Editing Postmodern art (section)

===After abstract expressionism===
{{Main|Post-painterly abstraction|Color Field painting|Lyrical Abstraction|Arte Povera|Process Art|Western painting}}
In [[Abstract art|abstract painting]] during the 1950s and 1960s several new directions like [[Hard-edge painting]] and other forms of [[Geometric abstraction]] like the work of [[Frank Stella]] popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical [[avant-garde]] circles. [[Clement Greenberg]] became the voice of ''Post-painterly abstraction;'' by curating an influential exhibition of new painting touring important art museums throughout the [[United States]] in 1964. [[Color field painting]], [[Hard-edge painting]] and [[Lyrical Abstraction]]<ref>Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113.</ref> emerged as radical new directions.

By the late 1960s, [[Postminimalism]], [[Process Art]] and [[Arte Povera]]<ref name="douglas2007">''Movers and Shakers, New York'', "Leaving C&M", by Sarah Douglas, Art and Auction, March 2007, V.XXXNo7.</ref> also emerged as revolutionary concepts and movements encompassing painting and sculpture, via [[Lyrical Abstraction]] and the [[Postminimalist]] movement, and in early [[Conceptual Art]].<ref name="douglas2007"/> Process art as inspired by Pollock enabled artists to experiment with and make use of a diverse encyclopedia of style, content, material, placement, sense of time, and plastic and real space. [[Nancy Graves]], [[Ronald Davis]], [[Howard Hodgkin]], [[Larry Poons]], [[Jannis Kounellis]], [[Brice Marden]], [[Bruce Nauman]], [[Richard Tuttle]], [[Alan Saret]], [[Walter Darby Bannard]], [[Lynda Benglis]], [[Dan Christensen]], [[Larry Zox]], [[Ronnie Landfield]], [[Eva Hesse]], [[Keith Sonnier]], [[Richard Serra]], [[Sam Gilliam]], [[Mario Merz]], [[Peter Reginato]], [[Lee Lozano]], were some of the younger artists emerging during the era of [[Late Modernism|late modernism]] spawning the heyday of the art of the late 1960s.<ref>Martin, Ann Ray, and Howard Junker. The New Art: It's Way, Way Out, Newsweek 29 July 1968: pp.3,55–63.</ref>