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Additive synthesis
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===Broader definitions=== ''Additive synthesis'' more broadly may mean sound synthesis techniques that sum simple elements to create more complex timbres, even when the elements are not sine waves.<ref> {{cite book | last = Roads | first = Curtis | author-link = Curtis Roads | year = 1995 | title = The Computer Music Tutorial | url=https://archive.org/details/computermusictut00road | url-access=limited | publisher = [[MIT Press]] | isbn = 978-0-262-68082-0 | page = [https://archive.org/details/computermusictut00road/page/n152 134] }}</ref><ref name="MooreFoundationsCM"> {{cite book | last = Moore | first = F. Richard | year = 1995 | title = Foundations of Computer Music | publisher = [[Prentice Hall]] | isbn = 978-0-262-68082-0 | page = 16 }} </ref> For example, F. Richard Moore listed additive synthesis as one of the "four basic categories" of sound synthesis alongside [[subtractive synthesis]], nonlinear synthesis, and [[physical modelling synthesis|physical modeling]].<ref name="MooreFoundationsCM"/> In this broad sense, [[pipe organ]]s, which also have pipes producing non-sinusoidal waveforms, can be considered as a variant form of additive synthesizers. Summation of [[Principal component analysis|principal components]] and [[Walsh functions]] have also been classified as additive synthesis.<ref> {{cite book | last = Roads | first = Curtis | author-link = Curtis Roads | year = 1995 | title = The Computer Music Tutorial | url=https://archive.org/details/computermusictut00road | url-access=limited | publisher = [[MIT Press]] | isbn = 978-0-262-68082-0 | pages = [https://archive.org/details/computermusictut00road/page/n168 150]–153 }}</ref>
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