Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Slint
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== Style and influence== The band is noted for having syncopated guitar riffs, drastically altering dynamics, and complex song structures and time signatures.<ref name="Simpson, 2014" /> McMahan's and Walford's vocals comprised hushed spoken words, singing, and strained screaming.<ref>{{cite web|last=Berman|first=Stuart|date=April 16, 2014|title=Slint: Spiderland|url=https://pitchfork.com/reviews/albums/19182-slint-spiderland-remastered-box-set/|access-date=May 29, 2020|website=[[Pitchfork (website)|Pitchfork]]}}</ref> Artists that influenced Slint include [[Leonard Cohen]], [[Neil Young]], [[Nick Cave]], [[Madonna]], [[Philip Glass]], [[Minutemen (band)|Minutemen]] and [[Big Black]].<ref>{{Cite magazine |date=2005-04-04 |title=Slow Fade |url=https://www.newyorker.com/magazine/2005/04/11/slow-fade |access-date=2022-08-15 |magazine=The New Yorker |language=en-US}}</ref><ref>{{cite web |last1=Calvert |first1=John |title=Murder Ballads: an interview with Slint |url=https://www.factmag.com/2014/03/12/murder-ballads-an-interview-with-slint/ |website=Fact Magazine |date=March 12, 2014 |access-date=31 January 2023}}</ref> Rachel Devine of ''[[The List (magazine)|The List]]'' called ''Spiderland'' "arguably the most disproportionately influential [album] in music history".{{sfn|Devine|2007}} It is regarded as a highly influential forerunner of the [[math-rock]] genre,{{sfn|Diver|2008}} with ''Pitchfork''{{'}}s Stuart Berman noting how the album "motivated a cluster of semi-popular bands in the late-90s and early 2000s to adopt its whisper-to-scream schematic. It's the boundless inspiration it perpetually provides for all the bands that have yet to emerge from the basement."{{snf|Berman|2014}} Additionally, they have come to be regarded as one of the pioneers of [[post-rock]], ''Spiderland'' being described as "the ur-text for what became known as post-rock, a fractured, almost geometric reimagining of rock music stripped of its dionysiac impulse."{{sfn|Peschek|2005}} [[Mogwai]]'s [[Stuart Braithwaite]] was struck by the "psychic playing" evident on ''Spiderland'', stating "when I heard it, it was unlike anything Iβd heard before. I still donβt know if I have heard anything else like it, now. Obviously a lot of bands take a lot from it β I know that we did."<ref>{{Cite web |last=Braithwaite |first=Stuart |last2=Diver |first2=Mike |date=2014 |title=Mogwai's Stuart Braithwaite On Slint's 'Spiderland' |url=https://www.clashmusic.com/features/mogwais-stuart-braithwaite-on-slints-spiderland/ |url-status=live |archive-url=https://web.archive.org/web/20221002130929/https://www.clashmusic.com/features/mogwais-stuart-braithwaite-on-slints-spiderland/ |archive-date=October 2, 2022 |access-date=April 25, 2024 |website=clashmusic.com}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)