ref name="Pacitti 2006">{{cite web |last=Pacitti |first=Tony |title=SCUMMy Games-The Curse of Monkey Island |website=[[SouthCoastToday.com]] |date=10 October 2006 |url=https://www.southcoasttoday.com/story/entertainment/local/2006/10/10/scummy-games-curse-monkey-island/52431826007/ |access-date=12 May 2023}}</ref><ref>{{cite web |url=https://gamefaqs.gamespot.com/pc/29083-the-curse-of-monkey-island/faqs/60819 |title=The Curse of Monkey Island – Game Script |last=Kearns |first=Deborah L. |date=16 November 2010 |website=[[GameFAQs]] |access-date=24 May 2023 |quote=One dangling monkey pirate grabs Guybrush [...] dangling him by the ponytail and dipping him in tar [...].  Another monkey takes out a pillow and rips it on Guybrush, now all covered with feathers.}}</ref>

===Music===
Tarring and feathering appeared as a topic in music already in the 18th century: A verse from an early (British) version of "[[Yankee Doodle]]" relates to an incident involving a "Yankee" [[Minuteman]] named Thomas Ditson of [[Billerica, Massachusetts]]:<ref>{{cite web |author1=Dick Hawes |author2=Bill Brimer |title=Yankee Doodle Story |url=https://bcmm.us/yankee-doodle-story/ |website=Billerica Colonial Minute Men |access-date=2 September 2018 |location=The Thomas Ditson Story |date=16 August 2017}}</ref><ref name=Levy/>
::Yankee Doodle came to town,
::For to buy a firelock,
::We will tar and feather him,
::And so we will [[John Hancock]].

More recently it has been used in the title of several works: The second track of the cult British Indie band [[Cardiacs]] 1987 Mini [[Long Playing Record|LP]] ''[[Big Ship (Cardiacs)|Big Ship]]'' was titled "Tarred and Feathered".<ref>{{cite web |url=http://www.cardiacs.com/reviews/album-reviews-songs-for-ships-and-irons/ |title=Album Reviews – Songs for Ships and Irons |work=[[Melody Maker]] |first=Mick |last=Mercer |date=March 1987 |archive-url=https://web.archive.org/web/20060226212210/http://www.cardiacs.com/reviews/album-reviews-songs-for-ships-and-irons/ |archive-date=26 February 2006}}</ref> The [[music video]] for this song was infamously played on [[Channel 4|Channel 4's]] ''[[The Tube (1982 TV series)|The Tube]]'', and was remarked for the song's unusual nature and the band's unusual visual appeal.<ref>{{cite web |url=https://thequietus.com/articles/12737-cardiacs-a-little-man-and-a-house-and-the-whole-world-window-25-anniversary |title=A Little Man & A House & The Whole World Window By Cardiacs Revisited |last=Kitching |first=Sean |date=3 July 2013 |website=[[The Quietus]] |access-date=24 May 2023 |quote=I was first exposed to Cardiacs' oddly compelling world when the video to 'Tarred And Feathered' aired on ''The Tube'' on April 17, 1987.}}</ref><ref>{{cite web |author=Mnemonic |title=Readers recommend: eccentric songs – results |website=[[The Guardian]] |date=17 April 2014 |url=https://www.theguardian.com/music/musicblog/2014/apr/17/readers-recommend-eccentric-songs-results |access-date=25 May 2023}}</ref><ref>{{cite web |url=https://www.decibelmagazine.com/2021/02/25/members-of-napalm-death-voivod-municipal-waste-child-bite-yakuza-cover-cardiacs/ |title=Watch Members of Napalm Death, Voivod, Municipal Waste, Child Bite & Yakuza Cover Cardiacs |last=Lake |first=Daniel |date=25 February 2023 |website=[[Decibel (magazine)|Decibel]] |access-date=25 May 2023 |quote=[...] record their version of a 1987 freakazoid song by English rock band Cardiacs. In its original incarnation, "Tarred and Feathered" was hilarious and intricate and unhinged.}}</ref> The 2010 [[Extended play|EP]] from [[The Hives]] is called ''[[Tarred and Feathered (EP)|Tarred and Feathered]]''.<ref name=Hesling>{{cite book |last=Hesling |first=Lucas |date=2020 |title=The Hives: Ils sont la loi, vous êtes le crime |publisher=Camion Blanc |chapter=Tarred and Feathered |isbn=9782378482169}}</ref> The 2005 album ''[[Gutter Phenomenon]]'' by metal band [[Every Time I Die]] contains an "explosive" song punningly titled "Guitarred and Feathered".<ref>{{cite web |url=https://www.clevescene.com/music/every-time-i-die-1491895 |title=Music News: Every Time I Die - ''Gutter Phenomenon'' (Ferret) |last=Miller |first=Andrew |date=24 August 2005 |website=[[Cleveland Scene]] |access-date=5 June 2023 |quote=Except for one lamentable lapse (an incongruously peppy "whoa-oh" chant during the otherwise explosive "Guitarred and Feathered"), Gutter Phenomenon maintains the intensity throughout}}</ref><ref>{{cite book |last=Sharpe-Young |first=Garry |author-link=Garry Sharpe-Young |date=2005 |title=New Wave of American Heavy Metal |publisher=Zonda Books |pages=135–136 |isbn=9780958268400}}</ref><ref name="BLABBERMOUTH.NET 2005">{{cite web |title=Gutter Phenomenon |website=[[Blabbermouth.net]] |date=29 August 2005 |url=https://www.blabbermouth.net/cdreviews/gutter-phenomenon/ |access-date=12 May 2023}}</ref>

Tarring and feathering is featured within the lyrics of songs such as in the [[Merle Haggard]] hit "(My Friends Are Gonna Be) Strangers" (1964). In lyrics by [[Liz Anderson]], there is a line saying "he "should be taken out, tarred and feathered" for his foolishness" of trusting the woman who would betray and leave him. Haggard's biographer David Cantwell found that the performance influenced how this image was perceived: In a version by [[Roy Drusky]] it comes off "as self-effacing", but when "Haggard sings the line, it's as if he's identifying exactly the punishment he deserves."<ref>{{cite book |last=Cantwell |first=David |author-link= |date=2022 |title=The Running Kind - Listening to Merle Haggard |publisher=[[University of Texas Press]] |chapter=Someone Told His Story In A Song |isbn= 9781477325698}}</ref> To be tarred and feathered is mentioned in the chorus of the song "To Kingdom Come", from [[The Band]]'s album ''[[Music from Big Pink]]'' (1968), as one of the fates to be feared.<ref>{{cite web |url=https://somethingelsereviews.com/2013/07/04/across-the-great-divide-the-band-to-kingdom-come-from-music-from-big-pink-1968/ |title=The Band, "To Kingdom Come" from 'Music from Big Pink' (1968): Across the Great Divide |last=Deriso |first=Nick |date=4 July 2013 |website=Something Else! |access-date=9 May 2023 |quote=When they enter the final stanza (howling "tarred and feathered, yeah!")  [...] In many ways, it is here that the legend of ''Big Pink'' begins to pick up steam.}}</ref><ref>{{cite book |last=Marcus |first=Greil |author-link=Greil Marcus |date=2015 |title=Mystery Train - Images of America in Rock 'n' Roll Music |publisher=[[Penguin Publishing Group]] |chapter=Stranger Blues |edition=6th |isbn=9780698166684}}</ref> The 1996 [[R.E.M.]] song "[[New Adventures in Hi-Fi|Be Mine]]" contains the lyric "I'll ply the tar out of your feathers," purportedly a reference to tarring and feathering.<ref name="Genius 1996">{{cite web |title=R.E.M. – Be Mine |website=[[Genius (company)|Genius]] |date=9 September 1996 |url=https://genius.com/Rem-be-mine-lyrics |access-date=13 May 2023}}</ref> In satirist [[Tom Lehrer]]'s album ''[[An Evening Wasted with Tom Lehrer]]'' (1959), his introduction to the song ''We Will All Go Together When We Go'' mentions an acquaintance of his who was "financially independent having inherited his father's tar-and-feather business".<ref name="NKU Home Page">{{cite web |title=An Evening Wasted With Tom Lehrer |website=[[Northern Kentucky University]] |url=https://www.nku.edu/~longa/public_html/heros/lehrer/evening.html |access-date=13 May 2023}}</ref><ref>{{cite web |url=http://hrlibrary.umn.edu/bibliog/music-folk.html#_Tom_Lehrer |title=Human Rights Music Bibliography by Artist- Folk |website=Human Rights Library |publisher=[[University of Minnesota]] |access-date=24 May 2023}}</ref>

Depicting artists being tarred and feathered has also been used as a means of promoting music: The [[avant-garde]] [[electronic music]] artist [[Fad Gadget]] (Frank Tovey) often performed on stage while tarred and feathered. He was photographed in tar and feathers for the cover of his album ''[[Gag (album)|Gag]]'' (1984). Artist Martynka Wawrzyniak described the function of this device as allowing "you to step outside of your comfort zone and do something different".<ref>{{cite web |url=https://www.dazeddigital.com/artsandculture/article/12860/1/fg-ft-remembering-frank-tovey |title=FG.Ft: Remembering Frank Tovey |last=Cusack |first=Jenny |date=2 March 2012 |website=[[Dazed]] |access-date=2 April 2023 |quote='''Martynka Wawrzyniak:''' I tarred and feathered Fad Gadget's "Gag" vinyl record. Frank Tovey was known for performing tarred and feathered.}}</ref><ref>{{cite book |url=https://books.google.com/books?id=RDWYDwAAQBAJ&dq=%22Fad+Gadget%22+%22Tarred+and+feathered%22+OR+%22tar+and+feathers%22+Gag&pg=PT208 |title=Music, Memory and Memoir |isbn=9781501340659 |last1=Edgar |first1=Robert |last2=Mann |first2=Fraser |last3=Pleasance |first3=Helen |date=27 June 2019|publisher=Bloomsbury Publishing USA }}</ref><ref name="Zevolli">{{cite book |last=Zevolli |first=Giuseppe |editor-last1=Beaven |editor-first1=Zuleika |editor-last2=O'Dair |editor-first2=Marcus |editor-last3=Osborne |editor-first3=Richard |date=2019 |title=Mute Records: Artists, Business, History |publisher=[[Bloomsbury Academic]] |pages=38–39 |chapter='One Man's Meat': Fad Gadget's Social Commentary and Post-Punk |isbn=978-1-5013-4060-4}}</ref> Tovey himself "interpreted the shock value of his presentations as 'commercial suicide'" as they were "challenging, or degrading to the pop star ideal". Popular music scholar Giuseppe Zevolli saw this as the artist "exploring the link between his role as a performer and the power of media to influence their audiences."<ref name="Zevolli" /> The Hives band members were likewise depicted on the album cover of ''Tarred and Feathered'', presented in [[newspaper]] style, and subtitled "Cheating with other people's songs!", as the EP contained only songs covered from other artists.<ref name=Hesling/>

===Metaphorical uses===
The image of the tarred-and-feathered [[outlaw]] remains a [[metaphor]] for public humiliation many years after the practice had become uncommon,<ref name=AHD/><ref name=FOD/><ref name=Uther/> such as in this example from ''Dark Summer'' by [[Iris Johansen]]: "But you'd tar and feather me if I made the wrong decision for these guys."<ref>{{cite book |last=Johansen |first=Iris |author-link=Iris Johansen |title=Dark Summer |date=21 October 2008 |url=https://books.google.com/books?id=f7iXWoB7Y7AC&dq=%22tar+and+feather+me%22+Dark+Summer+Iris+Johansen&pg=PA366 |publisher=[[St. Martin's Press]] |page= |isbn=978-0312368081}}</ref> Perhaps the earliest instance of such metaphorical use appears in a letter by [[Benjamin Franklin]] from 1778.<ref name="Trininc" />{{rp|38–39}}

In more recent years, tarring and feathering can refer to [[cancel culture]], or mass vendetta campaigns on [[social media]].<ref name="Burns 2015"/>

===Influence===
Archaeologist {{interlanguage link|Rainer Atzbach|de}} assumed that the public awareness of tarring and feathering has contributed to another legend present in popular culture, the use of hot tar and [[Pitch (resin)|pitch]] as a [[Siege#Defensive|defensive weapon]] in [[medieval castle]]s.<ref>{{cite book |last=Atzbach |first=Rainer |editor1-last=Atzbach |editor1-first=Rainer |editor2-last=Jensen |editor2-first=Lars Meldgaard Sass |editor3-last=Lauritsen |editor3-first=Leif Plith |date=2015 |title=Castles at War |url=https://pure.au.dk/ws/files/162355026/Castles_At_War.pdf#page=119 |location=Bonn |publisher=Dr. Rudolf Habelt GmbH |pages=119–134 |chapter=The Legend of Hot Tar or Pitch as a Defensive Weapon |isbn=978-3-7749-3978-3}}</ref>