Editing Man with a Movie Camera (section)

==Analysis==
''Man with a Movie Camera'' has been interpreted as an optimistic work.<ref>{{cite news |url=http://www.irishtimes.com/culture/film/man-with-a-movie-camera-review-power-to-the-people-1.2302290 |title=Man with a Movie Camera review: power to The People |last=Brady |first=Tara |newspaper=The Irish Times |date=30 July 2015 |access-date=3 February 2017}}</ref> Jonathan Romney called it "an exuberant manifesto that celebrates the infinite possibilities of what cinema can be".<ref>{{cite news |url=https://www.theguardian.com/film/2015/aug/02/man-with-a-movie-camera-review-pure-cinema-unparalleled |title=Man with a Movie Camera review – pure cinema, still unparalleled |last=Romney |first=Jonathan |newspaper=The Observer |date=2 August 2015 |access-date=3 February 2017}}</ref> Peter Bradshaw of ''The Guardian'' wrote that the work "is visibly excited about the new medium's possibility, dense with ideas, packed with energy: it echoes ''[[Un Chien Andalou]]'', anticipates [[Jean Vigo|Vigo]]'s ''[[À propos de Nice]]'' and the [[French New Wave|New Wave]] generally, and even [[Leni Riefenstahl|Riefenstahl]]'s ''[[Olympia (1938 film)|Olympia]]''".<ref>{{cite news |url=https://www.theguardian.com/film/2015/jul/30/man-with-a-movie-camera-review |title=Man with a Movie Camera review – visionary, transformative 1929 experimental film|last=Bradshaw |first=Peter |newspaper=The Guardian |date=30 July 2015 |access-date=3 February 2017}}</ref>