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Max Fleischer
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===Fleischer Studios, Inc.=== Fleischer first set up operations at Carpenter-Goldman Laboratories in Queens with a small staff (see [[Fleischer Studios]]). After eight months, his new company was solvent enough to move back to its former location at 1600 Broadway, where it remained until 1938. At Carpenter-Goldman, Fleischer began producing industrial films including ''[[Finding His Voice]]'' (1929), a demonstration film illustrating the Western Electric Variable Density sound recording and reproduction method. Despite the conflicts with Weiss, Fleischer managed to negotiate a new contract with Paramount to produce a revised version of the "Song Car-tunes", produced with sound and renamed'' [[Screen Songs]]'', beginning with ''[[The Sidewalks of New York]]''. At this early stage in the sound era, Fleischer produced many technically advanced films that were the result of his continued research and development that perfected the post-production method of sound recording. Several of these devices provided visual cues for the musical conductor to follow. As dialogue and songs became major elements, more precise analysis of soundtracks was possible through other inventions from Fleischer such as "The Cue Meter".
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