Editing Ars subtilior (section)

==Further reading==
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*Apel, Willi. 1950. "French Secular Music of the Late Fourteenth Century". ''Mediaeval Academy of America''.{{Full|date=October 2017}}<!--Volume number and inclusive page range for this journal article needed.--> [https://pdf.lu/Z1Ue/ text online]
* {{cite journal |author-link=:de:Wulf Arlt |last=Arlt |first=Wulf |date=1973 |title=The Development of French Secular Music during the Fourteenth Century |journal=[[American Institute of Musicology#Musica Disciplina|Musica Disciplina]] |volume=27 |pages=41–59 |jstor=20532157}}
* Berger, Anna Maria Busse. 2002. "The Evolution of Rhythmic Notation". In ''The Cambridge History of Western Music Theory'', edited by Thomas Street Christensen, 628–56. The Cambridge History of Music. Cambridge: Cambridge University Press. {{ISBN|0-521-62371-5}}
* Fallows, David. "Ars nova" in ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie.  20 vol.  London, Macmillan Publishers Ltd., 1980.  {{ISBN|1-56159-174-2}}.
* Gleason, Harold, and Warren Becker, ''Music in the Middle Ages and Renaissance'' Music Literature Outlines Series I.  Bloomington, Indiana.  Frangipani Press, 1986.  {{ISBN|0-89917-034-X}}.
* Günther, Ursula. 1963. "Das Ende der Ars Nova". ''[[Die Musikforschung]]'' 16:105–120.
* Günther, Ursula. 1964. "Zur Biographie einiger Komponisten der Ars Subtilior". ''Archiv für Musikwissenschaft'' 21:172–99.
* Günther, Ursula. 1965. ''[https://web.archive.org/web/20120212032509/http://www.corpusmusicae.com/cmm/cmm_cc039.htm The Motets of the Manuscripts Chantilly, Musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568)]''. Corpus Mensurabilis Musicae 39. Neuhausen: [[American Institute of Musicology]]. Unaltered reprint, 1998.
* Günther, Ursula. 1991. "Die Ars subtilior". Hamburger Jahrbuch für Musikwissenschaft 11: 277–88.
* Hentschel, Frank. 2001. "Der Streit um die Ars Nova: Nur ein Scherz?"  ''Archiv für Musikwissenschaft'' 58:110–30.
* Hoppin, Richard H. 1960–1963.  ''[https://web.archive.org/web/20120212032556/http://www.corpusmusicae.com/cmm/cmm_cc021.htm Cypriot-French Repertory (15th c.) of the Manuscript Torino, Biblioteca Nazionale, J.II.9]'', 4 vols. Corpus Mensurabilis Musicae 21. Rome : [[American Institute of Musicology]].
* Hoppin, Richard H. 1968. ''[https://web.archive.org/web/20120722155401/http://www.corpusmusicae.com/msd.htm Cypriot Plainchant of the Manuscript Torino, Biblioteca Nazionale J. II. 9]'', facsimile edition with commentary. Musicological Studies and Documents 19. Rome: [[American Institute of Musicology]]. {{ISBN|978-1-59551-256-7}}.
* Josephson, Nora S. "Ars subtilior" in ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie.  20 vol.  London, Macmillan Publishers Ltd., 1980.  {{ISBN|1-56159-174-2}}.
* {{cite journal |last=Josephson |first=Nora S. |date=2003–2008 |title=Many Roads Lead to Rome: Multifarious Stylistic Tendencies and Their Musical Interrelationships within the "Ars Subtilior" |journal=[[American Institute of Musicology#Musica Disciplina|Musica Disciplina]] |volume=53 |pages=71-97 |jstor=30249358 }}
* Köhler, Laurie. 1990. ''Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior''. 2 vols. Göttinger musikwissenschaftliche Arbeiten 12. Kassel and New York: Bärenreiter. {{ISBN|3-7618-1014-8}}
* Leech-Wilkinson, Daniel. 1990. "Ars Antiqua—Ars Nova—Ars Subtilior". In ''Antiquity and the Middle Ages: From Ancient Greece to the Fifteenth Century'', edited by James McKinnon, 218–40. Man & Music. London: Macmillan. {{ISBN|0-333-51040-2}} (cased) {{ISBN|0-333-53004-7}} (pbk)
* Newes, Virginia Ervin. 1977. "Imitation in the Ars Nova and Ars Subtilior". ''Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap.'' 31:38–59.
* [[Nino Pirrotta|Pirrotta, Nino]]. 1966. "Ars Nova e stil novo". ''Rivista Italiana di Musicologia'' 1:3–19
* Plumley, Yolanda M. 1991. "Style and Structure in the Late 14th-Century Chanson". Ph.D. diss., University of Exeter.
* Plumley, Yolanda M. 1996. ''The Grammar of Fourteenth Century Melody: Tonal Organization and Compositional Process in the Chansons of Guillaume de Machaut and the Ars Subtilior''. Outstanding Dissertations in Music from British Universities. New York: Garland. {{ISBN|0-8153-2065-5}}
* Plumley, Yolanda M. 1999. "Citation and Allusion in the Late Ars Nova: The Case of 'Esperance' and the 'En attendant' songs". ''Early Music History'' 18:287–363.
* Plumley, Yolanda, and Anne Stone. 2008.  ''Codex Chantilly: Bibliothèque du Château de Chantilly Ms. 564'' facsimile edition with commentary.  Turnhout, Belgium: Brepols (distributed by [http://www.omifacsimiles.com/brochures/chantilly.html Old Manuscripts & Incunabula]). {{ISBN|978-2-503-52776-5}}.
* Smith, F. Joseph. 1964. "Ars Nova: A Re-Definition? (Observations in the Light of Speculum Musicae I by Jacques de Liège" Part 1. ''[[American Institute of Musicology#Musica Disciplina|Musica Disciplina]]'' 18:19–35.
* Smith, F. Joseph. 1965. "Ars Nova: A Re-Definition?" Part 2. ''[[American Institute of Musicology#Musica Disciplina|Musica Disciplina]]'' 19:83–97.
* Smith, F. Joseph. 1983. "Jacques de Liège's Criticism of the Notational Innovations of the Ars nova". ''The Journal of Musicological Research'' 4: 267–313
* Stone, Anne. 1996. "Che cosa c'è di più sottile riguardo l'ars subtilior?" ''Rivista Italiana di Musicologia'' 31:3–31.
* Tanay, Dorit. 1999. ''Noting Music, Making Culture: The Intellectual Context of Rhythmic Notation, 1250–1400''. Musicological Studies and Documents 46. Holzgerlingen: [[American Institute of Musicology]] and Hänssler-Verlag. {{ISBN|3-7751-3195-7}}
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{{Ars subtilior|state=open}}
{{Medieval music}}
{{Avant-garde}}
{{Authority control}}
[[Category:Composition schools]]
[[Category:Ars subtilior| ]]
[[Category:Renaissance music]]
[[Category:French styles of music]]
[[Category:Italian styles of music]]
[[Category:Spanish styles of music]]
[[Category:History of Avignon]]