Editing One and Three Chairs (section)

==Further reading==
* Archer, Michael: ''Art since 1960''. Thames and Hudson, London 1997, p.&nbsp;80.
* Art & Language (Atkinson, Terry/Baldwin, Michael/Pilkington, Philip/Rushton, David): ''Introduction to a Partial Problematic''. In: Joseph Kosuth: Art Investigations & `Problematics´ since 1965. Cat. of exhib. Kunstmuseum Luzern. Luzern 1973, vol. 2, p.&nbsp;12,22.
* Dickel, Hans u.a.: ''Die Sammlung Paul Maenz''. Neues Museum Weimar. Edition Cantz, Ostfildern-Ruit 1998, p.&nbsp;82s. (with descriptions of the constituents of the German-English version and a bibliography).
* Dreher, Thomas: [http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976]. Thesis Ludwig-Maximilians-Universität/Peter Lang, Frankfurt am Main 1992, p.&nbsp;70-79.
* Inboden, Gudrun: ''Introduction: Joseph Kosuth - Artist and Critic of Modernism''. In: Joseph Kosuth: ''The Making of Meaning. Selected Writings and Documentation of Investigations on Art Since 1965''. Cat. of exhib. Staatsgalerie Stuttgart. Stuttgart 1981, p.&nbsp;16-19.
* Kosuth, Joseph: ''Art after Philosophy, Part III''. In: Studio International, December 1969, p.&nbsp;212.
* [[Liz Kotz|Kotz, Liz]]: Words To Be Looked At. Language in 1960s Art. Cambridge/Mass. 2007, p.&nbsp;182-194.
* Maenz, Paul: 1970-1975 Paul Maenz Köln. Gallery Paul Maenz, Cologne 1975, p.&nbsp;85 (Illustrations of three different realizations of ''One and Three Chairs'' (English/German)).
* Prinz, Jessica: ''Text and Context: Reading Kosuth's Art''. In: Prinz, Jessica: Art Discourse/Discourse in Art. Rutger U.P., New Brunswick/New Jersey 1991, p.&nbsp;52,58.
* Rorimer, Anne: ''New Art in the 60s and 70s. Redefining Reality''. Thames & Hudson, London 2001, p.&nbsp;94.
* Tragatschnig, Ulrich: ''Konzeptuelle Kunst. Interpretationsparadigmen: Ein Propädeutikum''. Reimer, Berlin 1998, p.&nbsp;116.