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Modulation (music)
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===Phrase modulation===<!-- "Truck driver's gear change" redirects here --> [[File:Mozart - K.331, III, mm.6-10 phrase modulation.png|thumb|350px|Phrase modulation in [[Wolfgang Amadeus Mozart|Mozart's]] Sonata in A major, K.331, III (''Alla turca''), mm. 6–10.<ref>Benward and Saker (2003), Vol. I, p. 244.<!--ibid--></ref>{{audio|Mozart - K.331, III, mm.6-10 phrase modulation.mid|Play}}]] Phrase (also called direct, static, or abrupt) modulation is a modulation in which one phrase ends with a [[cadence (music)|cadence]] in the original key, and the next phrase begins in the destination key without any transition material linking the two keys. This type of modulation is frequently done to a [[closely related key]]—particularly the dominant or the relative major/minor key. An unprepared modulation is a modulation "without any harmonic bridge", characteristic of [[impressionist music|impressionism]].<ref>[[Rudolph Reti|Reti, Rudolph]] (1978). ''Tonality, Atonality, Pantonality''. Westport, CT: Greenwood Press. {{ISBN|0-313-20478-0}}.</ref> For example: :{|class="wikitable" style="text-align:center" |- ! |A |E |A |F |B{{flat}} |F |- !A major |I |V |I | | | |- !F major | | | |I |IV |I |} When phrase modulation comes at or near the end of a musical piece, it is referred to as a '''truck driver's gear change''', especially in popular music.
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