Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Performing arts
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Western performing arts=== {{main|Western art history}}{{See also|Antitheatricality}} Starting in the 6th century BC, the [[Classical antiquity|Classical period]] of performing art began in [[Greece]], ushered in by the tragic poets such as [[Sophocles]]. These poets wrote plays which, in some cases, incorporated dance (see [[Euripides]]). The [[Hellenistic civilization|Hellenistic period]] began the widespread use of comedy. However, by the 6th century AD, Western performing arts had been largely ended as the [[Dark Ages (historiography)|Dark Ages]] began. Between the 9th century and 14th century, performing art in the West was limited to [[Religion|religious]] historical enactments and [[morality play]]s, organized by the [[Roman Catholic Church|Church]] in celebration of holy days and other important events. ====Renaissance==== {{main|Renaissance}} In the 15th century performing arts, along with the arts in general, saw a revival as the Renaissance began in Italy and spread throughout Europe plays, some of which incorporated dance, which were performed and [[Domenico da Piacenza]] credited with the first use of the term ''ballo'' (in ''De Arte Saltandi et Choreas Ducendi'') instead of ''danza'' (dance) for his ''baletti'' or ''balli''. The term eventually became ''[[Ballet]]''. The first Ballet ''per se'' is thought to be [[Balthasar de Beaujoyeulx]]'s [[Ballet Comique de la Reine]] (1581). [[File:Jan Miel – Actors from the Commedia dell’Arte on a Wagon in a Town Square.jpg|right|thumb|upright=1.1<!-- requires curly apostrophe --> |''[[Commedia dell'arte]] troupe on a wagon'', by [[Jan Miel]], 1640]] By the mid-16th century [[Commedia Dell'arte]] became popular in Europe, introducing the use of [[improvisation]]. This period also introduced the [[Elizabethan masque]], featuring music, dance and elaborate costumes as well as professional theatrical companies in England. [[William Shakespeare]]'s plays in the late 16th century developed from this new class of professional performance. In 1597, the first opera, [[Dafne]] was performed and throughout the 17th century, opera would rapidly become the entertainment of choice for the [[aristocracy]] in most of Europe, and eventually for large numbers of people living in cities and towns throughout Europe. ====Modern era==== The introduction of the [[proscenium arch]] in Italy during the 17th century established the traditional theatre form that persists to this day. Meanwhile, in England, the [[Puritans]] forbade acting, bringing a halt to performing arts that lasted until 1660. After that, women began to appear in both French and English plays. The French introduced a formal dance instruction in the late 17th century. It is also during this time that the first plays were performed in the [[Thirteen Colonies|American Colonies]]. During the 18th century, the introduction of the popular [[comic opera|opera buffa]] brought opera to the masses as an accessible form of performance. [[Wolfgang Amadeus Mozart|Mozart]]'s ''[[The Marriage of Figaro]]'' and ''[[Don Giovanni]]'' are landmarks of the late 18th century opera. At the turn of the 19th century, [[Ludwig van Beethoven|Beethoven]] and the [[Romantic movement]] ushered in a new era that led first to the spectacles of [[grand opera]] and then to the musical dramas of [[Giuseppe Verdi]] and the ''[[Gesamtkunstwerk]]'' (total work of art) of the operas of [[Richard Wagner]] leading directly to the music of the 20th century. [[File:Vaslav Nijinsky, 1912.jpg|thumb|left|upright|[[Vaslav Nijinsky]] dancing the Faun in ''[[Afternoon of a Faun (Nijinsky)|L'après-midi d'un faune]]'' (1912)]] The 19th century was a period of growth for the performing arts for all social classes, technical advances such as the introduction of [[Gas lighting|gaslight]] to theatres, [[burlesque]], minstrel dancing, and variety theatre. In ballet, women make great progress in the previously male-dominated art. [[Modern dance]] began in the late 19th century and early 20th century in response to the restrictions of traditional ballet. The arrival of [[Sergei Diaghilev]]'s [[Ballets Russes]] (1909–1929) revolutionized ballet and the performing arts generally throughout the Western world, most importantly through Diaghilev's emphasis on collaboration, which brought choreographers, dancers, set designers/artists, composers and musicians together to revitalize and revolutionize ballet. It is extremely complex. [[Konstantin Stanislavski]]'s [[Stanislavski System|"System"]] revolutionized acting in the early 20th century, and continues to have a major influence on actors of stage and screen to the current day. Both [[impressionism]] and modern realism were introduced to the stage during this period. With the invention of the motion picture in the late 19th century by [[Thomas Edison]] and the growth of the [[Cinema of the United States|motion picture industry in Hollywood]] in the early 20th century, [[film]] became a dominant performance medium throughout the 20th and 21st centuries. [[Rhythm and blues]], a cultural phenomenon of black America, rose to prominence in the early 20th century, influencing a range of later popular music styles internationally. [[File:Street Theatre Show, La Chaux-de-Fonds.jpg|right|thumb|upright=1.15|Modern street theatre performance in La Chaux-de-Fonds]]In the 1930s [[Jean Rosenthal]] introduced what would become modern [[stage lighting]], changing the nature of the stage as the [[Broadway musical]] became a phenomenon in the United States. ====Postwar==== Post-World War II performing arts were highlighted by the resurgence of both ballet and opera in the Western world. [[Postmodernism]] dominated the performing arts during the 1970s and the 1980s.<ref>{{Cite book |last=Auslander |first=Philip |url=https://bpb-us-w2.wpmucdn.com/sites.gatech.edu/dist/6/11/files/2017/12/Auslander-Postmodernism-and-Performance.pdf |title=The Cambridge Companion to Postmodernism |publisher=Cambridge University Press |date=28 May 2006 |pages=98 |language=en}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)