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Autoharp
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==Playing technique== As initially conceived, the autoharp was played in the position of a [[Zither|concert zither]], that is, with the instrument set flat on a table (there are three feet on the back for this purpose), and the flat-edge of the instrument (below the chord bars) placed to the player's right. The left hand worked the chord buttons, and the right hand would strum the strings in the narrow area below the chord bars.<ref>Many instruments had (and still have) a paper or plastic card below the strings in this area, with a picture of a stylized piano-keyboard, as an aid to the player in locating specific notes with the picking hand.</ref> Right hand strums were typically done with a [[plectrum]] similar to a guitar pick, made of shell, plastic, or compressed felt. A strum would usually activate multiple strings, playing the chord held down by the left hand. Partly because of this playing mode, the autoharp came to be thought of as a rhythm instrument for playing chordal accompaniment, and even today many still think of the instrument in that way. New techniques have been developed, however, and modern players can play melodies on the instrument: diatonic players, for example, are able to play fiddle tunes using open-chording techniques, "pumping" the damper buttons while picking individual strings. Skilled chromatic players can perform a range of melodies, and even solos including melody, chords, and complex rhythmic accompaniments. In the mid-20th century performers began experimenting with taking the instrument off the table and playing it in an upright position, held in the lap, with the back of the instrument (having the "feet") held against the chest. [[Cecil Null]], of the [[Grand Ole Opry]] is usually credited as the first to adopt this playing style in public performance, in the 1950s. In this position the left hand still works the chord buttons, but from the ''opposite edge'' of the instrument, and the right hand still executes the strums, but now plays in the area ''above'' the chord bars. (See ''[[Joe Butler]]'' illustration, below.) This playing mode makes a wider area of the strings available to the picking hand, increasing the range of tonal possibilities, and it proved very popular. It was soon adopted by other performers, notably by members of the [[Carter Family]]. By the early 1970s some players were experimenting with finger-style techniques, where individual fingers of the right hand would pluck specific strings, rather than simply hold a pick and strum chords. [[Bryan Bowers]] became a master of this mode of playing, and developed a complex technique utilizing all five fingers of his right hand. This allows him to play independent bass notes, chords, melody, and counter melodies as a soloist. Bowers was also one of the early pioneers in adding a strap to the instrument and playing it while standing up.
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