Editing Porcupine Tree (section)

====''Signify''====
Partly unsatisfied with the half band/half solo nature of ''The Sky Moves Sideways'', Porcupine Tree promptly got down to the task of recording the first proper band record. Wilson admitted he was always "in love with the idea of the rock band" because "bands have a kind of glamour, and appeal, and a romance about them the solo projects just don't have."<ref name="Aural Innovations Issue No.7">{{cite magazine|url=http://www.aural-innovations.com/issues/issue7/ptree03.html|title=Porcupine Tree (Review/Interview)|magazine=Aural Innovations|first1=Jerry|last1=Kranitz|first2=Keith|last2=Henderson|date=July 1999|issue=7|access-date=7 January 2007|url-status=live|archive-url=https://web.archive.org/web/20070312134918/http://www.aural-innovations.com/issues/issue7/ptree03.html |archive-date=2007-03-12}}</ref> The band worked sporadically over the next year on developing a tighter and more ambitious rock sound.

{{listen
 | filename    = Porcupine Tree - Every Home Is Wired.ogg
 | title       = "Every Home Is Wired"
 | description = from ''Signify''. This album contains shorter pieces than its predecessor, and featured the first collaborative compositions between Wilson and the other band members.
 | format      = ogg
}}

[[File:Steven Wilson Strawberry Fayre Cambridge 1997.jpg|thumb|left|145px|Steven Wilson at the Strawberry Fair, Cambridge, 1997]]

After the release of the first real Porcupine Tree single, "[[Waiting (Porcupine Tree song)|Waiting]]", which entered all UK indie charts and the UK National chart and attracting airplay all over Europe, ''[[Signify (album)|Signify]]'' was released in September 1996. The album was a mixture of instrumental tracks and more song-oriented tunes, blending numerous rock and ''[[avant-garde]]'' styles, such as [[krautrock]].<ref name="even less">{{cite web |last=Ezell |first=Brice |url=http://www.popmatters.com/pm/post/156385-progs-only-stupid-dream-porcupine-tree-even-less |title=Prog's Only Stupid Dream: Porcupine Tree - "Even Less" |website=[[PopMatters]] |date= 2 April 2012|access-date=29 June 2014}}</ref> Wilson expressed satisfaction in the direction of the album, stating "tracks like 'Every Home Is Wired' and 'Dark Matter' totally transcend both genre and comparison. Finally, I think we are making a completely original and 1990s form of music, but which still has its root in progressive music."<ref name="Record Collector November 1996, issue 207">{{cite web |url=http://www.porcupinetree.com/background.interviews.cfm?press=interview007 |title=Record Collector |date=November 1996 |issue=207 |access-date=7 January 2007 |url-status=dead |archive-url=https://web.archive.org/web/20061114142444/http://www.porcupinetree.com/background.interviews.cfm?press=interview007|archive-date= 14 November 2006|df= dmy-all}}</ref> The musicians received writing credits for some tracks, most notably for "Intermediate Jesus", which evolved from a jam session later released as ''[[Metanoia (Porcupine Tree album)|Metanoia]]'' at the end of 1998.<ref>{{cite web|url=http://www.porcupinetree.com/discography.details.cfm?albumid=97|title=Porcupine Tree – Discography|publisher=porcupinetree.com|access-date=6 April 2008|url-status=dead|archive-url=https://web.archive.org/web/20080405052425/http://www.porcupinetree.com/discography.details.cfm?albumid=97|archive-date=5 April 2008}}</ref> A large amount of major European media interest accompanied the album's release.

In March 1997, they played three nights in Rome to an audience that surpassed 5,000 people. All three dates were recorded for use in the 1997 live album ''[[Coma Divine – Recorded Live in Rome]]'' that was released as a goodbye to Delerium Records, which felt it could no longer offer the kind of resources the band needed  to continue to build its profile worldwide. In late 1997 Porcupine Tree's first three albums were remastered and reissued. ''Signify'' also was released in the US on [[Miles Copeland III|Miles Copeland]]'s [[Ark 21 Records|Ark 21]] label.