Editing AI takeover (section)

==== AI-generated content ====
{{See also|Artificial intelligence art}}
The use of automated content has become relevant since the technological advancements in artificial intelligence models such as [[ChatGPT]], [[DALL-E]], and [[Stable Diffusion]]. In most cases, AI-generated content such as imagery, literature, and music are produced through text prompts and these AI models have been integrated into other creative programs. Artists are threatened by displacement from AI-generated content due to these models sampling from other creative works, producing results sometimes indiscernible to those of man-made content. This complication has become widespread enough to where other artists and programmers are creating software and utility programs to retaliate against these text-to-image models from giving accurate outputs. While some industries in the economy benefit from artificial intelligence through new jobs, this issue does not create new jobs and threatens replacement entirely. It has made public headlines in the media recently: In February 2024, [[Willy's Chocolate Experience]] in [[Glasgow, Scotland]] was an infamous children's event in which the imagery and scripts were created using artificial intelligence models to the dismay of children, parents, and actors involved. There is an ongoing lawsuit placed against [[OpenAI]] from ''[[The New York Times]]'' where it is claimed that there is copyright infringement due to the sampling methods their artificial intelligence models use for their outputs.<ref>{{cite book | last1 = Jiang | first1 = Harry H. | last2 = Brown | first2 = Lauren  | last3 = Cheng | first3 = Jessica | last4 = Khan | first4 = Mehtab | last5 = Gupta | first5 = Abhishek | last6 = Workman | first6 = Deja | last7 = Hanna | first7 = Alex | last8 = Flowers | first8 = Johnathan | last9 = Gebru | first9 = Timnit | chapter = AI Art and its Impact on Artists | title = Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society | pages = 363–374 | publisher = Association for Computing Machinery | date = 29 August 2023 | doi = 10.1145/3600211.3604681 | doi-access = free | isbn = 979-8-4007-0231-0 }}</ref><ref>{{cite arXiv | title = Can There be Art Without an Artist? | last1 = Ghosh | first1 = Avijit | last2 = Fossas | first2 = Genoveva | date = 19 November 2022 | class = cs.AI | eprint = 2209.07667 }}</ref><ref>{{cite arXiv | title = Glaze: Protecting Artists from Style Mimicry by Text-to-Image Models | last1 = Shan | first1 = Shawn | last2 = Cryan | first2 = Jenna | last3 = Wenger | first3 = Emily | last4 = Zheng | first4 = Haitao | last5 = Hanocka | first5 = Rana | last6 = Zhao | first6 = Ben Y. | date = 3 August 2023 | class = cs.CR | eprint = 2302.04222 }}</ref><ref>{{cite news | last = Brooks | first = Libby | title = Glasgow Willy Wonka experience called a 'farce' as tickets refunded | work = The Guardian | date = 27 February 2024 | url = https://www.theguardian.com/uk-news/2024/feb/27/glasgow-willy-wonka-experience-slammed-as-farce-as-tickets-refunded | access-date = 2 April 2024}}</ref><ref>{{cite news | last1 = Metz | first1 = Cade | last2 = Robertson | first2 = Katie | title = OpenAI Seeks to Dismiss Parts of The New York Times's Lawsuit | work = The New York Times | date = 27 February 2024 | url = https://www.nytimes.com/2024/02/27/technology/openai-new-york-times-lawsuit.html?smid=url-share | access-date = 4 April 2024}}</ref>