Editing Pierre Puget (section)

===Marseille and the Louis XIV statue===
In 1665, he proposed an even more ambitious commission, to design a new city square next to the port of Marseille, with, as the centerpiece, a monumental equestrian statue of Louis XIV, facing the harbor. Similar monuments had been constructed in Paris, in [[Place Vendôme]] and [[Place des Victoires]]. He designed both the statue and the architecture of the square, which was actually an oval, surrounded by a majestic marble colonnade,  to complement the statue. The only question was money; the royal government expected the city of Marseille to finance the project.{{Sfn|Lagrange|1868|page=230}}

Puget made one of his rare trips to Versailles to promote the project in person to the King, on 29 November 1687. The King expressed his admiration of the project, as did his consort, Madame de Maintenon;  but the soon-to-be chief royal architect, [[Jules Hardouin-Mansart]], pointed out that it would be more attractive and efficient to build a square, rather than an oval, and a more modest project. Mansart himself had designed both Place Vendome and Place des Victoires, and his views were accepted by the King, much to the distress and anger of Puget. Work went ahead on the project, following the new plan. The marble was delivered for the statue, and Puget's friends in Genoa sent a magnificent horse to serve as a model.  Puget remained adamant and declared he would not make the statue until the city square, in an oval shape, was constructed for it. The ''Echevins'', or city council, decided they preferred the simpler and less expensive square design, but Puget was adamant.
Puget made another trip to Versailles to try to persuade the King to accept his project, but the King declined to see him. The Echevins of Marseille abandoned Puget and selected a different and little-known sculptor, Clérion, and Puget was excluded from the project.  In the end, neither the square nor the statue was made; the outbreak of a war with Holland in 1688 ended for a time any new architectural projects.{{Sfn|Lagrange|1868|page=267-269}}

The last two works of Puget were the bas-reliefs ''Alexander and Diogenes'' and ''The Plague of Marseille''.  The last work, depicting a tragic but heroic moment in the city's history, was left unfinished. After his death, it was placed in the Council Chamber of the city of Marseille, where he died in 1694.{{cn|date=March 2024}}

In 1882, [[Adolphe-André Porée]] discovered a lost statue by Puget on a castle grounds at [[Biéville-Beuville]]. He sculpted a large marble group of the Virgin and Child for the church of [[Lorgues]] and created a monumental wooden retable still in place, for [[Toulon Cathedral]]. ''Hydra of Lerna'' was originally in the castle of Vaudreuil, and is now at the [[Musée des Beaux-Arts de Rouen]].<ref>{{cite web|url=http://www.framemuseums.org/jsp/fiche_oeuvre.jsp?STNAV=&RUBNAV=&CODE=O116152645940127&LANGUE=1&RH=Galleries&OBJET_PROVENANCE=GALERIE&PAGE_NAVIGATION=1|title=Hercule terrassant l'hydre de Lerne, 1659-1660|author=French Regional & American Museum Exchange (FRAME)|date=2010-06-19|url-status=dead|archiveurl=https://web.archive.org/web/20110726064221/http://www.framemuseums.org/jsp/fiche_oeuvre.jsp?STNAV=&RUBNAV=&CODE=O116152645940127&LANGUE=1&RH=Galleries&OBJET_PROVENANCE=GALERIE&PAGE_NAVIGATION=1|archivedate=2011-07-26}}</ref>

[[Mont Puget]], near Marseille, is named after him.