Editing Pascal Dusapin (section)

==Collaboration with Accroche Note==
The instrumentation of Dusapin's music is often based upon available players, and during the 1980s and 1990s, he often wrote for the Ensemble Accroche Note,<ref>{{cite web|url=http://www.accrochenote.com|title=» Accroche Note|website=accrochenote.com}}</ref> a Strasbourg-based new music group founded by a singer and clarinetist.<ref name="ReferenceB">Pace, "Never To be Naught", 17.</ref> [[Ian Pace]] proposes that the influence of the group's clarinetist [[Armand Angster]] might be a reason for the prominence of the clarinet in much of Dusapin's music from this time period.<ref name="ReferenceB"/> Griffiths, too, makes note of the important role of the clarinet in the series of shorter pieces that Dusapin wrote after the completion of his first opera, Roméo et Juliette (1985–89).<ref name="Griffiths, Dusapin, Pascal."/> Dusapin's tendency to write for specific instrumentalists (in this case, clarinetist Angster) reveal a practical and realistic side of the composer.