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Mask
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===North America=== [[File:Crooked Beak of Heaven Mask.jpg|thumb|Kwakwaka'wakw ritual mask (painted wood, fiber, and cord)]] North American indigenous cultures in the [[Arctic]] and para-Arctic regions have tended towards simple religious practice but a highly evolved and rich mythology, especially concerning hunting. In some areas, annual [[shamanic]] ceremonies involved masked dances and these strongly abstracted masks are arguably the most striking artifacts produced in this region. [[Inuit]] groups vary widely and share neither a common mythology nor language. Not surprisingly their [[masks among Eskimo peoples|mask traditions]] are also often different, although their masks are often made out of driftwood, animal skins, bones, and feathers. In some areas Inuit women use finger masks during storytelling and dancing.<ref>{{cite book | last = Fienup-Riordan | first = Ann | author-link = Ann Fienup-Riordan | year = 1996 | title = The Living Tradition of Yup'ik Masks: Agayuliyararput | publisher = University of Washington Press | others = The [[Anchorage Museum]] | isbn = 978-0-295-97501-6 | url = https://books.google.com/books?id=g7N7QgAACAAJ | via = Google books }}</ref> Indigenous [[Pacific Northwest]] coastal cultural groups generally included highly skilled [[woodworkers]]. Their masks were often masterpieces of carving, sometimes with movable jaws, with the parts sometimes moved by pulling cords, or a mask within a mask to represent a magical transformation. The carving of masks was an important feature of woodcraft, along with many other features that often combined the utilitarian with the symbolic, such as [[shield]]s, [[canoes]], poles, and houses. Woodland tribes, especially in the northeastern and around the [[Great Lakes]], cross-fertilized culturally with one another. The [[Iroquois]] made spectacular wooden '[[false Face Society|false face]]' masks, used in healing ceremonies and carved from living trees. These masks appear in a great variety of shapes, depending on their precise function. [[Pueblo]] craftsmen produced impressive work for masked religious ritual, especially the [[Hopi]] and [[Zuni people|Zuni]]. The ''[[kachina]]s'' (gods and spirits) frequently take the form of highly distinctive and elaborate masks that are used in ritual dances. These are usually made of leather with appendages of fur, feathers, or leaves. Some cover the face, some the whole head, and are often highly abstracted forms. [[Navajo people|Navajo]] masks appear to be inspired by the Pueblo prototypes.<ref>{{cite book | first = Norman | last = Feder | year = 1973 | title = American Indian Art | publisher = [[Harry N. Abrams]] | location = New York, NY | lccn = 73-4857}}</ref><ref>{{cite web | title = Masks from North America, from the Edward S. Curtis Collection | department = Gallery | website = American Ethnography (americanethnography.com) | url = http://www.americanethnography.com/gallery.php?id=115 | access-date = 6 July 2010 }}</ref> In modern immigrant Euro-American culture, masking is a common feature of [[Mardi Gras]] traditions, most notably [[New Orleans Mardi Gras|in New Orleans]]. Costumes and masks (originally inspired by [[masquerade ball]]s) are frequently worn by "[[krewe]]"-members on Mardi Gras Day; local laws against using a mask to conceal one's identity are suspended for the day.
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