Editing Cynghanedd (section)

==Internal rhyme in Breton==
A form of ''cynghanedd lusg'' known as "internal rhyme" ([[Breton language|Breton]] : ''klotennoù diabarzh'', ''enklotennoù'' or ''kenganez'') was frequently used in [[Middle Breton]], between the XIIth and XVIIth centuries, in poetry, like in ''Pemzec Leuenez Maria'' or in the sonnet from Français Moeam, and theatre like in lots of ''misterioù'', religious pieces, such as [[Buhez Sante Barba]]'. Two of the oldest works with internal rhymes are the Ivonet Omnes verses, which seem to be an old Breton lay and ''Dialog etre Arzuz Roe d'an bretounet ha Guiclaff'', a prophetic text in dialogues.

This is an extract of ''An Dialog etre Arzur Roe d'an Bretounet ha Guynglaff'' (48-49 verses) :
{{quote|''An tut a il{{font color||cyan|'''is'''}} digu{{font color||cyan|'''ys'''}}et''<br>
''An douar fall{{font color||cyan|'''aff'''}} a roy guell{{font color||cyan|'''aff'''}} [et]''}}

Though it isn't as used as ''cynghanedd'' in Modern Welsh, some authors have published some work using this internal rhyme in poetry ([[Alan Botrel]])<ref>Barn ha Skrid, 2008 {{ISBN|978-2-9525135-3-1}}</ref> or in the form of a lay like ''Lae Izold'' by Paskal Tabuteau.<ref>{{Cite web|url=https://www.brezhoneg.org/br/livres/lae-izold|title=Lae Izold|author=Paskal Tabuteau|website=[[Kuzul ar Brezhoneg]]|access-date=14 November 2022}}</ref>